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Kiss Me Deadly [VHS]
 
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Kiss Me Deadly [VHS] (1955)

Starring: Ralph Meeker, Albert Dekker Director: Robert Aldrich Rating: Unrated Format: VHS Tape
4.1 out of 5 stars  See all reviews (64 customer reviews)


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Editorial Reviews

Amazon.com essential video

Kiss Me Deadly starts off with a bang--a young woman (Cloris Leachman) in bare feet and a trench coat runs along a highway, frantically trying to flag down help. In desperation, she finally throws herself into traffic, and the car she stops belongs to detective Mike Hammer. The pace never lets up--we're not even 15 minutes into the movie and there's already been a murder, a mysterious letter, an attempt to kill Hammer, and, of course, a warning to just stay out of it. Hammer, tired of lowlife divorce cases, smells something big and can't let it go. The film is exciting, about as dark as a noir can get, and full of skewed camera angles and mysterious whose-shoes-are-those shots. At the center, of course, is Mike Hammer, a detective so cool he can win a fight with nothing more than a box of popcorn as a weapon. Hammer knows his opera singers as well as his amateur prizefighters, and he makes the ladies swoon, but he's far from a conventional hero. In fact, he's rather emphatically not a nice guy; Hammer happily whores out his secretary-girlfriend Velma to cinch up those divorce cases and has a penchant for slamming other people's fingers in drawers. Even the bad guys know he's a sleazebag. ("What's it worth to you to turn your considerable talents back to the gutter you crawled out of?") Ralph Meeker plays Hammer's ambivalence brilliantly, swinging easily between sexy and just plain mean. Kiss Me Deadly is just terrific. Stop reading this review and watch it already. --Ali Davis

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4.1 out of 5 stars (64 customer reviews)
 
 
 
 
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60 of 60 people found the following review helpful:
5.0 out of 5 stars One of the great P.I. noir films, with the restored ending!, March 19, 2004
This review is from: Kiss Me Deadly (DVD)
Robert Aldrich's 1955 detective thriller, "Kiss Me Deadly," came at the end of the American classic film noir cycle, and shows the genre at its most violent, surreal, cruel, cynical, and visually bizarre. It's the last great explosive moment of the classic era of film noir -- and I do mean explosive. This is one detective film, like "Chinatown," which you won't soon forget.

Aldrich and screenwriter A. I. Bezzirides took on Mickey Spillane's popular P.I. Mike Hammer, but aside from keeping the basic plot outline of the original novel, they completely changed the nature of the character in a very reactionary move. Spillane's Mike Hammer is a New York detective-avenger, a self-righteous vigilante who deals out justice when the paralyzed forces of the law can do nothing: he's a vicious knight on a mean-spirited quest to right wrongs through brute force. (The title of the first Hammer novel, "I, the Jury" pretty much sums up his attitude.) The movie relocates Hammer to Los Angeles and turns him into a shallow con-artist who only cares about his car and his looks. He's a lousy detective too, relying on knocking people around for information, often innocent inoffensive folks, and never really paying attention to the important details of the case. His detective work is entirely matrimonial, where he and his `assistant' Velda put the squeeze on couples to blackmail them. Hammer's motto is simple: "What's in it for me?" Ralph Meeker is perfect in the role, looking as if someone carved him out of slab of meat.

No doubt, in this story Hammer is in way over his head...if only he knew it. He picks up a nearly naked girl (Cloris Leachman in an early role) who throws herself in front of his sports car. Later, they're run off the road, and faceless gangsters torture her to dearth and leave Hammer for dead. Hammer sets out to find out what's up; not because he cares what happened to the girl, but because he sniffs out big money and he'd like to get the guys who wrecked his sports car! Hammer finds himself in a violent quest to locate an object that everyone desires: a package called `The Great Whatsit.' The Great Whatsit isn't a meaningless red herring or Hitchcock McGuffin, however. Its contents are the great surprise of the plot, and the perfect exclamation point on a movie taking place in a chaotic world that seems to be falling apart. I won't tell what the Great Whatsit is (and shame on the reviewers here who have!), but...oh wow!

And this brings us to the issue of the ending, and the only extra on this disc. (Don't worry, I'm not going to spoil the ending.) For years, "Kiss Me Deadly" had a mysteriously abrupt finale that many people praised for its surreal, weird quality. This was how I first saw it. However, in 1997 the original ending was discovered in Aldrich's personal print of the film by editor Glenn Erickson and film noir scholar Alain Silver. Apparently, an accident involving a careless projectionist snipped off part of the ending, so what we had enjoyed and critiqued for years was actually a mistake! The new ending shown on this disc fortunately doesn't change the tone of the film: it's still pretty astonishing, filled with a brilliant use of light and sound effects. However, there's still something about that abrupt ending that gets to people. The DVD contains the option to watch this original abrupt ending so you can make up your mind which one `feels' more right to you: what the director intended, or the mistake that many embraced as a stroke of brilliance.

No matter which ending you like, "Kiss Me Deadly" is a fabulous piece of brutal crime cinema. The photography is amazing, filled with weird and surreal images and crazy camera angles. The performances are all dead-on: Meeker's ugly Mike Hammer; Albert Dekker as the sinister and poetry spouting Dr. Soberin; Wesley Addy as Hammer's police acquaintance Pat, the sole voice of reason in the mess; Paul Stewart as a smarmy L.A. gangster; the late Jack Elam as freaky thug; and Gaby Rodgers in the film's strangest performance as the distant, weird, but ultimately very dangerous (to every living thing on the planet!) Lily Carver.

If you love detective films and film noir, "Kiss Me Deadly" is a great must-see classic. For a 1950s film, it is surprisingly violent and far ahead of its time. And either end will leave you shivering in shock. If only they had the guts to end films this way today!

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29 of 30 people found the following review helpful:
5.0 out of 5 stars VA VA VOOM - PAOW !, November 11, 2001
This review is from: Kiss Me Deadly (DVD)
Robert Aldrich's KISS ME DEADLY is one of these movies I watch every two or three years with the same pleasure. When I discovered it for the first time long ago, Film Noir meant Humphrey Bogart, Howard Hawks, James Cagney or John Huston to me. So imagine the shock KISS ME DEADLY gave me.

Everything was so innovative in this movie from the initial credits rolling backwards over Cloris Leachman running half-naked on the road and gasping in Mike Hammer's car with a quite erotic intensity. From the sadistic torture scene of Christina Bailey to the character of Maxine -Velda- Cooper who helps Mike Hammer to nail adultery husbands by seducing them. From the secondary characters so well written that it seems that they all have a tremendously important role in the story.

At last, the performance of Ralph -Mike Hammer- Meeker is so perfect that it's hard to imagine another actor in the role. I personally can't. And Nick Dennis, Mike Hammer's friend, whose onomatopeia are now part of Movie History. And, and...

OK ! check for yourselves if you still don't know this movie. Superb copy with various subtitles, the alternate ending and the original trailer.

A DVD zone your library.

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13 of 15 people found the following review helpful:
5.0 out of 5 stars One of the best of the genre!, April 2, 1999
By A Customer
This is easily one of the most outstanding pieces of film noir ever made. Ralph Meeker, (An actor who usually played bad guys.), plays a very anti-heroic Mike Hammer.

The Mike Hammer that Meeker portrays is greedy and sadistic. He takes great pleasure inflicting pain on others, and stepping on as many toes as possible to get what he wants. With a lead character as trashy as the one Meeker portrays you can only imagine how cold-blooded the rest of the people in this movie are.

"Kiss Me Deadly" is one of the more rarely seen classic detective pictures; this is a shame. From the very first shot of this picture, you can feel the crime-detective genre being pushed and beaten into directions no one has ever seen before.

There are some people who did not understand the ending of this picture. It's simple: "Be careful what you go looking for, you might not like what you find."

This is one wonderfully stylish, suspensful, and unusual motion picture. You owe it to yourself to check it out!

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Most Recent Customer Reviews

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3.0 out of 5 stars Sordid and dislikable
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3.0 out of 5 stars The Search for the "Great Whatsit"
Kiss Me Deadly, 1955 film

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Published on January 25, 2007 by Acute Observer

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