Product Details

• Actors: Al Pacino, John Cazale, Charles Durning, Chris Sarandon, Sully Boyar
• Directors: Sidney Lumet
• Writers: Frank Pierson, Leslie Waller, P.F. Kluge, Thomas Moore
• Producers: Martin Bregman, Martin Elfand, Robert Greenhut
• Format: Closed-captioned, Color, DVD, Full Screen, Letterboxed, Widescreen, NTSC
• Language: English (Dolby Digital 2.0 Mono)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rating: R (Restricted)
• Studio: Warner Home Video
• DVD Release Date: December 17, 1997
• Run Time: 125 minutes
• Average Customer Review: 4.7 out of 5 stars  See all reviews (113 customer reviews)
• ASIN: 6304712960
• Amazon.com Sales Rank: #9,278 in Movies & TV (See Bestsellers in Movies & TV)

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• For more information about "Dog Day Afternoon" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com essential video

A gripping true crime yarn, a juicy slice of overheated New York atmosphere, and a splendid showcase for its young actors, Dog Day Afternoon is a minor classic of the 1970s. The opening montage of New York street life (set to Elton John's lazy "Amoreena") establishes the oppressive mood of a scorching afternoon in the city with such immediacy that you can almost smell the garbage baking in the sun and the water from the hydrants evaporating from the sizzling pavement. Al Pacino plays Sonny, who, along with his rather slow-witted accomplice Sal (John Cazale, familiar as Pacino's Godfather brother Fredo), holds hostages after a botched a bank robbery. Sonny finds himself transformed into a rebel celebrity when his standoff with police (including lead negotiator Charles Durning) is covered live on local television. The movie doesn't appear to be about anything in particular, but it really conveys the feel of wild and unpredictable events unfolding before your eyes, and the whole picture is so convincing and involving that you're glued to the screen. An Oscar winner for original screenplay, Dog Day Afternoon was also nominated for best picture, actor, supporting actor (Chris Sarandon, as a surprise figure from Sonny's past), editing, and director (Sidney Lumet of Serpico, Prince of the City, The Verdict, and Running on Empty). --Jim Emerson

Product Description

An eccentric bank robber brings New York city to a standstill in this tense, quirky thriller. A modern-day classic. Includes notes and scene access.

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Customer Reviews

Most Helpful Customer Reviews

31 of 31 people found the following review helpful:

5.0 out of 5 stars Pacino Heats Up The Screen, February 2, 2001

By	Thomas Magnum (NJ, USA) - See all my reviews (TOP 50 REVIEWER)

Al Pacino burns up the screen in Dog Day Afternoon which is based on a true story and confirms that fact that truth is sometimes stranger than fiction. Mr. Pacino plays Sonny who teams up with the dullard Sal (John Cazale) to rob a Brooklyn bank on a sweltering summer afternoon. Sonny was a one-time bank employee, so he knows all the tricks of the trade to thwart bank robbers. Unfortunately for the robbers, the bank virtual has no money do to having made a deposit only hours before the robbery attempt. A shopworker across the street from the bank notices the strange proceedings and calls the cops. Before you know it, the bank is completely surrounded by cops. The cops (led by Charles Durning & James Broderick) start a hostage negotiation with Sonny. Even though Sonny's a crook, he isn't all bad and he, Sal and the hostage bank workers form a strange kinship. The story is shown on TV and a crowd gathers in the streets as well and Sonny becomes something of a cult hero. His scenes on the street outside the bank are scintillating including his famous Attica chant. Sonny is married with kids, but it turns out that he was robbing a bank to pay for a sex change operation for his gay lover, Leon (Chris Sarandon). The movie closes out at night at the airport in dramatic fashion. Sidney Lumet does a fine job translating the heat and humidity of the day and you can feel yourself sweating along with the characters. Mr. Pacino has been more heralded for his Godfather roles, Scarface, Serpico and Scent Of A woman, but in my book, he was never finer than he was in this movie.

12 of 12 people found the following review helpful:

4.0 out of 5 stars A Bank Robbery Gone Terribly Wrong, October 28, 2001

By	The Groove (Boston, MA) - See all my reviews (TOP 500 REVIEWER)

Without showing a trace of his icy performance as Michael Corleone in "The Godfather" parts 1 & 2, Al Pacino made a radical departure by playing a bisexual bank robber in "Dog Day Afternoon." Here's a hilarious (but apparently true) story about Sonny (Pacino) who stages a bank robbery to finance his lover's sex change operation. Within minutes, the attempted robbery heads for disaster, as the police and media surround the bank while Sonny holds the employees hostage for the entire day. Even after nearly 30 years, "Dog Day Afternoon" is a marvel to see. This film won a well-deserved 1975 Academy Award for its witty screenplay, and Pacino's performance ranks among his best. Unfortunately, those who are looking for a deluxe-edition DVD will be sorely disappointed with this release. The picture is incredibly grainy, with spots, hairs, and marks. The sound is 1-channel mono, instead of a 5.1 surround remix. But the biggest slap on the face is the virtual lack of features on this DVD: we don't even get a trailer. All we get are production notes. Movie buffs and Pacino diehards will pick this up, but everyone else should hold off, rent the film, and hope that Warner Bros. will release a special edition of this great movie.

31 of 38 people found the following review helpful:

4.0 out of 5 stars A Small Scale Classic!, January 25, 2001

By	Michael E. Raeford (Greensboro, NC United States) - See all my reviews (REAL NAME)

I bought Dog Day Afternoon on DVD completly at random, just based on the actors, and the synopsis. On the back of the case, this movie is branded as a "boisterous comedy" that is "Bitingly Funny". And while the movie certainly has its funny parts, it never has one-liner jokes, or much situational humor. It is more of a comedy as a whole, and just about how the whole bank robbery got screwed up. Accually, it is really quite serious in tone.

So once you get past the aboslutly false statements that this is a comedy, you start to see the magic of this film. It is a very static movie, and the everything takes place in or around the bank throughout the entire movie until the very end. The story isn't driven through action sequences, rather it is driven by the brilliant dialoge between characters.

When watching this movie, you will feel like you are right there, inside this movie. You will progress right along with the main character, Sonny. You watch his attitude change from being very optimistic and hopeful, into a more frustrated, disjointed, and confused character. Al Pacino does a brilliant job showing the many changes that Sonny goes through. You can literally see the preasure on Sonny's face as time is running out, and as his plans keep getting more and more screwed up.

Not only does Al Pacino do a brilliant job, but the other characters are amazingly protrayed as well. Other notable performances are Leon (Sonny's disconnected boyfriend), Sal (Sonn'y partner), and even Detective Moretti. Every character is so believable and real that you will truly feel like you have met them all first hand.

One thing that I have noticed about Dog Day Afternoon is its influences on more modern movies. As I was watching it, I couldn't help but recognize modern movies in it. Two examples that came to mind the most are Mad City, and Airheads. In Mad City, John Travoltra's character is also faced with a media circus as he holds a group of school kids and their teacher hostage in a meauseam. The frenzy of media coverage, the public reaction, and the way that the main character becomes friendly with the hostages all give a very big nod to Dog Day Afternoon. In Airheads, I noticed that the way one of the guys who had taken the radio station hostage would come outside to talk to the cops, and while he was out there, he would incite the crowd and start different chants. In Airheads, one of the hostage takers started the crowd in a "Rodney King" chant, while in Dog Day Afternoon, Al Pacino started the crowed in an "Attica" chant. These sequences are so familiar that I am convinced the screen writers had Dog Day Afternoon in mind when writing them.

Overall, this is a fantastic movie that is full of brilliant performances. But for some, it may seem way to static, and slow moving.

As far as DVD features go, the picture quality is superb, considering that the original film is from the mid 70's. The audio is Dolby Mono tracked, but nothing else is neccesary. There are no sound effects to speak of - it is all pretty much dialogue - so the mono track is sufficient. As far as extras, if you consider Scene Selections and Interactive Menus to be "extras", then you will be happy, but I would say that this DVD is as bare as they get. I can't stand when DVD Case designers try and pass off these standard 'features' as extras. That is like a CD advertising its ability to change tracks with the touch of a button.

Great movie - decent DVD transfer.