|
|
95 of 108 people found the following review helpful:
4.0 out of 5 stars
"The Darkest Day of Horror the World Has Ever Known", March 22, 2004
The third--and possibly the final--entry in George Romero's DEAD series, 1985's DAY OF THE DEAD was initially panned by both critics and horror fans. Many complained that, in spite of the much improved special FX, the film did not live up to the creepiness and the literacy of the groundbreaking first film of the trilogy, NIGHT OF THE LIVING DEAD (1968), nor was its content equal to the offbeat humor and satirical subtext of the second film, DAWN OF THE DEAD (1978). Thus, it was simply written off as another exercise in shock value. But in the time that has passed since the initial release of DAY OF THE DEAD, many fans and critics alike have grown to regard the film as a worthy entry in the series, with many claiming it has become their favorite of the three.DAY OF THE DEAD is a claustrophobic character study set almost entirely in a secured underground military bunker. The story picks up some months after the end of DAWN OF THE DEAD, with the earth now nearly overrun by the flesh-eating corpses (one character estimates that the zombies outnumber the "normals" by circa 400,000 to 1). Military personnel have been assigned to the bunker with orders to protect and assist the group of scientists there who are experimenting on zombies in order to find a "solution" for the pandemic. However, much time has passed already with few results, and the assignment is taking its toll on the soldiers. When the Major in charge of the unit dies, the next in rank, an unbalanced Captain named Rhodes, takes over the project with the intention of shutting it all down and bugging out. The scientists resist, of course, as do the few civilians under the scientists' employ, and the resulting strife just might result in the annihilation of these last vestiges of the human race. Contrary to initial criticism of DAY OF THE DEAD, the film's characterization is strong, literate, and fairly unidealistic, and the matter-of-fact socio-political subtext of the plot--though it might be a somewhat cliché SF theme--is actually a quite believable, hard-boiled reflection of the real-world tension between science and the military. And, yes, there is something for the gore hounds, too. Romero's long-time FX man, Tom Savini, does some of his most sophisticated work in DAY OF THE DEAD, with some of the most shocking grotesqueries saved for the final reel. The performances in DAY OF THE DEAD are actually some of the best in the three-film series. Lori Cardille's emotive portrayal of the hard-as-nails heroine--a scientist named Sarah, who is the only woman in the enclave of "normals"--is fantastic, and Joseph Pilato creates a truly frightening portrait of a draconian martial megalomaniac. Richard Liberty is also delightful as Dr. Logan, the "mad" scientist whose experiments on the zombies are so extremely over the edge that the soldiers have nicknamed him "Frankenstein." Actor Terry Alexander delivers a standout performance as John, a civilian helicopter pilot who is also a pacifist and therefore avoids assisting the military half of their troupe as much as possible. And equally outstanding is Sherman Howard's (a.k.a. Howard Sherman) warm and sympathetic characterization of Bub, a benign zombie that Dr. Logan has "domesticated." In short, DAY OF THE DEAD makes a worthy finale to Romero's bellwether DEAD series, despite its initial rejection by fans and critics. The socio-political subtext, while not overly subtle, is interesting and realistic, as are the characters in the film. And DAY OF THE DEAD offers up lots of cool make-up FX for the gore freaks in the audience. The two-disc Divimax Special-Edition DVD from Anchor Bay is a must-own for Romero fans. It offers a beautifully crisp and clean digital transfer of the film--of even better quality than Anchor Bay's previous release--with two great optional feature commentaries (one that includes Romero, Savini, and actress Lori Cardille). The second disc is chock-full of other goodies, including an all new 39-minute documentary featuring interviews with cast and crew about the making of the film, a behind-the-scenes featurette, tons of trailers and TV spots, artwork galleries, and much more! Definitely worth the price of admission.
|