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21 of 24 people found the following review helpful:
5.0 out of 5 stars
THE INVINCIBLE MUSASHI MIYAMOTO, July 6, 2002
WHAT defines a man's greatness? Is it power and ambition, or something more? Part II of the magnificent Samurai Trilogy brims with action, force, kinetic energy, beauty and emotion. This film continues the saga of Musashi Miyamoto (performed by the venerable TOSHIRO MIFUNE) and his quest for perfection amidst the lives and loves that surround him. The film begins with one of the most exciting scenes in the trilogy, in which Musashi duels with Chain-and-Sickle master Baiken using his trademark Two-Sword Stance. After the battle Musashi comes upon a priest who chides him for his lacking the chivalry and grace to match his power. Much water has passed under Seijuro Bridge as Otsu (the lovely Kaoru Yachigusa) awaits for Musashi's return after three years -a testament to the Japanese virtue of loyalty. During her wait she comes upon the courtesan Akemi (Mariko Okada), who unfortunately also harbors feelings for Musashi, and the already-complicated romance becomes even more difficult as both vie for the same man's affection. In his search of worthy opponents, Musashi makes enemies with Seijuro Yoshioka, head of one of Japan's most prestigious kendo schools -which in actuality has become little more than a band of thugs. Musashi's brave performance under pressure and growing reputation attract the man who will be his archenemy into the scene, the handsome yet deadly Kojiro Sasaki (played to perfection by Koji Tsuruta), a swordsman of unsurpassed skill whose trademark "Swallow-Cut" can slice a bird in flight! The most awe-inspiring scene in the trilogy is Musashi's final battle against Seijuro's EIGHTY students: the greatest mismatch in history, AND YET he manages to defeat them and face off with the schoolmaster! Once victorious, Musashi prepares to deliver the coup-de-grace when he remembers the priest's words and the lessons of his new experiences. His soul became as polished as his sword. He spares Seijuro. Hiroshi Inagaki shows his masterful abilities as director (or poet?) of this film. Breathtaking cinematography and color shows the beauty and spirit in nature, which parallel the actions and events in the lives of the characters. A memorable example is a scene of two sparrows singing together, which immediately precedes the reunion of Musashi and Otsu. Ikuma Dan's score is every bit as stirring and triumphant as for the first film. The depiction of life and culture in 17th century Japan is rich and vibrant in this film, as is the evocative character development of each person. In addition to the superlative, complex storytelling, this motion picture is graced with a noble philosophy: One's greatness is not defined by action or ability as much as motive and intention. It is a testament to the human spirit. INCREDIBLE.
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