Product Details

• Actors: Gary Cooper, Helen Hayes, Adolphe Menjou, Mary Philips, Jack La Rue
• Directors: Frank Borzage
• Writers: Benjamin Glazer, Ernest Hemingway, Laurence Stallings, Oliver H.P. Garrett
• Producers: Benjamin Glazer, Edward A. Blatt
• Format: Black & White, DVD, NTSC
• Language: English (Dolby Digital 2.0 Mono)
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rating: NR (Not Rated)
• Studio: Madacy Records
• DVD Release Date: July 7, 1998
• Run Time: 80 minutes
• Average Customer Review: 3.3 out of 5 stars  See all reviews (28 customer reviews)
• ASIN: 6305052123
• Amazon.com Sales Rank: #115,183 in Movies & TV (See Bestsellers in Movies & TV)

  Popular in these categories: (What's this?)

  #34 in	Movies & TV > Military & War > World War I
  #79 in	Movies & TV > Classics > Classic Stars > Cooper, Gary

• For more information about "A Farewell to Arms" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com essential video

The 1932 version of A Farewell to Arms owes as much to the shimmering house style of Paramount Pictures as it does the novel by Ernest Hemingway. If Hemingway purists can get past the romanticizing of the book, however, this film offers its own glossy appeal. On the Italian front in World War I, an American ambulance driver (Gary Cooper) falls in love with a nurse (Helen Hayes, before she became the official First Lady of the American The-a-tah). Cooper was a Hemingway friend in real life, and later played the hero of Hemingway's For Whom the Bell Tolls; his boyish simplicity is just right for director Frank Borzage's heartfelt approach. Image Entertainment's DVD release is a stunningly gorgeous improvement on the muddy prints of this film that had been circulating for years, a fitting tribute to the Oscar-winning cinematography of ace cameraman Charles Lang (this is the kind of lush black and white that can capture the glow from a cigarette as it plays across Cooper's darkened face--a breathtaking touch). The jaded battle scenes show the influence of the hit film version of All Quiet on the Western Front, especially in a gripping montage depicting Cooper's progress alone through the war zone. Hemingway would have none of it, of course; he once disdainfully wrote that "in the first picture version Lt. Henry deserted because he didn't get any mail and then the whole Italian Army went along, it seems, to keep him company." This is first and foremost a love story, however, and as such it succeeds beautifully, right through to the remarkably intense ending. --Robert Horton

Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful:

4.0 out of 5 stars A Memorable Film in Need of Restoration & Re-Release, February 10, 2005

By	Gary F. Taylor "GFT" (Biloxi, MS USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

This review is from: A Farewell to Arms (DVD)

The 1932 film version of Ernest Hemmingway's A FAREWELL TO ARMS will never challenge the likes of ALL QUIET ON THE WESTERN FRONT--but while it fails to capture the horrors of World War I it is remarkably effective at capturing the novel's sparse and unyielding prose. A good deal of the credit goes to writers Garrett and Glaizer and director Borzage--but the real interest here is not so much in the cinematic interpretation of the Hemmingway novel as it is in the cast, which is remarkable.

Actress Helen Hayes was already among the leading lights of the New York stage when she was lured to Hollywood for a handful of films in the early 1930s--and it is easy to see what all the fuss was about. Plaintive beauty aside, unlike most stage and screen actors of the era she is completely unaffected in her performance and proves more than powerful enough to overcome the more melodramatic moments of the script. She is costarred with Gary Cooper in one of his earliest leading roles, and while the pairing is unexpected, it is also unexpectedly good: they have tremendous screen chemistry, and in spite of the film's dated approach they easily draw you into this story of an ill-fated wartime romance between a nurse and an ambulance driver.

The film is also well supplied with a solid supporting cast that includes Adolphe Menjou, Jack La Rue, and Mary Philips, and while clearly filmed on a slim budget--something most obvious in the battlefront sequences--the camera work is remarkably good. Unfortunately, all this counts for nothing unless you can find a print of the film that you can stand to watch. It is sad but true: the 1932 A FAREWELL TO ARMS seems to have fallen into public domain, and the result is a host of DVD and VHS releases that range from the merely adequate to the incredibly dire.

I have encountered a number of these releases over the years, and I feel safe in saying that the best DVD presently available is the Delta release; the VHS honors go to the out-of-print Burbank Studio "Hollywood Favorites" version. But this is only in comparison with the unspeakably vile Madacy and Front Row versions, which should be avoided at all cost. Simply stated, there does not seem to be a truly first rate version available to the home market, and you may be better off looking for a late-late showing a local television channel.

GFT, Amazon Reviewer

8 of 8 people found the following review helpful:

5.0 out of 5 stars A Luscious Romance, April 8, 2000

By	John (NYC) - See all my reviews

This 1932 version of A FAREWELL TO ARMS was one which Hemingway very vociferously hated. From his perspective, since it placed the romance between Frederick Henry and Catherine Barkley over his depiction of the brutality of war, he was right. However, director Frank Borzage was after something else -- a luscious, doomed wartime romance. And in this, he succeeds, brilliantly. Aided in no small part by the beautiful teaming of Gary Cooper and Helen Hayes. Hemingway later became very good friends with Cooper, whom he hand-picked to star in FOR WHOM THE BELL TOLLS. They were in the process of forming a company to make ACROSS THE RIVER AND INTO THE TREES and THE NICK ADAMS STORIES -- Cooper to topline both -- when they died a mere seven weeks apart in 1961.

10 of 11 people found the following review helpful:

4.0 out of 5 stars love in the chaos of war, June 24, 2004

By	Alejandra Vernon "artist & illustrator" (Long Beach, California) - See all my reviews (TOP 50 REVIEWER)    (COMMUNITY FORUM 04)

Based on Ernest Hemingway's semi-autobiographical novel about an ambulance driver and a nurse in WWI, this is a beautifully filmed and acted tragic romance, between tiny Helen Hayes, and tall, lanky Gary Cooper, who was 31 at the time and so handsome.
The chaos that surrounds the relationship makes all the participants (including Cooper's best friend, played by Adolphe Manjou) act in ways that are misguided, causing more misfortune, and furthering the anguish of the plot; the chemistry between the stars is wonderful and believable though, and despite its bleakness it is still a tender love story.

There are hellish scenes of war, set to Wagnerian musical themes, and there is an ominous mood that prevails in every scene, even when Cooper and Menjou are out on a drunken spree.
The restoration of this film is excellent, doing justice to Charles Lang's Oscar winning cinematography; the film also won for Best Sound, as well as being nominated for Best Picture.
There have been more recent versions of this story; the 1957 "A Farewell to Arms" with Jennifer Jones and Rock Hudson (which I have not seen), and the 1996 film "In Love and War" with Sandra Bullock and Chris O'Donnell which also has a similar theme, because it was based on Hemingway's youthful WWI romance with nurse Agnes Von Kurowsky; that film suffers because of a weak connection between its actors however, and despite its age, this is a much better film.
Total running time 80 minutes.