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30 of 32 people found the following review helpful:
5.0 out of 5 stars
It's more than great--it's perfect, February 17, 2003
Misery is an exceedingly good adaptation of the original novel by Stephen King. The novel features one of King's most tightly-wound, increasingly suspenseful tales, and this movie faithfully brings the novel to life on the big screen. Paul Sheldon, America's best selling writer, creator of Misery Chastain and chronicler of her romantic and human struggles and successes, has just finished writing a "serious" novel he hopes will give him the stature he desires. On his trip home with the manuscript, a fierce blizzard causes him to lose control of his car. Annie Wilkes, his number one fan, finds his car at the bottom of a hill, pulls Sheldon out of it, and takes him home to nurse back to health. As Sheldon begins to adjust to his new surroundings, he is increasingly bothered by his caregiver's erratic mood swings. He soon finds himself a virtual prisoner in her house, essentially unable to move with his two mangled legs. When Annie reads his brand new book, she is exceedingly unhappy with it. When she gets the newly published Misery Chastain novel and finds out that her beloved Misty is dead, she begins unleashing her fury on Sheldon and insisting he resurrect Misty in a new novel written especially for her. All this time, the small mountain town's husband-and-wife police force search for any sign of the missing author (albeit halfheartedly). Eventually, Sheldon realizes escape is something only he can achieve for himself.James Caan is quite good as Paul Sheldon, but Kathy Bates simply is Annie Wilkes. Her performance as this complicated, mentally disturbed super-fan broods over this entire movie, making it the riveting thriller it is. Lauren Bacall, in what is an overlooked but rather amazing casting coup, lends her talents to the movie in the role of Sheldon's literary agent, while Richard Farnsworth and perennial King favorite Frances Sternhagen round out a truly excellent cast. King actually held out on this project until such time as it could be placed in the more than capable hands of director Rob Reiner. King had a special affection for this particular story, and he was not going to allow a second-rate adaptation of it to come to the big screen. The suspense of this story is basically psychological in nature, but there are two scenes of far more physical suffering. The hobbling scene is memorable to say the least, and another incident toward the end introduces a little blood to the film, but overall this is a movie that all lovers of suspense and human drama can appreciate. There are a lot of bad movies based on terrific Stephen King stories and novels, but this movie captures the powerful magic of the original novel as effectively as any King movie ever has.
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