Most Helpful Customer Reviews
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14 of 16 people found the following review helpful:
1.0 out of 5 stars
18 minutes cut from this VHS and DVD!, January 24, 2000
Yes its true, unless you saw the movie in its theatrical debut or live in France and happen to own a laserdisc player you have never seen the full version of this film.The full version runs 138 or 135 minutes(depending which ending, there are 2). Its a very different film compared to this hacked up for the rest of the world version. ITS NOT RIGHT! And how about those subtitles? I don't even speak the language and i could have done a better job than that! They even dub Tony Leung in his own language for some beyond strange reason. This DVD is a throw away. Wait and hope until Anchor Bay gets the full print and beefs it up. This is just pathetic.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
This is John Woo's version of A Better Tomorrow 3, March 14, 2000
I noticed nobody mentions this detail :Bullet in the Head is John Woo's version of the third part of the "A Better Tomorrow" saga... or Tsui Hark's ABT 3 is another version of Bullet in the Head, depending on who you trust. The Amazon review of ABT3 (by David Chute, see elsewhere on this site) states that John Woo wrote the script, but was supplanted by Tsui Hark as director of the movie. There is no hard evidence of this. Apparently, Tsui Hark and John Woo competed to shoot and release their own version of the script of ABT3... I don' know who was faster, but Tsui Hark had the rights to the title. According to articles in the trade specialist press (HK Orient Extreme, possibly the most professional magazine on Asian cinema worldwide), they had worked together on the script before they ended their collaboration. So "A Bullet in the Head" and "A Better Tomorrow 3" are actually 2 versions of the same storyline. The differences and variations, and the way each of these two geniuses shot their own version is quite interesting. For those who know Ho Chi Minh City (Saigon), the way each of the two directors shot the outdoor scenes is also quite interesting. Whose version is the best? In any case, the two movies are great, and they are even better when compared to each other (if that makes sense). Who owns the actual story? My personal intuitive inclination goes to Tsui Hark, who was always a better writer than John Woo and had a personal involvement in this story (if I'm not wrong, he grew up in Saigon and witnessed the fall of the city). For one thing, he depicts the city and its people with more empathy and depth than John Woo. But I may be wrong : If someone has the final word or some kind of historical angle on this, please enter your review, I'll be glad to read more on this. If Mr. John Woo or Mr. Tsui Hark would care to comment on this issue on this Amazon site, (you never know, I get lucky sometimes), I think it would be great for all HK cinema fans worldwide.
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15 of 18 people found the following review helpful:
4.0 out of 5 stars
John Woo's finest to date?, January 21, 2000
Produced in the wake of the Tiananmen Square massacre in 1989, John Woo's BULLET IN THE HEAD is both a response to the appalling violence that was taking place in mainland China at the time, and a pointed examination of the director's traditional themes of loyalty and brotherhood and the consequences of betrayal. For all its explosions and gunplay, the film is actually a very human drama, played out against the vast backdrop of the Vietnam conflict, and invested with such a palpable sense of love and compassion for its leading characters and their circumstances that it defies all attempts at categorisation. The cast is pure gold: Tony Leung (superb as the film's tragic 'hero'), Jacky Cheung (giving a revelatory, career-making performance) and Waise Lee play lifelong friends who flee from a murder rap during the civil unrest of 1960s Hong Kong, only to have their loyalties tested to breaking point by their experiences in wartime Saigon. Overall, the film is less an action-thriller than an operatic valentine to Woo's teenage years in HK and to the personal values which have shaped and defined all his films since A BETTER TOMORROW. Only HARD-BOILED comes close to it in terms of greatness, though many people - myself included - would argue that BULLET is not only Woo's finest achievement to date, but also one of the best films ever made, anywhere. In terms of content, the widescreen HK DVD version is virtually identical to Made in Hong Kong's uncut UK video release, though the familiar Golden Princess logo at the beginning of the film has been replaced by Media Asia's insignia. As expected, the increased resolution of the DVD format has yielded a visibly superior image, but the disc's muted color scheme is a disappointment, and the optional English subtitles - though reasonably coherent - are no match for MIHK'S definitive translation. BULLET's effectiveness depends on your complete comprehension of the dialogue, and Media Asia's clumsy subtitles often stumble over the dramatic highlights, thereby diluting their quite considerable impact. Sadly, Media Asia has also remixed BULLET's original mono soundtrack in 5.1 Dolby Digital surround, apparently for no other reason than the fact that DVD technology allows it. Aside from the newly-directional gunshot effects and the magnificent music score (which, amongst other things, transforms Jacky Cheung's poignant farewell sequence into an occasion of shattering heartbreak), the remix adds nothing that wasn't already conveyed in the original version. Bottom line: A fine film, and the DVD is certainly worth a look, but first-time viewers are advised to check out MIHK's UK video version before taking the plunge. Believe me, you WON'T be disappointed...
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