Product Details

• Actors: Robert Duvall, Téa Leoni, Elijah Wood, Morgan Freeman, Vanessa Redgrave
• Directors: Mimi Leder
• Writers: Bruce Joel Rubin, Michael Tolkin
• Producers: D. Scott Easton, David Brown, Joan Bradshaw, Richard D. Zanuck, Steven Spielberg
• Format: AC-3, Closed-captioned, Color, DVD, Letterboxed, Widescreen, NTSC
• Language: French (Dolby Digital 2.0 Surround), English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rating: PG-13 (Parental Guidance Suggested)
• Studio: Paramount
• DVD Release Date: December 15, 1998
• Run Time: 120 minutes
• Average Customer Review: 3.6 out of 5 stars See all reviews (379 customer reviews)
• ASIN: 6305232660
• Amazon.com Sales Rank: #16,251 in Movies & TV (See Bestsellers in Movies & TV)

  Popular in these categories: (What's this?)

  #29 in	Movies & TV > Action & Adventure > Action Directors > Steven Spielberg
  #58 in	Movies & TV > Action & Adventure > Disaster Films

• For more information about "Deep Impact" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com
A great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David Chute

From The New Yorker
A dire warning that should concern us all. You may feel safe in your bed, but be warned: even as you sleep, Earth is under threat from a vast, overheated surplus of character actors. How can they all fit into one silly movie? Could anyone really have Vanessa Redgrave and Maximilian Schell for her parents and still turn out, you know, O.K.? What is Robert Duvall doing in space? And, finally, just how deeply do you want Morgan Freeman to be President? All these questions are answered by Mimi Leder's clumpy apocalypse flick, in which our planet is approached by an enormous, flame-grilled asteroid with extra cheese. A party of astronauts is dispatched to divide the rock into manageable pieces, but one chunk still makes it through and splashes down off the East Coast; the resulting tidal wave, though undeniably destructive, resembles a giant Elvis quiff. Téa Leoni, playing a TV reporter, tries heroically to make light of the menace, but the tearful script finally wears her down. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

87 of 96 people found the following review helpful:

5.0 out of 5 stars One of my top 10 - the greatest disaster movie ever made, September 26, 2004

By	Bob Stout (Houston, Texas USA) - See all my reviews

This review is from: Deep Impact (Special Collector's Edition) (DVD)

Although "Deep Impact" invariably gets compared to "Armageddon", I think it's more appropriate to compare it against all other disaster movies. Viewed in that light, it not only surpasses "Armageddon", but every other film in the genre.

Unlike most disaster epics, "Deep Impact" is character driven. I think this is a direct effect of its having been directed by a woman rather than a man. While the special effects are there and are impressive, what drives this film are the emotions of the excellent ensemble cast. All of them ring true, from the occasional duplicitousness of the government bureaucrats, to the real tear jerking moments of those facing tough life and death decisions, to the small intimate moments. It's powerful enough stuff that I have to believe that a lot of the negative reaction the film elicited vis-a-vis "Armageddon" came from guys who don't like their action movies to move them to the verge of tears in public.

All disaster films depend on a hook to set them up. In this respect, most fall far short of realism and believability. Of ones that come immediately to mind, only the cosmic collision movies and "The Towering Inferno" had realistic setups.

All disaster films depend on the heros to come up with some way to save the day. Of the ones with a believable setup, many still fall short of believable and/or technically accurate resolutions. This is where "Armageddon" failed miserably. Mimi Leder had expert advice from NASA and it shows. "Armageddon" has some impressive training facilities shots from NASA, but ignored the actual technology. Very early in "Armageddon", when I saw the two shuttles docking with the space station by coming in from opposite directions, performing clearly aerodynamic banking maneuvers, I was ready to start pelting the screen with rotten tomatoes!

Giving the devil his due, both films glossed over the full impact of operations in the microgravity environment of the comet's surface.

Still, it's the raw emotions that elevate "Deep Impact" above its genre, not just the technical stuff. It's actually best in its quiet moments. Among the ones that clearly stand out:

The president (Morgan Freeman) tries to continue to maintain an upbeat message as each plan successively fails. His press conferences and the dialog around them rings true.

The dialog between the reporter (the usually annoying Tea Leoni) and her mother (Vanessa Redgrave) also rings with truth.

The ultimate reconciliation between the reporter and her father (Maximilian Schell) just before the end reflects the bitterness of choices each has made in getting to that point.

The reunion of the kid who helped discover the comet (Elijah Wood) and his girlfriend (Leelee Sobieski), oblivious for the moment to what was going on around them - again, this simply rings true.

The astronaut observing wryly, "Well, the good news is that we'll all have high schools named after us." No melodramatics, no macho heroism, just someone injecting a sense of humor into a shared fate she has accepted as necessary to save the people they love. My favorite line in the film.

From start to finish, this film is a class act. A realistic film that carries an emotional impact to be expected of its serious subject matter. Part of this impact is that you can't always guess in advance which characters will and will not survive. Of the ones who don't survive, not all face their fate gracefully, but all are believable.

This movie began my fandom of Mimi Leder, who I consider to be one of the best directors working today - not always commercial, but always excellent. This is on my short list of my top ten favorite movies of all time. Highly recommended!

24 of 26 people found the following review helpful:

5.0 out of 5 stars SURPRISING, May 24, 2000

By	R. Penola (NYC, NY United States) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

This review is from: Deep Impact [VHS] (VHS Tape)

Of all of the disaster epics I have seen in my life, Deep Impact was the most moving and original. I cried my eyes out, even when the sentimentality was over-the-top, as with the kid/romance subplot. I thought the emotional rendering of a core group of people you come to know as the world is about to end was wonderfully done, and so movingly told. Tea Leoni got a short shrift; her TV anchor was appropriately confounded, disturbed and knocked out by the juxtaposition of her own success/ambition coming about via the worst single disaster known to man. The astronaut sequences were well-done, and featured a small ensemble of strong acting, lead by the reliable Robert Duvall. It was refreshing to see Morgan Freeman as a President you wish was your own. James Horner's music moves the multi-layered plot with deep emotion and color. Though the movie surely delivers knockout special effects in its final reel, this movie is no Armageddon; expect a deep resonant response, one of the heart. It makes sense that this movie was directed by Mimi Leder; it has a woman's touch, which for me brought it a sensitivity and compelling beauty. There are so many moving moments in the final 20 minutes it will be difficult to remain calm, and dry-eyed.

10 of 11 people found the following review helpful:

5.0 out of 5 stars A Thriller with a heart, August 4, 2002

By	Erik Pack (Winter Haven, FL USA) - See all my reviews

First things first. If you want action, don't see this movie. Go rent Armageddon with it's static characters and predictable plot.

To tell the truth this is the most moving disastor movie I've ever seen. It seems every charachter gives a powerhouse performance. This was a relief after watching the charachters in Armageddon make jokes just when Earth was supposed to be destroyed. The cast includes the ever-great Morgan Freeman, superb Robert Duvall, newcomer Tea Leoni, and screen favorite Vanessa Redgrave. A lot of movies try too crowd too many good actors into a story line, with awful results. Somehow this one works. All the characters are believable. And you care about them. Morgan Freeman is painful to watch at times, he performs so well.

People die in this movie. But you feel though through their sacrifice, hope will prevail. It different from Armaggedon. I felt that they killed charachters off in that movie to either keep the plot going, or because they had already served their purpose. Deep Impact is more realistic though, I gurantee that by the time it's over, there won't be a dry eye in the house.