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13 of 14 people found the following review helpful:
4.0 out of 5 stars
Scathingly funny political satire, March 27, 2002
Once a prolific superstar, the still bankable Warren Beatty had made just nine movies in the last decade. Three of these have earned him three Oscar nominations and one win. In the 1970s and 1980s, he ranked among the top ten playboys in American. His conquests were legendary. Some of his movies were steamy by the standards of their time. Now over sixty years old, he seems more than happily married to Annette Bening. He has reached the point where he can make movies that interest him. Perhaps we should make that ones which amuse him.Bulworth may have been the most singularly eccentric big budget movie of 1998. It's about a politician, but whereas Primary Colors stayed within a defined framework, Bulworth is all over the map. Yet, depending on your sense of humor, it may be the funniest political satire you will see for some time to come. Beatty is Jay Billington Bulworth, a United States senator from California who is up for yet another term. The time is 1996. As the movie notes, Clinton is running unopposed, and Dole is definitely going to get the Republican nomination. The public is unaroused, which means that the political climate is completely status quo. Meanwhile, Bulworth is about to have one heck of a nervous breakdown. The reason Bulworth goes bananas is never specifically stated, but the implication is that the games, deceptions and deceits that make up modern politics have finally undone him. In deep despair, he gets ten million dollars worth of life insurance and promptly arranges for his own assassination. The next day, he changes his mind. He spends the rest of the moving running both for office and for his life. He goes to fund raisers and insults his wealthy backers. He attends a church in Compton and tells his black audience that they are never going to get any help from Washington, because lower income people are only exploited by the big businesses that pay to get politicians elected. He becomes outrageously incorrect politically. The media, of course, always looking for a hot story, embraces him. There's that hit man to be avoided. We see groups of reporters following Bulworth, who hasn't slept in days. A car backfires. Bulworth starts walking very fast, and then breaks into a run. The reporters run after him. This is a visual sight gag that is hysterical. Sometimes, he makes a getaway by driving off in his big black limo. Such a vehicle looks ridiculous in a chase scene, to say the least. Beneath the sometimes dark comedy, Bulworth has a lot of insightful and painful comments to may about our often hypocritical and ineffectual government. These observations are made satirically, but effectively. This is not a heavy-handed work. One thing that hampered Bulworth at the boxoffice was its portrayal of the man in the black community. People didn't get it. They were offended, especially many liberal white people. Beatty was in no way making fun of African-Americans by showing a very streetwise group. His point, which I thought was fairly obvious, was that many people will behave in an antisocial way in a society that is largely indifferent and often hostile towards them. I think that's almost a no-brainer. Bulworth is that rare politician who has soul. I have never been fond of politics, perhaps because I grew up around a lot of good old boy politicians. I have always enjoyed movies about politics, because they are almost invariably cynical. From 1939's classic Mr. Smith Goes to Washington to Bulworth, Hollywood has shown that the American people are wise to what really goes on. Why we do nothing about it is another question.
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