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23 of 26 people found the following review helpful:
5.0 out of 5 stars
I smiled during the whole film!, July 12, 2000
First of all, allow me to say that I am not a Woody Allen fan. I find his screen persona to be whiny, scatter-brained, and somewhat grating on the nerves. And he seems to use the same persona in film after film after film. I don't think I've really enjoyed any of the few Woody Allen films I've seen.That being said, also allow me to say that this film was one of my favorite films of the last ten years. From the very first song until the song-and-dance at the end, I couldn't stop smiling. The film was utterly delightful and harkened back to the golden days of the movie musical, where the fun and the the spirit of the musical were more important than big budget stereophonic extravaganzas. Woody Allen uses a whole batch of classic-if-somewhat-forgotten tunes to complement his light and fluffy love story. Practically everyone in the movie is given a chance to sing (except Drew Barrymore, who was dubbed). Some are better than others, but the overall effect is quite magical. My favorite tune was the simple ballad that Alan Alda sings to Goldie Hawn during their characters' anniversary. It was touching and just quite romantic. And it's quite amusing (in a good way) to watch Edward Norton(!) and Tim Roth(! ) sing. This is easily one of the best musicals to come out in an extremely long time. As for Woody Allen, he plays...Woody Allen, but for once, I didn't mind at all. I was simply too enthralled by the spell his film was casting over me. As for the DVD, the transfer is quite acceptable. The picture looks good, and the sound, while monophonic, is crystal clear. Unfortunately, the DVD doesn't have an extras at all (typical of the early Disney DVDs). If the lack of extras doesn't bother you, and you love musicals as much as I do, then by all means get "Everyone Says I Love You" and you'll thank me!
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
It's a parody, and a fine one., November 5, 2005
Who is better qualified to comment on the absurdity of romantic relationships than Woody Allen? In this under-rated bauble, the king of neurosis confirms the answer to that question in the first person. The humor is typical Allen --- witty, droll and fast-paced --- and the parody is sufficiently far over the edge to make the point without beating it to death. The concept of a Woody Allen musical only adds to this glorious parody of Allen's New York.
Reading reviews that criticize this film because the singing is less than first-rate, I can only chuckle. The point of the film is absurdity. Pavarotti's rendition of "I'm Through With Love" wouldn't cut it. Oh, and by the way, corpses can't actually sing. Whatever flaws the actors bring to the songs help make the point.
So after a long day of trying to talk some sense into your boss or your goofiest relative, kick off your shoes, grab a good stiff drink and watch this film. You'll feel better.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Sublime, delightful, utterly charming, June 28, 2002
Who woulda thought the Woodman could do something like this? Even as recently as 1996,when this film came out, Woody still had major chops, as witnessed by this perfect musical. This is a sublime blend of whimsy, romance, and wit. It's hard not to say that when you see a roomful of ghosts singing and rhumbaing to "Enjoy Yourself (It's Later Than You Think"), or when a hospital staff and crippled patients sing and dance about love, marriage, and parenthood.It's also touching to see Tim Roth as a tough escaped convict sing a love song to Drew Barrymore; the juxtaposition of these two opposites brings out the feeling much more than a singing citizen ever could have. And Woody and Goldie's flight-filled romantic rendition of "I'm Through With Love" on the banks of the Seine is utterly charming, making the heart float as lightly as Goldie does during her dancing. Woody evokes Groucho Marx in an ensemble dance number about Captain Spalding (sung in French, no less!), and individually, when talking to Goldie, complete with glasses, eyebrows, and mustache--and he does a more than passing fair version of Mr. Marx himself. One subplot about a girl in her twenties going through six or seven boyfriends in the course of the film is a hoot, and there's even a tinge of political satire as well--in the shape of a Young Republican who undergoes a magical transformation. This will make you smile all the way through. If only Woody had the panache now that he showed so well in this film. This one's superb Woody Allen.
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