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Of all the Philip Marlowes, Robert Mitchum's in Farewell, My Lovely resonates most deeply. That's because this is Marlowe past his prime, and Mitchum imbues Raymond Chandler's legendary private detective with a sense of maturity as well as a melancholy spirit. And yet there's plenty of Mitchum's renowned self-deprecating humor and charismatic charm to remind us of his own iconic presence. As in the previous 1944 film version, Murder, My Sweet, Marlowe searches all over L.A. for the elusive girlfriend of ex-con Moose Malloy, a lovable giant who might as well be King Kong. In typical Chandler fashion, the weary Marlowe uncovers a hotbed of lust, corruption, and betrayal. Like Malloy, he's disillusioned by it all, despite his tough exterior, and possesses a tinge of sentimentality for the good old days. About the only current dream he can hold onto is Joe DiMaggio and his fabulous hitting streak. Made in 1975, a year after Chinatown (shot by the same cinematographer, John Alonzo), Farewell, My Lovely is more straightforward and nostalgic, but still possesses a requisite hard-boiled edge, and the best kind of angst the '70s had to offer. (By the way, you'll notice Sylvester Stallone in a rather violent cameo, a year before his Rocky breakthrough.) --Bill Desowitz

Product Description
Robert Mitchum stars as Philip Marlowe, Raymond Chandler's classic hard-boiled detective. Marlowe's case begins when he is hired by an ex-con to locate his missing sweetheart, Velma. No sooner has Marlowe's search begun than he's beaten unconscious and wakes up next to a corpse. Marlowe's being framed for the murder and he has to clear his name. But what does this have to do with the missing Velma? Marlowe soon finds himself caught between a beauty and a beast as he doggedly follows every clue looking for answers. His quest takes him from the swankiest of nightclubs to the darkest of back alleys. This is Los Angeles in all its 1940's film-noir glory. This is Raymond Chandler at his best and Robert Mitchum in the role of a lifetime. Robert Mitchum, Charlotte Rampling

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