Product Details

• Actors: Joseph Cotten, Elke Sommer, Massimo Girotti, Rada Rassimov, Antonio Cantafora
• Directors: Mario Bava
• Format: Color, DVD, Letterboxed, Subtitled, Widescreen, NTSC
• Language: English (Dolby Digital 2.0 Mono)
• Subtitles: English
• Region: All Regions
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rating: Unrated
• Studio: Image Entertainment
• DVD Release Date: December 7, 1999
• Run Time: 100 minutes
• Average Customer Review: 3.4 out of 5 stars See all reviews (12 customer reviews)
• ASIN: 6305608288
• Amazon.com Sales Rank: #96,262 in Movies & TV (See Bestsellers in Movies & TV)

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• For more information about "Baron Blood" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com
Mario Bava's 1972 ghost thriller returns him to his gothic horror roots: a magnificent castle, an ancient curse, a cruel killer from the past resurrected by his ancestor to continue his reign of terror. That description sounds like a Technicolor reworking of Bava's masterpiece, Black Sunday, but Baron Blood evokes a mood similar to Roger Corman's Edgar Allan Poe films, notably Vincent Price's cruel manipulations in The Masque of the Red Death. Baron von Kleist (a.k.a. the notorious Baron Blood) is resurrected in a bit of schoolboy theatrics gone terribly wrong. The bloody, disfigured corpse rises from the grave to murder hapless townspeople and stalk miniskirted Elke Sommer, finally transforming himself into the respectable but mysterious millionaire Joseph Cotten. "Sadist. Murderer. Merely matters of terminology," he says, smiling while restoring his beloved torture chamber to the sounds of tape-recorded screams. Bava spikes the often slack story with eerie images (the crook-necked dead stare of a hanging man, blood seeping under a heavy oak door, a tower adorned with corpses spiked on jutting pikes). Cotten makes a sinister von Kleist, with an ominous tremble in his voice that belies his seemingly frail, wheelchair-bound body. The uncut version restores bloody scenes cut from American prints and the original jazzy score, but the gorgeous color photography is muted by a slightly murky transfer. The accompanying essays by Tim Lucas are thoughtful, informative, and wonderfully detailed, especially considering their brevity. --Sean Axmaker

Product Description
In Italian director Mario Bava's sumptuous Technicolor Gothic horror classic an American student Peter Kleist travels to Austria on summer holiday to learn more about his family roots. By reciting an incantation on a piece of ancient parchment, he succeeds in scaring up a genuine ancestor--Baron Otto von Kleist, a 16th century sadistic nobleman whose appetite for cruelty earned him the nickname "Baron Blood." Before Peter can reverse the incantation, the parchment burns...How many innocents will die before Peter learns how to send the evil Baron back to the hell from whence he came?

Customer Reviews

Most Helpful Customer Reviews

11 of 12 people found the following review helpful:

4.0 out of 5 stars A fine film from Mario Bava, March 12, 2000

By	Stephen Gladwin (USA) - See all my reviews

"Baron Blood" is a very solid effort from Italian horror master Mario Bava. The film has the added bonus that it was made some fifteen plus years into his career. As a result, all of the Bava stylistic standbys are here (countless dramatic camera zooms, atmospheric lighting, bizarre and imaginative sets, and imaginative direction) and are executed with a growing assurance by Bava. The film's plot is rather standard fare (actually resembling the "Evil Dead" and "Equinox" storyline) about a bloodthirsty, long dead baron brought back to life by the living. When unleashed, he soon begins to take victims. The murders and scenes of suspense are all handled with proffesional ease by Bava, which makes for a fun and classy film. As always, Bava's excentricies transcend the admittedly formulaic plot, and his themes (a cursed family heritage,the occult and how people are drawn to it) add to the story. The only reason the film doesn't get five stars is it is not as accesible to non-Bava devotees as some of his other films. It helps immeasurably to already be well-versed in his style of filmmaking. Also, the pace of the film is rather uneven. Once again, this uneven pacing of Bava is typical, and it helps to know his style. Otherwise, this is a fine effort by one of the unsung masters of cinema.

7 of 8 people found the following review helpful:

4.0 out of 5 stars PHANTOM OF THE CASTLE, April 21, 2000

By	wdanthemanw "wdanthemanw" (Geneva, Switzerland) - See all my reviews (TOP 500 REVIEWER)

The Baron Von Kleist is a vague cousin of Count Dracula, Baron von Frankenstein, Mr. Hyde and this old chap - the Phantom of the Opera-. Yes Sir ! Altogether. It's really a pleasure to find them reunited in BARON BLOOD, directed by Mario Bava in 1972.

The action is set in a castle ( ghosh !) near Vienna, Austria. Nowadays. Elke Sommer - the girl with the mini-skirt - is in love with the american heir of Baron Blood. And, blinded by love and the fog, they set free the bloody Baron and lose the incantation to send him back to hell ( ghosh ! again ).

So the baron, who loves to torture people before killing them, is going to chase the couple but won't bother at all Joseph Cotten, the new owner of the castle.

The copy presented in this DVD presentation is first-class with no white or black spots at all. So you will enjoy the long chase in the fog and the interesting special effects. Of course, you have to be, in the first place, a movie lover who is curious and who won't be afraid of the numerous zooms (forwards and backwards) put in BARON BLOOD, a Mario Bava gimmick by excellence.

A DVD dedicated to the nostalgic ones.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Bava Gothic Shock Horror, September 19, 2006

By	Kevin Killian (San Francisco, CA United States) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

Elke Sommer plays Eva Arnold, an architectural student employed on the restoration of Baron von Kleist's creepy castle from the 11th century AD, whose boss introduces her to Peter, Kleist's American nephew, and a real good looker played by an actor who you'd never place as American.

Karl Hummel, the math professor, is played by Massimo Girotti, who stepped off the set of BARON BLOOD and onto the French locations of Bertolucci's LAST TANGO IN PARIS--quite a stretch for our Massimo! Dr. Hummel has a lovely wife, a cottagey-type home in the Austrian village on the outskirts of the castle, and his daughter, Gretchen, a plain-looking redheaded tyke filled with mischief and given to spying. There are so many scenes with Gretchen poking her head through the banister of the staircase, as the grownups talk on downstairs while drinking Austrian wine, that I expected she would get her head caught between the bars. Instead she develops an unexpected acuity and she's the only one who a) can identify Joseph Cotten as Baron Blood and b) can tell Elke Sommer and Peter how to return Baron Blood back to his crypt, from which they have accidentally awoken him. That little girl seems like a nut, and she's ugly as sin, but she's got brains and she's got courage. Later she played an important part in Dario Argento's PROFONDO ROSSO, and still later she was the usher girl in Bava Junior's DEMONS.

BARON BLOOD is a terrifying Mario Bava shocker with a wicked cool performance by Joseph Cotten as the revived Baron von Kleist. In his wheelchair and waxy makeup he seems treacherously close to death. Indeed it's hard to imagine that Cotten himself would be alive for another 20 years after wrapping up his shoot here. His face looks like it's been Botoxed long before anyone had ever heard of the term. And yet his eyes "glow with evil," as little Gretchen notes. She's no dumbkopf that Gretchen. A sinister bond seems to link the little girl with the ageless, cadaverous stranger in town: a takeoff on his role as Uncle Charlie in the Hitchcock-directed SHADOW OF A DOUBT I suppose?