Most Helpful Customer Reviews
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55 of 56 people found the following review helpful:
5.0 out of 5 stars
EXCELLENT FILM WITH A TRULY AWFUL DVD TREATMENT!, July 4, 2001
What "Pusher" did for the drug trade, "Mandragora" does for teenage male prostitution. It's an incredibly brutal and honest look at the life of a Czechoslovakian boy who runs away to Prague in order to escape an unhappy home life in a small town. Little does he know he had it very good at home. The film is incredibly graphic on all counts, but needs to be to make its point. This is not a film for children or the squeamish as there is full-frontal nudity, depictions of graphic sex, extreme violence, sadism, drug use, self-mutilation and suicide. It's an excellent film, but definitely not a happy film. In and of itself, this film rates 5 stars.Now let's discuss the DVD itself. It's terrible. The studio that released this film, Water Bearer, apparently did so without love or care for this film, just the possibility of making some fast money. The print used for this transfer skips in several places (this is really unacceptable as the film is only four years old as of this writing), and could use some cleaning up and remastering (too many scratches and artifacts). Some darker scenes suffer from some very visible digital transfer problems. The sound is poor through some passages, resulting in background bass "thumps" whenever the characters speak. The English subtitles are riddled with blatant spelling errors, typographical errors and very poor grammar, most likely translated by someone for whom English is not a first language. A few scenes in English are subtitled in Czech, for some unknown reason. And, although this doesn't bear on the film directly, there are no extras. You either view the film in its entirety, select one of seven incredibly long chapter stops which will have you hitting the fast-forward button in frustration, and that's it! No interviews, no commentaries, no trailers, no talent files, nothing. So buy this DVD for the story alone and you won't be disappointed. Expect more and you'll be sorry.
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28 of 29 people found the following review helpful:
5.0 out of 5 stars
Excellent and intense film, November 10, 2000
By A Customer
The story of a Czech runaway's descent into the world of drugs and male prostitution. If you ever bought a Bel Ami video, this might make you think twice about the world that these boys come out of. Excellent acting, good story, might be too intense for many. Makes _Basketball Diaries_ look like a Disney movie, so beware.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
The Belly of the Beast, August 15, 2005
NOTE: According to the dictionary: Mandragora is 1) a plant of nightshade family: a plant with a forked root resembling a human body that was formerly believed to have magical powers and was made into a drug and 2)a 14th century alteration of medieval Latin mandragora, influenced by man, drake "dragon" (from its emetic and narcotic properties).
MANDRAGORA, the astonishing film from the Czech Republic written by Wiktor Grodecki (who also directs) and David Svec (who also acts in the film), is aptly named: mandragora is the world of male prostitution that seduces young lads with promises of money and ultimately poisons them with the burning disease of loss of self respect and ultimately of life.
Marek (Miroslav Caslavka in a stunning performance) is a beautiful 15-year-old kid from a little village in the Czech Republic who has aligned himself with petty criminals to have better things such as classy clothing, a lad whose single father (Jirí Kodes) demands he stay in school (yet is always in the background to salvage Marek's errant life situations) and who seems to be prepping his son for a better life. Marek hates school, which he sees as merely a path to be a welder like his father. The father and son collide after another crime spree and Marek leaves home for the big city promises of Prague.
Once in Prague Marek is observed by the pimp Honza (Pavel Skripal) who follows Marek, knowing that Marek's future in the city is doomed without Honza's 'protection'. Within a day's time Marek's luck with the slot machines dries up and Honza convinces him to be his 'rabbit' - a male prostitute. Marek's first encounter with an American 'john' ends disastrously and the beaten Marek returns to the streets where he encounters a fellow hustler David (David Svec). Together they forge an alliance to escape Honza's compound and begin a life of successful prostitution. They are bonded (the probability of Marek's actually being gay and physically attracted to David is strong) and together they encounter all manner of unseemly characters involved in the underbelly of Prague's male prostitution life.
Characters weave in and out of Marek's and David's life, each time leaving scars that grow more visible as does the threat of drug problems and AIDS. They eventually consent to embrace the lowest level of making gay porn where the cruel director forces Marek to be sodomized by David. They are raided by the police and Honza reappears as Marek's nemesis. Through a series of drug-induced hallucinations and dreams Marek envisions what his future holds and his descent is stamped. Yet at this point Marek's father journeys to Prague in search of his son, discovers his life style, is terrified and angry and tangentially passes Marek in a critical final scene that is devastatingly sad.
This film is dark, frank, cruel, realistic, and sweats with the evil of the belly of the beast that is Prague's underworld. Yet the direction is so fine and, equally important, the acting by Miroslav Caslavka so sensitive that we as the audience are swept into an overwhelming compassion for these unfortunate lads whose seemingly only hope for a better life is one of humiliating degradation. MANDRAGORA is a no holds barred examination of a dark life that maintains a precarious balance between caricature and character development. Yes, it is lengthy at 126 minutes, in need of editing in areas, has faulty subtitles, and a strange musical score by Wolfgang Hammerschmid who extrapolates Puccini's 'Nessun dorma' and Bach's 'Erbarme dich' and 'Wir setzen uns mit Tranen nieder' from the St Matthew Passion for heavy effects, and very dark cinematography by Vladimír Holomek, but despite these sidebar problems, they only slightly mar the overall impact of a very important film. Grady Harp, August 05
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