Glass Palace (Hardcover)

by Amitav Ghosh (Author) "There was only one person in the food-stall who knew exactly what that sound was that was rolling in across the plain, along the silver..." (more)
Key Phrases: teak camps, coolie lines, peepul tree, Saya John, Kishan Singh, Doh Say (more...)

Editorial Reviews

From Publishers Weekly
Ghosh's epic novel of Burma and Malaya over a span of 115 years is the kind of "sweep of history" that readers can appreciateDeven loveDdespite its demands. There is almost too much here for one book, as over the years the lives and deaths of principal characters go flying by. Yet Ghosh (The Calcutta Chromosome; Shadow Lines) is a beguiling and endlessly resourceful storyteller, and he boasts one of the most arresting openings in recent fiction: in the marketplace of Mandalay, only the 11-year-old Indian boy Rajkumar recognizes the booming sounds beyond the curve of the river as English cannon fire. The year is 1885, and the British have used a trade dispute to justify the invasion and seizure of Burma's capital. As a crowd of looters pours into the fabled Glass Palace, the dazzling throne room of the nine-roofed golden spire that was the great hti of Burma's kings, Rajkumar catches sight of Dolly, then only 10, nursemaid to the Second Princess. Rajkumar carries the memory of their brief meeting through the years to come, while he rises to fame and riches in the teak trade and Dolly travels into exile to India with King Thebaw, Burma's last king; Queen Supayalat; and their three daughters. The story of the exiled king and his family in Ratnagiri, a sleepy port town south of Bombay, is worth a novel in itself, and the first two of the story's seven parts, which relate that history and Rajkumar's rise to wealth in Burma's teak forests, are marvelously told. Inspired by tales handed down to him by his father and uncle, Ghosh vividly brings to life the history of Burma and Malaya over a century of momentous change in this teeming, multigenerational saga. (Feb. 6) Forecast: Novels by Indian authors continue to surge in popularity here, and this title not only ranks among the best but differs from the pack for its setting of Burma rather than India. Backed by a 6-city author tour, advance blurbs from Peter Mathiessen and the British reviews of the novel, plus a Fiction at Random promotion, this book should be read widely and with enthusiasm stateside. Rights have been sold in Germany, the U.K., France, Denmark, Holland, Italy, Spain, India and Latin America.
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal
In an industry not known for risk-taking, the publisher is to be congratulated for offering Ghosh (The Calcutta Chromosome) a contract on his as-yet-unwritten novel. Set primarily in Burma, Malaya, and India, this work spans from 1885, when the British sent the King of Burma into exile, to the present. While it does offer brief glimpses into the history of the region, it is more the tale of a family and how historical events influenced real lives. As a young boy, Rajkumar, an Indian temporarily stranded in Mandalay, finds himself caught up in the British invasion that led to the exile of Burma's last king. In the chaos, he spies Dolly, a household maid in the royal palace, for whom he develops a consuming passion and whom years later he tracks down in India and marries. As their family grows and their lives intersect with others, the tangled web of local and international politics is brought to bear, changing lives as well as nations. Ghosh ranges from the condescension of the British colonialists to the repression of the current Myanmar (Burmese) regime in a style that suggests E.M. Forster as well as James Michener. Highly recommended, especially for public libraries.
-DDavid W. Henderson, Eckerd Coll. Lib., St. Petersburg, FL
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Hardcover: 552 pages
• Publisher: Permanent Black; 2 edition (January 1, 2000)
• ISBN-10: 8175300310
• ISBN-13: 978-8175300316
• Product Dimensions: 8.5 x 5.4 x 1.3 inches
• Shipping Weight: 1.6 pounds (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars See all reviews (79 customer reviews)
• Amazon.com Sales Rank: #1,560,839 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

38 of 38 people found the following review helpful:

4.0 out of 5 stars The Story of the Indian Diaspora in the East, August 31, 2000

By	Samit Ghosh (Bangalore India) - See all my reviews

Amitava Ghosh is an outstanding member of the new genre of writers of Indian literature in English. His niche is combining history with fiction. In his previous books he focused on India's longstanding ties with Arabia. In the Glass Palace he moves to the East: Bangladesh, Myanmar, Malaysia & Singapore. Through his story he highlights a number of important but neglected historical issues: slavery in the East - poor Indians shipped to plantations in the Far East; racism in the British Indian Army & the moral dilemma of Indian soldiers confronted with the Indian National Army fighting for India's freedom; treatment of the Burmese royalty when they came in the way of the English colonial trade in teak; and finally the enterprise of the businessmen of the Indian Diaspora. All through these events, he creates wonderful characters that we can feel and touch. The story line starts at a gentle pace but in the end is gripping, and the book is difficult to put down. It is also laced with erotica ala Indian style for the first time in his books. The only problem is the Indian publisher printed so few copies of the first edition that bookshops were out of stock before the reviews could hit the press.

21 of 21 people found the following review helpful:

4.0 out of 5 stars 3 Stars with an extra star for satisfaction and texture, March 6, 2002

By	C. Gilbert "frumiousb" (Amsterdam, the Netherlands) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

This review is from: The Glass Palace: A Novel (Paperback)

I have the feeling that _The Glass Palace_ is in some ways a better history book than novel. It is nearly impossible not to admire it as an achievement-- the richness of the detail is astonishing as is the mood that the detail manages to create. We follow a family through three generations as they try to negotiate identity in both the colonial and post-colonial worlds.

Unfortunately, the structure and characterization in the novel do not live up to the quality of the historic and atmospheric detail. The book follows a fairly standard rags-to-riches story format, and in many cases the characters lack the complexity that Ghosh is able to bring to the surrounding environment. It's a disappointing lack in an otherwise stunning work.

It's worth saying as well that I found _The Glass Palace_ an incredibly *satisfying* read. I literally had a really hard time putting it down, and kept it in my purse to read on my lunch breaks and while waiting in lines. I suppose that's a fairly high recommendation in and of itself.

44 of 52 people found the following review helpful:

5.0 out of 5 stars A very enjoyable historical novel., September 11, 2000

By	Gerrit Ruitinga "gerrit ruitinga" (Antwerp) - See all my reviews (REAL NAME)

The Glass Palce is a, very well written, historical novel but at the same time a very thoughtful reflection on humanity and many of it's dilemma's.

On top of this I found it intriguing that the story concentrated on a relatively unknown part of the British colonial past; Myanmar/Birma and it's relationships with India and Malaya.

Fianlly, unlike most historical novels, which originate from the former colonialists, this is written from the local perspective by a local writer.

The story itself is epical in proportion intertwining the stories of the banned King of Birma and his servants as well as the prospering of a young man in the timber trade. It spans various generations from the middle of the nineteenth century to the last years of the last century.

I have been fortunate enough to visit all three countries described in the recent months and I was fascinated by the way Gosh describes them. He has a wonderful feeling of observation and a poet's gift with words.

In particular the early part, in which Mandelay is the centre stage is done wonderfully.

The need Gosh feels to be exhaustive in all his historical facts sometimes is a bit awkward and artificial. However, the storytelling and the story line are good enough to keep the reader interested. I warmed to most of the characters and felt really part of the story.

A very good read for anybody who likes a good novel and in particular for those who are interested in this part of the world.