Most Helpful Customer Reviews
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59 of 59 people found the following review helpful:
5.0 out of 5 stars
A wonderful suprise, July 3, 2001
By A Customer
... The ... suprise was the book itself. I have to be honest I bought it because Liza Dalby wrote the introduction and because Arthur Golden was quoted saying it was a good book. Having read the books by Liza Dalby and Arthur Golden I wanted to see some pictures of kimono and geisha that were more than just snapshots. And that's exactly what this book does, it gives you 120 beautiful pictures and a lot of information. A wonderful suprise.The book is neatly divided into sections: - The use of kimono in festivals, - Kimono you see in the street, - Tradition in its manufacture (weaving,spinning, dyeing), - The commercial side of kimono (fitting, kimono shops), - Maiko and Geisha (including some wonderful pictures made at the Nyokoba Geisha Training school on Kyoto), - Men wearing kimono (storytellers, sumo referees, tea ushers, monks) - Kabuki (this is my favorite. You see a kabuki player getting dressed for a female role) - Work (the kimono as a uniform) - Footwear (an interesting detail) Apart from the beautiful pictures this book has an informative introduction by Liza Dalby and with each picture you get a caption that gives you some little piece of insight that changes the way you look at the picture. Having been to Japan this book to me is a souvenir of some of the things I've seen, the people wearing kimono in the street, the festivals. But it also showed me some things I could never see (the behind the stage kabuki pictures and the manufacturing of the kimono). If you have been to Japan you too will recognize some of these pictures. If you have not been to Japan this book gives you a great impression of what to expect (kimono wise that is). Last but not least the book has a beautiful design, it's a great coffee table book.
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43 of 43 people found the following review helpful:
5.0 out of 5 stars
Excellent resource, May 2, 2003
A comprehensive history of kimono past and present, this book is so full of information that it's hard to summarize. The author covers not only "familiar" - i.e., formal - kimono, but also work clothes, folk clothing, and the modest beauty of stripes and ikat. Illustrations throughout the book are well annotated and informative.My two favorite chapters are those on kimono in the Heian (9th-11th centuries) and Genroku (1688-1704) periods, with their wealth of history and beauty. The chapter on the Heian era covers, among other things, seasonal color combinations, with color depictions of how the layers would look. The Genroku chapter covers kosode, with commented (black and white) illustrations from pattern books of the time. For those interested in wearing modern kimono, the chapter "The Structure of Kimono" includes information on several different aspects of what a kimono, obi and their accessories can mean according to how they're worn. For instance, how the V-shape formed by the collar differs according to age, or what an obijime placed slightly lower than usual can signify. It also includes charts on kimono formality (a wonderful resource) and descriptions - as always, accompanied by illustrations - of the different kimono and obi types.
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42 of 43 people found the following review helpful:
5.0 out of 5 stars
More to the Kimono than meets the eye, June 28, 2004
The kimono is the national dress of Japan and is instantly recognisable as Japanese wherever you see it. However, the kimono that we see today is essentially the end of a long evolution of dress over a thousand years and what is worn now is essentially a fossilised costume.This book gives you an illuminating look at the history of the kimono in Japan - how even the word "kimono" didn't exist before last century, when the Japanese became aware that there were "other" forms of dress. We are also given insights into the dress of the lower class and rural people of Japan. They are often forgotten in kimono discussion, yet they developed a dress style that was both practical and indigenous, though it is dying in the modern age. There is even an extensive section devoted to the aristocratic 10th century kimono styles and colour combinations. Lastly this book gives you insight into how the modern kimono is worn. There is a wealth of meaning in dress design and how it is worn that mostly passes non-Japanese by and for a kimono to be worn with style requires a lot of social knowledge that not many other books will spell out for you like this. This book is highly recommended if you have an interest in Japanese costume, history or fabrics. It gives a fascinating account of how dress mirrors history and social changes. However, if you are looking for lots of colour photos of kimono and their designs this book will probably disappoint you as all the illustrations are in black and white.
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