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3.0 out of 5 stars
possibly Mooney's worst release - but still good fonky blues, July 7, 2000
By A Customer
In my opinion, John Mooney's the real deal - not only a stunning slide guitarist, impassioned singer and fine songwriter, he seems to have a unique artistic sensibility - a commodity I find all-too-rare in modern blues.This is very much a transitional album for John Mooney, moving on from his acoustic albums initially released on Blind Pig ("Comin' your Way" and "Telephone King", both masterful acoustic-orientated albums, as well as "Sideways in Paradise", recorded with Jimmy Thackery) into a Meters-inspired electric group, more in-tune with his then-adopted hometown of New Orleans. In retrospect, it's a slightly disappointing effort from such a talented musician, party due to a cover-laiden set, partly poor production and partly due to some occasionally uninspired playing compared to his other recordings. But hey, if he was just about anybody else, this album would be better'n good. So, buy this album after you've got all the others - his live electric "Travellin' On" is blistering, and "Against the Wall" is possibly his best and most consistent electric set. And as a final word, I disagree totally with Frank John Hadley's review - that in the same book he rates (the albeit hugely-talented slide guitarist) Roy Rodgers as being a more creditable artist than Mooney defies belief.
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