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At times more ear-rending than the much maligned
Goodbye Cruel World--thank the blaring horns, which augment an uneven bunch of songs--
Punch the Clock nonetheless has its great moments. The searing political statements "Shipbuilding" and "Pills and Soap" are obvious high points (as is Chet Baker's solo on the former), while on the poppier side "Everyday I Write the Book" is sweetly distressed, "Let Them All Talk" definitively defiant, and "The World and His Wife" high-level sneering wordplay. At least a couple of the bonus tracks in Rykodisc's edition, though, trump some of the original
Clock's weaker cuts.
--Rickey Wright
From the Label
A return to the world of straightforward pop music, PTC swings with startling horn arrangements from subtle poignancy to full blown hook-laden mini-epics. Though best-known for soulful struts like "Let Them All Talk" and "Everyday I Write the Book" (one of the most obvious hit singles of his career), PUNCH THE CLOCK also contained a pair of unsettling topical works, "Pills & Soap" (originally rush-released in the UK in hopes of putting a monkey-wrench in the Thatcher re-election) and "Shipbuilding," an early response to the Falklands war, featuring a haunting trumpet solo by the late Chet Baker). These tracks provide a balance to the lusher popcraft of the other tracks.
In the detailed liner notes that accompany the package, Costello writes that he was eager to become "reacquainted with the wonderful world of pop" since the release of the more somber albums, ALMOST BLUE and IMPERIAL BEDROOM. Renowned hit-making producers Clive Langer and Alan Winstanley (Dexy's Midnight Runners, Madness) helped Costello achieve a polished sound which paid off with two chart-topping US singles, "Let Them All Talk" and "Everday I Write the Book" (featuring guest vocalist Caron Wheeler, who later sang lead on Soul II Soul's smash "Back to Life"). The seven extended play tracks include the B-sides "Heathen Town" and "Flirting Kind", "Walking on Thin Ice" (from the Yoko Ono tribute album EVERY MAN HAS A WOMAN), and the unreleased demos "Town Where Time Stood Still" and "Shatterproof" (later recorded by Rockpile's Billy Bremner). Rounding out the album's bonus material are rare live versions of "The World and His Wife" and "Everyday I Write the Book," both very different from their studio counterparts.