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15 of 15 people found the following review helpful:
5.0 out of 5 stars
Not your usual East-Indian-classical-meets-Western fusion, August 10, 1998
By A Customer
Don't get me wrong - I love the Nusrat / Michael Brooks albums - own two copies of each CD because I've listened to them so much over the years that I'm afraid I'd scratch or otherwise wreck the CDs.This is the other CD I have 2 copies of. South Indian classical music (a.k.a Carnatic music) is very different from what one usually hears as Indian classical - or Hindustani music. The latter is closer to Jazz, with a central theme and mood to each piece, and soaring improvisations that embellish it. Carnatic music, on the other hand, is much closer to Western Classical music - bounded by more rigid notions of form, pace, rhythm and structure. It is more about discipline and appreciation of a piece that everyone knows the way is going to be played. Precisely the reason I used to hate this music while growing up - my folks would play it every day! This album however makes two big departures. One, of course, is that U Srinivas is simply one of the most talented instrumentalists to come out of India in a long time. A prodigy at 13, his relative youth and success have opened him up to improvise a little more freely in his playing.Two, is the amazing ear and production that Michael Brooks has brought to the album. The bass guitar supports, cajoles, and drives home the raga and the mood that Srinivas sparkles off. Again - you're not likely to see this album in the house mixes at a New York club - it is much more contemplative, calm, and brilliant in its laid-back mood. I'd love to see Michael Brooks work his wonders with other Carnatic musicians: L Shankar (of Shakti fame), his brother, another Violin maestro, L Subramaniam (check out a great album he released with Stephane Grapelli "Conversations") and Kadri Gopalnath - the amazing alto-sax player from Bangalore. Michael - or somebody from Realworld / WOMAD - are you reading this?
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