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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Jonis first contemporary rock album : a qualified success, March 20, 2003
By A Customer
For many of us fans, the first phase of Joni Mitchell's illustrious career ended with the release of "Mingus", the final instalment of her three album experiment with jazz. So,when the 80s heralded a new beginning for Joni, some of us were understandably nervous. After all, a change of labels must surely promise more than a superficial makeover. From her folksy beginnings, Joni metamorphised with ease over a space of a decade into an avant garde folk rock singer-songwriter of incomparable stature with an impressive roll call of classic albums ("Blue", "For The Roses", "Court and Spark", "The Hissing Of Summer Lawns", and "Hejira" to name a few). So, what's next ? "Wild Things Run Fast (WTRF)" is Joni's first record as a contemporary rock artiste....and while it's truly remarkable that she succeeded in reinventing herself musically to stay relevant after her bout of flirtation with jazz left her without a mainstream audience, the results of WTRF are decidedly mixed. Not surprisingly, she comes off best with music that recalls her 70s past and shows her natural development as an artiste and worst when she's at her most self conscious about displaying her new persona. The gorgeously languid "Chinese Cafe/Unchained Melody", whose poignant lyrics recall her failure as a mother, is a perfect opener. But the mood doesn't last. The title track that follows is an "in-your-face" introduction to the new Joni. Fueled by heavy drums and a growling rock and roll lead guitar, "Wild Things Run Fast" jerks, stops and starts, recalling the power pop of new wave bands. An interesting if not altogether promising glimpse of what lies in store. Thankfully, the album reverts on the next four tracks to the Joni we all know and love. The scatty jazz inflected rhythms that underpin "Ladies Man", "Moon At The Window", "Be Cool" and the mildly reggaefied shuffle of "Solid Love" are all excellent and a natural extension of the Joni she left behind in the 70s. But the most outstanding cut on WTRF is undoubtedly "Man To Man", a beautiful song rivalling her career best compositions. Most of the rest are rock and roll experiments featuring Mike Landau's urgent lead guitar. Most of them are pedestrian or plain don't work. The worst offender is the truly dreadful "Underneath The Street Light", logging a career low for Joni. "You Dream Flat Tires" is at least commercial - it become a jam favourite at concerts. "You're So Square, Baby I Don't Care" is pure throwaway pop and is to Joni what "Why Do Fools Fall In Love" is to Diana Ross. The album however closes on a sublime note with the languid but meditative "Love". "Wild Things Run Fast", representing the start of Joni's second phase career, is a qualified success. The highs are high enough for us to forgive the lows. Whichever your inclination, this is a "must" for serious fans.
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