Quarterflash

Quarterflash

Product Details

• Audio CD (March 19, 1996)
• Original Release Date: 1981
• Number of Discs: 1
• Label: Geffen Gold Line Sp.
• ASIN: B000000OX5
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 4.0 out of 5 stars See all reviews (20 customer reviews)
• Amazon.com Sales Rank: #63,723 in Music (See Bestsellers in Music)

Customer Reviews

Most Helpful Customer Reviews

19 of 19 people found the following review helpful:

5.0 out of 5 stars Quarterflash's unique sound softens my heart, actually, November 8, 2003

By	Daniel J. Hamlow (Narita, Japan) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

Quarterflash is one of those 80's groups that were short-lived and only had a few singles to their name. What's generally overlooked is their sound, a unique brand of 80's new-wave, snarling guitar rock, a great vocalist/sax player, and synths that became more prominent with the last album.

From the opening wailing sax and upbeat pace, and the snarling guitars that come late in the song, "Harden My Heart" was Quarterflash's first big hit, and some say only, though given the fact I have all three of their albums, I take issue with that. OK, so it was their only Top Ten hit, but since when do chart positions alone determine greatness? Rindy Ross delivers of those bittersweet lyrics with great aplomb. She reminds me of Cyndi Lauper without the gooniness, more polished, and with a higher range.

With its breakneck bass and drums, with jangling electric guitar, slamming riffs, "Find Another Fool" rivals Pat Benatar's "Heartbreaker." Yet another song of being let down and disappointed, and Rindy's upper register is pretty to listen to. Bruce Sweetman has a violin solo accompanied by that fierce guitar, adding to the exoticness of Q's sound.

"Critical Times" proved the template for future sad introspective Styx-like ballads backed with string synths like "Eye To Eye" and "It All Becomes Clear." Like those two, this is sung by Jack Charles. The sense of insecurity of a fading love is highlighted here. "you lose all track of yourself when you're feeling that way/you can always hide yourself in a corner/worrying about the miserable pain/but everyone seems to swim in it/it makes the world go round."

"Valerie" is Cyndi Lauper type new wave with jangling guitar riffs, and no, it's not the Frankie Valli or Steve Winwood song. This could've been a single easy.

"Try To Make It True" could be a Journey song if it weren't for Rindy's sax and characteristic guitars.

"Love Should Be So Kind" is another slow ballad with quiet keyboards and guitar that demonstrates Rindy Ross's vocal talent.

The near eight minute jam "Williams Avenue," where there's a big night life, where "the wine is red and the song is blue," combines 70's disco synths with funky brass section and Rindy's sax. Bruce Sweetman's violins come in during the slow sections of the song.

After this, they would do a song for Fast Times At Ridgemont High before coming out with the one of the first albums I bought--Take Another Picture. The irony is that I picked this one last, but it doesn't detract from my appreciation of them. Now, if they'd do like the Go-Go's and Bangles for one last hurrah, because their sound softens my heart.

9 of 9 people found the following review helpful:

5.0 out of 5 stars Classic!!, May 26, 2005

By	Brandon Hixson "Music Lover" (Waco, Texas USA) - See all my reviews (REAL NAME)

Released in late 1981, this album includes three charting singles; "Harden My Heart" - #3 pop hit and #1 album rock hit, "Find Another Fool" - #16 pop hit and #12 album rock hit and "Right Kind Of Love" - #56 pop hit. The Quarterflash album sold over two million copies and topped charts in many countries and landed in the #8 spot in 1982 here in the US. Marv (guitar and song writer for eight of the nine tracks) and Rindy Ross (lead vocal and alto saxophone) were both school teachers who gave up their teaching certificates for the music field. Marv and Rindy had some local success in the northwest with a band called "Seafood Mama". The band had cut a demo version of "Harden My Heart" which actually hit #1 on the local radio station in Portland. This caught the ears of producer John Boylan and he flew in to hear the band which played a mixture of polished rock, swing, country and folk. The band changed line-ups, focused on rock n roll and changed their name to Quarterflash, making this the first new project signed to Geffen Records. Quarterflash is one of the cleanest albums that I have ever heard. The solos are rightly placed and Rindy sings using many dynamic changes which offer the listener a solid forty minutes of pleasure. The album is also quite moody having several songs in b minor that dive deep into the demises of love affairs. "Valerie", an up-tempo ballad about a woman receiving advances at an art school is quite amusing. The jazz influenced "William's Avenue" is also a great addition to the package. Jack Charles, the lead guitarist, adds some changes to the direction of the LP with his melancholy "Critical Times". The album still sounds as good today as it did when I first heard it over twenty years ago. As a 28 year old teacher, I listen to most everything, but I still find refuge in the classics and Quarterflash will always be at the top of my list!

5 of 5 people found the following review helpful:

5.0 out of 5 stars Williams Avenue, worth the price of admission alone!, February 10, 2005

By	Daniel James (Seattle, WA) - See all my reviews (REAL NAME)

As a few others here have mentioned, this is one of the most underrated albums of the early 80's. True their hits left a little to be desired, but their first album shows this band had far more talent than most of their peers.

Aside from the two hits (most people seem to forget that Find Another Fool had plenty of airplay too), they had some great songs showcasing their abilities. Williams Avenue is one of those perfect songs, great vocal work on the first three minutes followed by a groovin' 4+ minute jam with a great solos on violin, sax and guitar with Rich Gooch's moovin' bass under it all.

I'd happily buy this album just for this tune alone, and then enjoy the other great tracks such as "Critical Times", "Valerie" and "Crusin' with the Deuce"