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11 of 11 people found the following review helpful:
4.0 out of 5 stars
MORE THAN RESPECTABLE, November 22, 2000
As the 70's wound down, disco and punk music were the sounds du jour, going to a club had become an all night activity, nobody had heard of AIDS, the standard mode of dress was arguably as grotesque as it ever had been, and there was a huge party going on everywhere. At least that's the way I remember it.The Rolling Stones were quite a few years removed from their last really great work, Keith Richards was staring life imprisonment straight in the eye, due to yet another drug bust, Mick and Bianca Jagger were on the outs, and every magazine you picked up contained a photograph of one, two, or all three of them attending some party, premiere, or otherwise notable event, looking wasted. Amidst the confusion, Jagger and Richards were able to get their heads together enough to write and record "Some Girls," an album that incorporated the big mess that had become their lives, and also an album that helped define the musical mayhem of the times. There's no question that, above all, Mick Jagger has always been a shrewd businessman, and even with all that was happening, he obviously had his finger firmly on the pulse of the music - buying public. "Some Girls" managed to ignite controversy as soon as it hit the racks, the title track's racy lyrics and the album cover providing that punch. "Miss You," the song that seemed to be playing every time you turned around, found the Stones venturing into the disco / dance arena, but armed (unlike the myriad of others who tried) with a song that had an edge to it. Somehow, they made it work. The song became a classic, not a relic. The punk - driven "Respectable" and especially "Shattered" ("go ahead, bite the Big Apple, don't mind the maggots") found the Stones in top shape, and, unlike many of the bands of the punk era, these guys actually knew how to play instruments. What a novel concept. "Beast Of Burden" and the band's cover of "Just My Imagination" became hits, although they were, in my opinion, two of the weaker tracks on the album. I was happy to see other reviewers mention "Before They Make Me Run," Richards' autobiographical tale of his problems with the law. It is indeed a great song, and even more than that, it has always been an undiluted pleasure to hear Richards blow the dust out of his vocal chords and sing a little bit. (His mid - 80's solo release "Talk Is Cheap" is proof that Richards has a respectable Rock and Roll vocal style). "Far Away Eyes," a song dismissed by a number of reviewers, is, to me, The Stones' brilliant satirical goof on both the generic country music style of the day and on media evangelists. True, much of The Stones' early work was country - influenced, but not by the generic country style of the 70's. Mick's way over-the-top vocals are hilarious, and the lyrics even better. (...all I had to do was send ten dollars to the Church Of The Sacred Bleeding Heart Of Jesus, located somewhere in Los Angeles, California and next week they'd say my prayer on the radio and all my dreams would come true.) Jagger must have been laughing as listeners wondered why The Stones hadn't been able to capture the smooth, quasi - country sound of "Honky Tonk Woman." The remaining tracks are also solid, the band tight (Charlie Watts' drumming is particularly superb), the production and arrangements perfect for the sound the band needed. Another interesting footnote is that The Stones, by 1978, were already considered to be among the old geezers of Rock. Their time had come and gone, according to a lot of experts. Imagine that - here we are, 22 years later and, while the albums may not be as frantically great as they once were, the Stones remain one of the few bands that can sell out a 50,000 seat stadium. Not only that, but Keith still plays with the enthusiasm of a teenager who just got his first guitar, and he seems to be in pretty good shape, for the shape he's in. "Some Girls" is not in the same league as "Exile On Main Street", "Beggars Banquet", "Sticky Fingers," or "Let It Bleed." Few recordings are. It is, however, a strong album that captures, perfectly, a brief moment in time.
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