When in Rome

When In Rome

Product Details

• Audio CD (June 29, 1992)
• Original Release Date: September 13, 1988
• Number of Discs: 1
• Label: Virgin Records Us
• ASIN: B000000WGM
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 3.9 out of 5 stars  See all reviews (30 customer reviews)
• Amazon.com Sales Rank: #36,821 in Music (See Bestsellers in Music)

Customer Reviews

Most Helpful Customer Reviews

64 of 66 people found the following review helpful:

5.0 out of 5 stars A CD worths collecting, April 7, 2000

By	An all music fan (California, USA) - See all my reviews

I bought this CD because of the single "The Promise" when it first came out - late 80's. The other tracks exhibit a great variety style of musics - from danceable beats, funky guitar, piano fillings, synths, strings, sax, horn sections to excellent drumming; somewhat Spandau Ballet-ish, but very unique. The vocals are excellent; just listen to the harmonies. Each song is different, from the happy "Child'sPlay" to the ballads "The Promise", "If Only", and "Everything". It's too bad that this band only produced one album. I listen to the whole CD everytime - it's been 11 years and haven't got tired of it. For this reason, it's a 5 stars. Few CDs in my collection are this way (The Beatles' White Album, Led Zep 's4th album, and a few more ...). Hey, I appreciate and listen to all kind of music.

54 of 59 people found the following review helpful:

3.0 out of 5 stars A bit more to offer than just "The Promise", May 3, 2000

By	J. Derek Reardon (KC, MO, USA) - See all my reviews

In the late 80s, When in Rome stormed onto the US music scene with "The Promise," and then vanished into obscurity as fast as they came. Chances are that if you're looking at this CD, you've heard "The Promise" and you want to know if the rest of the album is worth buying.

It might be - if you are an 80s alterno-euro-power-pop fan or a fan of power-piano-pop. Don't be looking for angst ridden, poignant tunes on the rest of this release that were typical of this era (like the classic "Don't You Forget About Me"). While their voices maintain that angst-ridden quality throughout that merges so well with the tune of "The Promise," the orchestration through most of the rest of the release is upbeat and happy, clashing with the angst. I will admit that I do like their voices, and I really enjoy what they do with the harmonies, which are often ignored in pop music.

However, the reason I enjoy and appreciate this release (and you should too if you are to enjoy it somewhat) is for its over-produced 80s power pop style. After "The Promise," "Heaven Knows" continues the driving euro-power-pop theme, however its tone is a bit more upbeat. While not so much on the over-produced side, "I Can't Stop," with its horns, driving beat, and female backing vocals makes you get up and dance happily around the room singing along. "Sight of Your Tears," despite its sad title, is orchestrally upbeat, powerful, driving and happy. "Wide, Wide Sea" is actually my favorite song on this release and what made me buy it after hearing a friend's tape. Something about the tune and lyrics really grabbed me; it's very upbeat, hopeful, and it makes me want to dance around.

Then there are the other songs, which deviate from the over-produced power-pop theme. For the most part, the remainder of the songs are much shallower and rely on simple orchestration that focuses on piano and drums. "Something Going On" is the most produced of this category, but after hearing the first two songs, this one is a real shock. Not to mention the tune is rather syrupy. "If Only" is a standard shallow piano and drum pop ballad, and it tries a bit too hard to be sentimental. "Child's Play" and "Total Devotion" are both driving power piano tunes. They can be fun, but again they are more shallow and raw and sound kind of like bar performances with a live band. "Everything" concludes the album on a slower note with this power-piano ballad tune.

So, amid this muddled mess, what is my recommendation? If you liked "The Promise" THAT much to be looking up the release, I would at least put it on your potential gift list. And if you're an 80s music freak to boot, you might want to put it toward the top of that list. I don't think you will be disappointed with the release, but at the same time I don't think it will become your favorite of all time. It is a fairly solid 80s classic that is worth pulling off the shelf every now and again for a listen. Since I find half of the songs fun and enjoyable, and the other half somewhat remotely enjoyable, I give this release a strong 3 star rating.

9 of 9 people found the following review helpful:

2.0 out of 5 stars When in Rome, do about 1/2 what the Romans do, January 7, 2005

By	mwreview "mwreview" (Northern California, USA) - See all my reviews (TOP 500 REVIEWER)

I picked up this album because I am a big fan of 1980s power pop and am always looking for '80s stuff I have yet to hear. I do not remember the single "The Promise" when it was released in 1988, but now that I've heard it I'll rank it up there with the best songs by Spandau Ballet, Vitamin Z, Ultravox and other bands with whom When in Rome shared a similar sound. If you do not have this single on an '80s compilation, it is worth seeking out a reasonably priced copy of this album for that song alone. "Heaven Knows" and "Wide, Wide Sea" have that same Spandau Ballet-esque sound and are very catchy and, as with the other bands mentioned, the soothing vocals are terrific. Sometimes these tunes will just pop in my head during the day and I think, "wow, those are very pleasant songs." Unfortunately, I cannot listen to this album in its entirety because a lot of it is not pleasant at all. While "If Only" and "Everything" are OK ballads; not spectacular but easy to listen to and "Sight of Your Tears" is a decent, upbeat pop tune, the rest of the album I have to skip. "Child's Play" is such an annoying number with silly use of backing vocals that I rush to push the "skip" button as soon as it comes on. "Something Going On," "I Can't Stop," and "Total Devotion" I find to be dreadful, noisy numbers with piano, horns with a Latin flavor, and female vocals that sound almost gospel. Way too much going on for my tastes. Not what I expected at all when I heard the first two tracks with their well-produced yet beautifully simplistic pop style. They do add variety to the album as other reviewers have noted, but, to me, these songs are too much of a distraction from the rest of the album which had the potential to be an `80s pop classic. Fans of "The Promise" and other 1980s power pop should seek out Vitamin Z's Rites of Passage if you haven't already. Amazing stuff!