Most Helpful Customer Reviews
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
Hot Buttered Soul, January 18, 2004
Finally left alone to do whatever kind of record he pleased, Ike hit big in 1969 with this, basically his debut album. And albums even from this classic era don't come any more individual than this one.`Walk On By' is titanic at twelve minutes long but justifies every second of its length, and is still as haunting and atmospheric all these decades later. `Hyperbolic...' is a hard hitting, almost bluesy number where Ike sings bizarre lyrics over another great melody, ending it off with a long piano riff. Ike also offers his own twist of `One Woman' and does an admirable job, but the closing `By The Time I Get To Phoenix' is the real attention grabber. Having taken the listener on a NINE minute journey just to get the mood right, Ike takes another nine to sing the song and climaxes it with some funky horns! Overall Ike's debut is hitting, a true master class in musicianship, innovation, and slow burners. This will always be a great time capsule of true soul.
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20 of 24 people found the following review helpful:
5.0 out of 5 stars
Dayyyumm! Four tracks an' still it's a long, LONELY road..., October 21, 2002
...but, oh, how lovely it is to travel. Isaac Hayes went into the recording studio back in 1969 with his the Bar-Kays as his backing band and created something magical and timeless that is beyond comparison from anything else I've ever heard. With only four numbers present here, it'd be easy to second-guess picking this up, but if you do you are a sucker, because you just don't understand how strong and potent this album is. It's almost ridiculous how many rappers have sampled this material, and how many times they've done it at that, but none of 'em, NONE OF 'EM could amass the emotion and skill that Brother Ike amassed into these four incredible numbers. The opener 'Walk on By' is not to be messed with for nothin'. The intro is hypnotic and intoxicating, stretching on for over two minutes before Brother Ike's mournful and dour voice comes in to sing his frustration and sadness away. Is' a rough number if you lived through it, but it's good fa' the soul. What follows is jus' somethin' funky, fa'real, an' I'm'a try an' spell it all out fa' you. 'Hyperbolicsyllabicsesquedalymistic' is down-and-dirty gut-bucket funktified soul. Rhodes electric piano, classic guitar riffs, and that repetitive piano that Public Enemy jus' loves to sample. Oh, what a classic piece 'a work. I'm surprised lotsa these reviews don't seem to think too highly of 'One Woman' 'cause I can't get enough of that number. It's sweeter and more easy-going than the other three, but it's no less strong. I first tooke heavy notice of it while I was stuck in traffic on the highway on my way to my girl's house an' I heard Brother Ike say "I fight my way through the five o'clock rush hour, as daylight slowly leaves the sky..." That stuff gave me chills, fa'real. The good kinda chills when you can't wait for those loving arms of that special someone to greet you, like they always do at the end of everyday. It's just a nice poetic song, irreplaceable if you ask me. Alright, but the truth is that the next number is the real tear-jerker. For the first eight or nine minutes of 'By the Time I Get to Phoenix' there is nothing in the back ground but a hypnotic thumping bassline and Brother Ike telling a truly heartbreaking story of a man and a woman wo were in love, well, at least the man was in love, you know? ("But, y'see, girls, I don't mean to come down on you, but this man LOVED this woman so, but, they say love is blind...") If you're feelin' it, then when the song finally kicks in, you should already be reduced to a puddle of tears. Then all you can do is moan an' wail along with Isaac about bein' a prisoner of love who will never be free. Fellas, if you've ever had your heartbroken, an' you intend to get anything outta reading this review, it should be to not go another day without this masterpiece. If your lovelorn, sad, an' need somethin' to feed your sadness, or somethin' to keep you in touch with your spirit and soul, then this is the album to pick up. It's by all means one'a the baddest and best soul albums of ALL TIME, flawlessly performed from start to finish. Like I said, it's a long and lonely road, but it's a lovely one to travel. Again and again.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
SOUL, SOUL, AND MORE SOUL....., August 19, 2003
Let me just start off by saying I was 3yrs old when this "Album" came out. And I remember that every one of my relatives had this album (including my mom and grandparents). Everyone would be partying and playing this album. (Ours is worn out....believe me).You know how a song can trigger a memory? Well, I saw movie "Dead Presidents" (great soundtrack CD), and Issac's "Walk on By" is included in movie (where they count the money). All of a sudden, I remembered this cut! I heard it so many times in my childhood. So I had to see if HOT BUTTERED SOUL was released on CD. Thank god it is! Honey, this is soul music at its finest. Issac Hayes does not get the credit he deserves in music history. Forget Dionne Warwick's version, Issac Hayes is the BEST version I've ever heard. The horns, the violins, the melody, the man is BAD! This has got to be the best musical introduction I have ever heard in my life! Then you get to "Hyperbolicsyllabicsesquedelamystic"...I have NO IDEA what the hell this means, but I feel the smoke, the sweat, the sex, the incense, the energy of this cut. I tell you, they just don't make them like this anymore. You want some soul, get HOT BUTTERED SOUL. Issac may be "Chef" on SOUTH PARK now, but he's a musician always. In heart and soul.
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by Isaac Hayes 
