That'll Flat Git It!, Vol. 2: Rockabilly From The Decca Vaults

That'll Flat Git It! (Series)

Product Details

• Audio CD (June 28, 1994)
• Original Release Date: August 28, 1992
• Label: Bear Family
• ASIN: B000001AZC
• Also Available in: Audio CD
• Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
• Amazon.com Sales Rank: #371,701 in Music (See Bestsellers in Music)

• This is item 2 in The That'll Flat Git It! Series.

Track Listings

1. Hot Rock - Johnny Carroll

2. You're Barking Up the Wrong Tree - Don Woody

3. Be-Bop Baby - Autry Inman

4. Sweet Love on My Mind - Jimmy & Johnny

5. Wild Wild Women - Johnny Carroll

6. Bird Dog - Don Woody

7. Diggin' the Boogie - Roy Hall

8. Teenage Boogie - Webb Pierce

9. Mama Don't You Think I Know - Jackie Lee Cochran

10. Crazy, Crazy Lovin' - Johnny Carroll

11. Ten Little Women - Terry Noland

12. Lorraine - Buddy Covelle

13. Off-beat Boogie - Roy Hall

14. Way Out There

15. Tryin' to Get to You - Johnny Carroll

16. I Wanna Bop - Billy Harlan

17. Flip Flop and Fly - Johanna Bell

18. Whole Lotta Shakin' Goin' On - Roy Hall

19. Make Like a Rock and Roll - Don Woody

20. Corrine, Corrina - Johnny Carroll, Don Woody

See all 30 tracks on this disc

Editorial Reviews

Product Description

50's & 60's Rockabilly collection from the vaults of the Decca label. Includes deluxe booklet with extensive liner notes. Includes Johnny Carroll Hot Rock, Wild Wild Women, Roy Hall Whole Lotta Shakin' Goin On, Diggin' The Boogie, Don Woody You're Barking Up The Wrong Tree, Make Like Rock And Roll, Webb Pierce Teenage Boogie, Eddie Fontaine Cool It Baby, Peanuts Wilson Cast Iron Arm...plus Johnny Carroll, Chavis Brothers, Johnny Bell, Terry Noland, Billy Harlan, Autry Inman, etc...A total of 30 tracks. --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars Essential for any fan of Rockabilly....., April 15, 2002

By	Matthew F. Strickland (Redford, MI USA) - See all my reviews (REAL NAME)

Drop this platter in the disc player and you're sure to wear out your boppin shoes. This CD features one of Rockabilly's wildest ever, Johnny Carroll. What can I say about Johnny? Frantic, nervous, surely kept the girls on the edge of their seats (if not tearin his threads off). The CD also contains a whole slew of other Decca gems re-issued in all their original glory. The lyrics are typical rockabilly fare. In other words if you are looking for meaningful social commentary, you're in the wrong bloody place. Don Woody? "Barking up the Wrong Tree" and "Bird Dog" are a couple of the best boppers around! ARF ARF!!!!

Matt "DJ Mattfink" Strickland

4 of 4 people found the following review helpful:

4.0 out of 5 stars Rare original rockabilly sides, March 5, 2002

By	hyperbolium (Earth, USA) - See all my reviews (TOP 50 REVIEWER)

Given the meteoric rise and short original lifespan of Rockabilly, one might be tempted to consider it a passing fancy. But given the deep roots it shared in both hillbilly and rhythm 'n' blues, and the lasting impact it would have on rock 'n' roll, the explosion of sound in the mid-to-late-50s is seen to be a whole more than an industry-fueled fad. Bear Family's seemingly endless "That's Flat... Git It" series chronicles the scads of lesser known artists and rare sides that were the ice berg of music holding up the tip that appeared on the charts via Elvis, Carl Perkins and others.

Volume 2 focuses on sides waxed for Decca in the U.S. The label's country A&R chief, Paul Cohen, ran both country roster artists and new finds through a single or two, cutting them loose if they didn't hit (and losing Buddy Holly in the process!). Most of the sessions were arranged and produced by legendary studio guitarist Grady Martin (whose acoustic lead was famously featured on Marty Robbins' "El Paso"), and recorded in Owen Bradley's studio, with Bradley often playing piano.

Bear Family selected thirty tracks (all in glorious mono) previously anthologized on a four-volume UK anthology, and added Bill Millar's exquisitely detailed notes and discographical information. The highlights are numerous, including Don Woody's hiccuping (and barking) "You're Barking Up the Wrong Tree" (how could the Cramps not have covered this?!), and Autry Inman's jivey "Be Bop Baby" (not to be confused with Ricky Nelson's like-named song). Jimmy & Johnny's "Sweet Love On My Mind" paved the way for latter-day revivalists like Dave & Deke, and The Five Chavis Brothers "Baby, Don't Leave Me" seem to presage the Kingsmen and other 1960s Northwest powerhouses.

Throughout, the guitars ring with the authority and bravado that moved Rockabilly past its roots. The comfort with which both fingerpicking and electric flatpicking fit the genre is an indication of its two musical roots. Though not the wildest side on this set, country legend Webb Pierce's "Teenage Boogie" shows how short a leap it was from hard-driving country-boogie to rockabilly. Roy Hall's tracks are reminiscent of Bill Haley & The Comets, including a looser R&B-influenced cover of "See You Later Alligator," and an early version of "Whole Lotta Shakin' Goin' On" that takes it down-low, rather than barn-burning.

Child prodigy guitarist Jerry Kennedy, who'd go on to a successful career as a record industry executive, shows himself to be a fine rockabilly vocalist on "Teenage Love is Misery," and Roy Orbison's original rhythm guitarist, Peanuts Wilson, cut the truly peculiar "Cast Iron Arm," penned by Orbison and producer Norman Petty.

Those looking for an introduction to rockabilly might want to start with the hits (that is, not this series of compilations), but anyone looking to explore the breadth and depth of the sound will find this a terrific anthology.

3 of 3 people found the following review helpful:

5.0 out of 5 stars killer stuff, November 24, 2003

By A Customer

You can't really go wrong with any of the collections in this series. But Vol. 2 stands out. It's just killer track after killer track. Perhaps we can thank Grady Martin for it. He was the bandleader and lead guitarist on most of these sessions, which were recorded for Decca during the brief period when all the record labels were trying to cash in on the rockabilly craze.