Most Helpful Customer Reviews
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33 of 35 people found the following review helpful:
5.0 out of 5 stars
Fan-TASTIC stuff!, December 7, 1999
This album has everything you could want. A million listenings would not be enough to get all the humor and dirt and sex that is in "A Different Class." This makes you want to put on spangled shoes and be a rock star -- it is a huge, riotous, spooky, ambient, moody, loud CD. It has the size of great glam-era Bowie but the maudlin smarts of the Smiths. Highly recommended for dancing on tables, drinking vodka, and finding a too-young-for-you boyfriend. Also suitable for driving a convertible over flat, bare highways at night in a cowboy hat and sequined hot pants.(I think this album defies adjectives, so I am trying to capture the big-ness of this fab album.)
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19 of 21 people found the following review helpful:
5.0 out of 5 stars
Best album of the decade? Without a doubt., October 20, 1999
By A Customer
Well, kids, what we have here is the absolute closest thing you can get to THE PERFECT ALBUM. Different Class has it all: gloriously constructed music that soars and swells, a perfect backdrop for Jarvis Cocker's incredibly witty and biting satire. This album, even after four years, just keeps getting better. it is the one CD out of my entire collection that I would never give up. Song after song, Different Class delivers: from the bouncy yet viscious Mis-shapes, the sultry eroticism of Pencil Skirt, the sheer grandiose bombast of Common People, the high drama of I Spy, the sweet sense of wistfulness in Disco 2000, the incredibly well-told story of social disintegration that is LIve Bed Show, the utter beauty and charm of Something Changed, the dead-on observation of Sorted For E's & Wizz, the way that falling in love is depicted as firghtening & dirty in FEELINGCALLEDLOVE, the sweeping Underwear, the rollicking MOnday MOrning, and the perfect morning-after scenario of Bar Italia, there is not a dud on this classic. I could go on forever, but just buy it and find out for yourself.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Probably the best of the Brit Pop Albums, January 26, 2005
The debate in the summer of 1995 centred around the Blur v Oasis debate. The correct answer was Pulp. Unlike Blur or Oasis, Pulp underwent a long gestation period before their instant classic 'Different Class', and their sound on this album reflects the development of a band who had gone through their probationary period and hit exactly the right tone at the right time.
The mid 1990s were marked by the 'St Martin's college' culture -posh kids pretending to slum it. The signature tune on 'Different Class' skewers this custom in a build up of bitterness and class confrontation, deliberately attacking the bourgeoise 'poor' - 'You'll never fail like common people/never watch your life slide out of view'. Puncturing the middle class attitudes of the time is a theme that runs throughout the album - wittily and acidicly too. Take the following lyric from 'I spy' - 'My favourite parks are car parks, grass is something you smoke, birds are something you shag. Take your Year in Provence and shove it up your ass'. Cocker evidently does not suffer pretention gladly.
Elsewhere there is the quizzical look at the ecstacy culture 'Sorted fo E's and Whizz' - 'Is this the way they say the future's meant to feel?/Or just 20,000 people standing in a field'.
And the other main hit on the album, apart from 'Common People', Disco 2000 with its nostalgic remembrance of a childhood sweetheart who has grown up and become pregnant: 'Would you like to come and meet me maybe? you can even bring your baby'.
A star deducted, because there are some unmemorable songs on this album. But 'Different Class' is a Britpop classic
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