Under a Blood Red Sky [LIVE]

U2

Product Details

• Audio CD (June 15, 1990)
• Original Release Date: November 1983
• Number of Discs: 1
• Format: Live
• Label: Island
• ASIN: B000001F5F
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (87 customer reviews)
• Amazon.com Sales Rank: #72,384 in Music (See Bestsellers in Music)

Track Listings

1. Gloria

2. 11 O'Clock Tick Tock

3. I Will Follow

4. Party Girl

5. Sunday Bloody Sunday

6. Electric Co.

7. New Year's Day

8. "40"

Editorial Reviews

Amazon.com

There seem to be two major camps of U2 fans now: Those who dig the early albums (good and sensible people), and those who only like the ones from the '90s, putting everything previous down as "classic rock." But U2 only became a classic rock sort of band in 1984, with The Unforgettable Fire. The real early stuff, from '80 to '83, still comes off as edgy--and it's comparatively ignored. Here's a sampler: Under a Blood Red Sky is from a U.S. tour (1983's) in which U2 still thought of itself as a hungry little band from Ireland--and draws (fairly wisely) from the band's first three albums. There's nary a misstep on the entire disc, although it could stand a few more tracks. --Gavin McNett

Product Description

The remastered Under a Blood Red Sky album was originally released in November 1983, and consists of live recordings from three shows on the band's War Tour through Europe and America. --This text refers to an alternate Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

33 of 34 people found the following review helpful:

5.0 out of 5 stars Passion & Energy, July 17, 2000

By	Thomas Magnum (NJ, USA) - See all my reviews (TOP 50 REVIEWER)

Two of things that make U2 such as special band is their passion and energy. While these traits are present on their studio albums, they come to the front in their live performances. Under A Blood Red Sky perfectly captures all their raw emotions and energy. The album opens with the soaring "Gloria" from their October album and then seiges into "11 O'Clock Tick Tock". Next is a scorching version of their first hit "I Will Follow". "Party Girl" is a great lost U2 song. It was originally issued as a b-side and available on imports only. It starts off with just the Edge strumming his guitar and builds up to a powerful crescendo. Bono states on the record that "Sunday Bloody Sunday" is not a rebel song, but it is definately an anthem. Bono has always had a bit of a preacher in him and as he urges the crowd to chant "no more", the album takes on the feel of an old time revival. After whipping things up to a fever-pitch, "The Electric Co." and "New Year's Day" follow and they mellow things out. The hymn-like "40" is the final track and the album ends on a poignant note with just the crowd singing the chorus. For those of you who may only be familar with the U2 of the 90's and their mammoth Pop Mart and Zooropa concerts, this album is a fine sampler of their earlier efforts. While the approach is simplier in nature, it produces just as big of a sound.

27 of 30 people found the following review helpful:

5.0 out of 5 stars A 5 Star Record With Much Room For Improvement, March 29, 2005

By	Christopher Bushman (Portland, OR USA) - See all my reviews (REAL NAME)

This is a five star album for a variety of reasons:

A. The song selection. This is a release from a supremely confident band, trusting that their audience will enjoy the songs they enjoy playing and not just the obvious favorites. Party Girl? 11 O'clock Tick Tock? Rock on!

B. If you are of a certain age, UABRS is inextricably linked to the Red Rocks concert video that was incessantly played on MTV for months and months (and months) back when MTV was not only concerned with music but on a mission to break high quality, envelope-pushing new music in America

C. It is a snapshot of one of Rock's great bands peaking for the first time

All that said, Under A Blood Red Sky cries out for the Deluxe Edition treatment. This short (under 40 minutes) album was sold as an EP upon it's 1983 release and if memory serves was priced accordingly. It seems like this sold for under $6.00 on vinyl. In my humble opinion, Island should blow the dust off the masters re-release it:

A. Remastered in SACD format

B. Fleshed out with all or most of the songs played on the dates originally recorded for the album (I saw this tour at the old Paramount Theater in Portland, OR in 1983 and I remember they were still playing some of the great tunes from Boy, An Cat Dubh particularly sticks in my memory)

C. With a second-disc DVD containing the whole Red Rocks concert

D. Why not add some MTV interview footage from the time?

E. A liner note essay from Paul McGuinness telling the story of the first American transformation: From obscure Irish New Wave up and comers to America's Alterna-Rock heroes with the release of War and the Red Rocks video

UABRS compares favorably to the Who's Live At Leeds. The Who release was an explosive live document also, marred only by it's brevity. The Deluxe Edition remedied that and proved a revelation. Come on Island, get on the stick!

8 of 8 people found the following review helpful:

4.0 out of 5 stars A Classic, March 28, 2004

By	J. Fowler (Richmond, VA) - See all my reviews (REAL NAME)

I bought this album on vinyl back 'in the day'. Subsequently, I bought it on cassette, and finally on CD, so you might say that I like it a lot. The energy in these live versions really make the more careful studio versions seem less vital. The version of `Party Girl' here totally wipes out the B-Side studio version (which can be found on the two disc edition of `Best of 1980-1990').

As some reviewers have noted, part of the track 'Electric Co' is missing a bit during an interlude in the song where Bono starts singing part of 'America' from West Side Story and 'Send in the Clowns' from A Little Night Music. Of course, our Draconian copyright laws being what they are, these brief references had to be cut to avoid a lawsuit, I suppose. The cut is reflected on the tape and the CD. What I don't understand is why U2 can't just go ahead and clear the rights for the use of these snippets, so future CD editions can include what was taken out.

(Copyright-related Note: Years later, U2's label, Island Records sued the group Negativland after it incorporated 'I Still Haven't Found What I'm Looking For' into a joke sound collage that they released as a single that they called `U2'. That's now available, though, as a bootleg entitled 'These Guys Are From England...' which is quite hilarious, though some may find it offensive.)

For those who think that it's a rip-off that this album is so short, keep in mind that it's a lower-priced E.P., not a full-length album. Also, remember that Rattle & Hum, U2's other foray into the live genre, was a double album, making this seem all the more lacking in material. Moreover, U2 wasn't quite what they are now (a huge supergroup) back then, so this E.P. was more of a marketing taster to give people an idea of how great U2 is live. A big live album wouldn't have been justified at the time. Some still don't think Rattle & Hum was such a good idea.

By the way, this E.P. was recorded using material from their concerts in Boston and West Germany as well as Denver, so these songs are not quite the same live versions that exist on the longer 'Live from Red Rocks' video.