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6 of 6 people found the following review helpful:
5.0 out of 5 stars
My Ever Changing Moods, February 7, 2004
I will never forget the time when I first heard the Jam. I was about 12, 1981, and I was down in my neighbors basement in Lincoln, Nebraska. He was one of seven catholic kids, and he somehow ended up with a copy of In The City. It was the coolest thing I'd ever heard. It wasn't long before we were spray painting a piece of styrofoam in the same manner as the front of the album. Weller has been a huge part of my music heritage ever since. Stanley Road finds Weller at the peak of his "3rd" life. To me, it's his defining moment as an artist. Weller hits the perfect notes with his 3rd solo album, an album filled with just enough artistic personal statements to sketch a portrait as rich as any singer-songwriter that I'm aware of. Porcelain Gods? Changingman? Pink on White Walls? In the Distance? Street With No Name? All classic, defining Weller moments. Who is Weller? Listen to Stanley Road. ala " I know I come from Woking & you say I'm a fraud, but my heart is in the city, where it belongs". I was lucky enough to have this album as a companion on a rail trip through Europe when it first came out. Everytime I hear it, it reminds me of the hills in Italy and nights on the balcony overlooking the Amalfi coast. This album has the same rare capacity Weller's 1st album, In the City, had, that is, to define a time and a place. Pink on White Walls? How else to you explain the buildings in Italy? "Don't waste your time, don't hesitate, life is but a moment you can't wait, Go and have your fun, go and lose your mind, but can you get back to the ones you left behind?" Good Question!
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