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The Phantom Of The Opera (1986 Original London Cast)
 
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The Phantom Of The Opera (1986 Original London Cast) [CAST RECORDING]

Andrew Lloyd Webber (Performer), Christie Lawrence (Performer), David Rose (Performer), Frank Clark (Performer), Nicholas Worters (Performer), Paul Cullington (Performer), Pete Whittaker (Performer), Chris Green (Performer), Ernest Greaves (Performer), Justin Pearson (Performer), Norman Jones (Performer), Robert Norris (Performer), Robin Firman (Performer), Chris Gradwell (Performer), Steve Pierce (Performer), Andrew Lloyd Webber (Composer), Michael Reed (Conductor), Alexa Turpin (Performer), Sheila Bromberg (Performer), Daniel Emond (Performer)
4.5 out of 5 stars  See all reviews (427 customer reviews) More about this product


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Product Details


Disc: 1
1. Phantom of the Opera/Prologue
2. Phantom of the Opera/Overture
3. Phantom of the Opera/Act 1. Scene 1. Think of Me
4. Phantom of the Opera/Act 1. Scene 2. Angel of Music
5. Phantom of the Opera/Act 1. Scene 3. Little Lotte/The Mirror (Angel of
6. Phantom of the Opera/Act 1. Scene 4. The Phantom of the Opera
7. Phantom of the Opera/Act 1. Scene 5. The Music of the Night
8. Phantom of the Opera/Act 1. Scene 6. I Remember/Stranger Than You Dream
9. Phantom of the Opera/Act 1. Scene 7. Magical Lasso
10. Phantom of the Opera/Act 1. Scene 8. Notes/Prima Donna
See all 14 tracks on this disc
Disc: 2
1. Phantom of the Opera/Entr'acte
2. Phantom of the Opera/Act 2. Scene 1. Masquerade/Why So Silent
3. Phantom of the Opera/Act 2. Scene 3. Notes/Twisted Every Way
4. Phantom of the Opera/Act 2. Scene 5. Wishing You Were Somehow Here Agai
5. Phantom of the Opera/Act 2. Scene 5. Wandering Child/Bravo Monsieur
6. Phantom of the Opera/Act 2. Scene 7. The Point of No Return
7. Phantom of the Opera/Act 2. Scene 8. Down Once More/Track Down This Mur

Editorial Reviews

Amazon.com essential recording

What's left to be said about Andrew Lloyd Webber's adaptation of The Phantom of the Opera a decade after its premiere? That it's maddeningly ubiquitous? A stitch-up of various themes shoplifted from the Italian operatic repertoire? A critic-proof crowd pleaser that's probably being staged somewhere in the world as you read this? A megahit that will likely outlive Titanic in the pop-culture pantheon, Phantom has largely redefined--for better or worse--the manner in which modern musicals are conceived, staged, and marketed. Its influence has reached far beyond the traditional confines of London and Broadway. A favorite example: an abridged version that was the centerpiece of Los Angeles's longest-running transvestite revue, replete with 14-inch chandeliers and a man-playing-a-woman-playing-a-man in the title role. --Jerry McCulley

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Customer Reviews

427 Reviews
5 star:
 (320)
4 star:
 (49)
3 star:
 (23)
2 star:
 (12)
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Average Customer Review
4.5 out of 5 stars (427 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
145 of 161 people found the following review helpful:
5.0 out of 5 stars A Rich Combination of Power and Passion, April 23, 2000
By RJStuart (Australia) - See all my reviews
When I first heard the music from 'The Phantom of the Opera' 8yrs ago, almost instantly, a surge of emotion and inspiration tingled up my spine and I was in awe of the brilliance of Andrew Lloyd Webber, Charles Strouse, and Richard Stilgoe. The composer, Lloyd Webber, has simply out done himself in this album, more so than in any of his other fantastic musicals. Not only did he choose a fascinatingly mysterious story to create his operatic musical, but his music is so powerful and so stirring for the listener, that they become part of the action in the musical. The lyrics, written by Charles Strouse and Richard Stilgoe, are brilliantly descriptive which creates rich imagery for the listeners. With the combination of both Lloyd Webber's compelling music and the lyricists' words, 'The Phantom of the Opera' is infallable. 'The Phantom of the Opera' consists of a number of songs which would appeal to listeners. The title song, "The Phantom of the Opera", involves the two leading characters, the Phantom and Christine, singing of how the former is incessantly in the mind of the latter. As this song contains rock and opera it would appeal to a wider variety of listeners. "The Music of the Night", one of Lloyd Webber's greatest pieces of music, is one of the most descriptive songs I have ever heard. A soft and haunting tune, this song's lyrics evoke fantastic description for listeners, and create a tension yet a resolution; and is in fact rather paradoxical, but amazing to listen to, as it is powerfully beautiful. "All I Ask of You" is one of the few positive songs in the album, which reveals the strong love between the main female character, Christine, and another central character, Raoul. This song has a touch of opera but is more of a 'musical' type song. Once again the lyrics are superb, involving passionate description. "Wishing You Were Somehow Here Again", is a very stirring song on this album, as it is set in a graveyard. Christine creates a sense of sadness as she sings of how she misses her father, and the listeners are coerced into pitying her situation. Lloyd Webber's music is powerfully emotive and the lyrics are passionate, and thus appeals to the listener's own emotions. "Past the Point of No Return" is another haunting song in this album. When the Phantom sings it, with Christine, he is disguised as another character and he is actually performing to an audience on the stage. This song reveals the situation to the listeners, Christine is past the point of no return, she cannot turn back and must stay with the Phantom all of her life in his dark 'dungeon' below the opera house. The music and the lyrics are both emotive and stirring. The last scene is full of action and resolutions. However, the album leaves the listeners with a mystery, as the Phantom dissapears and leaves nothing but his mask. Yet, the last scene brings my favourite part of music in the whole album, which is when Raoul and the Phantom are singing together; The Phantom: "For either way you choose, you cannot win"; Raoul: "Either way you choose, he has to win." The harmony and the power created when these lines are sung are just outstanding and emotionally stirring. On every other 'Phantom' album I have heard I have not heard it sung nearly as well. Portraying a deformed, violent, obsessive murderer, yet passionate in music and Christine, Michael Crawford had a challenging task ahead of him when he was playing the Phantom. Yet, out of every Phantom I have heard, he is the greatest. Indeed he is not as emotional as Colm Wilkinson (who breathes too much in his portrayal), but he portrays the Phantom graciously and smoothly; Crawford has a massive lung capacity, as he holds onto notes for large amounts of time. The songs in the Phantom do not call for an abrupt and loud voice, as Colm uses in the "Original Canadian Cast" version, but a compellingly soft and smooth voice in which Crawford uses in this album. In fact, I believe Crawford uses fantastic emotions to depict the Phantom, such as when he is singing "I gave you my Music..." at the end of the first disk; the emotions Crawford uses are not over the top, but they are just right, and in my opinion, no one has matched Crawford's unique ability to portray the Phantom yet. Sarah Brightman, out of every other 'Phantom' I have heard, depicts Christine far greater than anyone else. Her voice is very clear and high-pitched and no one else seems to be able to compare. Steve Barton's Raoul is very good, although his voice is not very powerful, he is still very emotive. Overall, "The Phantom of the Opera" 1986 Original London Cast, is by far the greatest album to buy out of all of the other albums. The cast is the best I've heard and the music and the lyrics are awe-inspiring. I have one complaint, though; I would have loved the album to be complete. However, Andrew Lloyd Webber is a genius and with his lyricists has immortalised Gaston Leroux's early twentieth century gothic novel.
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49 of 59 people found the following review helpful:
5.0 out of 5 stars Outstanding, June 9, 2005
By AJK (Chicago, IL) - See all my reviews
I first purchased this cd in 1988, shortly before seeing the show on Broadway. At first, only a couple of songs stood out, but after seeing the amazing production (Michael Crawford's performance was "jaw-dropping") & repeated listenings, I fell in love with the score.

The orchestrations are powerful & many songs really stick with you, especially:

Overture [sounds great cranked up]
Angel Of Music
The Phantom Of The Opera [The Phantom & Christine's great duet]
The Music Of The Night [The Phantom's big song]
All I Ask Of You [Christine & Raoul's duet - though a bit tired]
Masquerade
The Point Of Know Return

Beautiful from beginning to end & MUCH better than the film's soundtrack. Webber's masterpiece!

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13 of 14 people found the following review helpful:
5.0 out of 5 stars Captivating & Hyptnotic! Addictive! Superlative!, July 20, 1998
By A Customer
I have worn out my first CDs of the Phantom, and I'm on my second set. This is unquestionably the most provocative music and love story ever written! I love the witty humor of the script, also. One of my favorite parts is the Phantom's wicked little snicker when he hears Carlotta get a "toad" in her throat during her performance! You've just gotta hear it! It tells such a wonderfully exciting story that I must listen to it at least every other day. And, once I start listening to Disk 1, I can't turn it off until the end of Disk 2! It's truly an experience everyone should have at least once in their life. But I have to warn you ... once you've heard this music, you won't be able to do without it ever again! Michael Crawford as the Phantom is truly a star! Sarah Brightman and Steve Barton are brilliant! The other cast members are also great! I'd give it more stars if I could! And fyi...I'm not a person to take time out to write reviews; this is my fi! rst.
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Most Recent Customer Reviews

5.0 out of 5 stars Love the Musical!
I was in love with the music before I saw the Broadway show. THank you so much for letting me have the music of my dreams!
Published 10 days ago by G. Guesby

5.0 out of 5 stars The real POTA deal
The Phantom of the Opera is one of the most popular performances of all times, attended by millions worldwide, but there is nothing like the singing in the original performance... Read more
Published 2 months ago by Dan Clarke

4.0 out of 5 stars Fantastic Music, but slight volume issue
I love the Phantom of the Opera. I first saw the movie, and a few years later saw it in London. I believe that the Original London Cast far surpasses the movie cast in terms of... Read more
Published 2 months ago by yerosmyhero

5.0 out of 5 stars Phantom at it's best.
There is nothing like the original score and music to this wonderful tale of mystery, danger and unrequited love.
Published 4 months ago by Jeffrey Ronchetti

4.0 out of 5 stars LOVE THE MUSIC OF THE NIGHT
great music - loved the play. listen to the CD all of the time
Published 4 months ago by Joel Brill

5.0 out of 5 stars brilliant
I bought this soundtrack for my 15 year old son and this is his review. I took him to see the Phantom back in March. He kept saying, "Mom, I didn't want it to end". Read more
Published 5 months ago by Emily Entrop

5.0 out of 5 stars Phantom Phanatic !

Have long awaited the opportunity to own this original work !

EXCELLENT !! Great value. Thank you.
Published 6 months ago by Bill L. Ford

5.0 out of 5 stars Amazing Soundtrack
This cd brings all the energy and excitement as if you are sitting in the audience. Great rendition of this fabulous play. Can't go wrong with this.
Published 7 months ago by Patrice Wullschleger

5.0 out of 5 stars Exactly what I was looking for...
I recieved what is essentially the full audio track to the original cast production of PotO on time and for a very reasonable price.
Published 7 months ago by Shawn T. Hart

4.0 out of 5 stars Ultimate Phantom!
I've been a fan of "The Phantom of the Opera" ever since I first saw the musical some years back. After purchasing this CD and listening through it once, I believed that this was... Read more
Published 7 months ago by John Medina

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