Diamond Life

Sade

Product Details

• Audio CD (October 25, 1990)
• Original Release Date: 1984
• Number of Discs: 12
• Label: Sony
• ASIN: B00000261G
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 4.7 out of 5 stars See all reviews (61 customer reviews)
• Amazon.com Sales Rank: #25,732 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com
It could have been that Sade (collectively, the vocalist Sade Adu and her band) would have remained the darlings solely of the British underground rare-groove scene, but their sound proved irresistible to the mainstream, and the rest is history. Caught at the beginning of her career in 1985, Sade's cool vocals and exotic looks grabbed everyone's attention. But equally as important to Diamond Life's success was the velvet muscle of the band's accompaniment, a sinewy after hours groove, laden with minimalist funk. Eight of the nine tracks are self-penned. Straddling R&B and pop, this disc lays out the hooks and sultry allure that became Sade's soulful standard--intelligent and sexy at the same time. --Derek Rath

Customer Reviews

Most Helpful Customer Reviews

19 of 20 people found the following review helpful:

5.0 out of 5 stars Pure Liquid Elegance, November 8, 2003

By	Gary F. Taylor "GFT" (Biloxi, MS USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

This review is from: Diamond Life (Audio CD)

There has never been a singer quite like Sade Adu. Although she is of Nigerian origin, and her voice is clearly that of a woman of color, she is equally influenced by her English upbringing; the resulting combination of African heat and British coolness, particularly when combined with her band's elegant mixture of both American and European jazz idioms, is as original today as when it first appeared. Superficially cool and seemingly detached, everything about the band simmers with an underlying passion.

While Adu and her band (collectively known as Sade) have done many memorable recordings since they debuted, DIAMOND LIFE remains their single finest recording: it is pure liquid elegance every step of the way. Opening with "Smooth Operator," which makes particularly good use of Stuart Matthewman on sax, the entire collection flows effortlessly from cut to cut--some dark, some slightly dissonate, some slightly upbeat, and every one of them memorable in the most haunting way imaginable.

Like "Smooth Operator," both "Your Love Is King" and "Hang on to Your Love" actually broke into the charts as singles--a truly amazing feat for a jazz-oriented club band in the ultra-synthetic 1980s. But in truth, be it "Cherry Pie," "When Am I Gonna Make A Living," or "Sally," there isn't a bad cut on the entire CD. Everything shimmers with a sultry yet subtle beauty, pulling you into an atmosphere in which you seem to feel the pulse of a midnight lounge, the atmosphere of the club scene fromw which Sade emerged.

As a band, Sade is sexy, cool, smart, delicately shaded, and brilliantly shaped, and the aptly titled DIAMOND LIFE is perhaps one of the best debut recordings made over the past fifty years. Mix yourself a drink, turn the lights down low, drop it on the stereo, and dream of smoke, the clink of cocktail glasses, and the murmur of voices gone suddenly silent when the band begins to play. Strongly recommended.

GFT, Amazon Reviewer

18 of 21 people found the following review helpful:

4.0 out of 5 stars LUSH SULTRY VOCALS WITH SMOOTH JAZZ & WORLD BEAT BACKING, April 26, 2002

By	Neal C. Reynolds (Indianapolis, Indiana) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

This review is from: Diamond Life (Audio CD)

Sade Adu and her group are unique in their smooth, but always rythmic style, with the jazz interplay, with the Nigerian beat that puts this in a place of their own in pop music.

There's a rythym, a plan, to this debut CD, a placing of four of the best songs at the very forefront: The signature "Smooth Operator", the more intimate "Your Love Is King", the relaxed yet playful and inviting "Hang On To Your Love" in which the instrumentalists have a stronger voice and effect on the cut, "Frankie's First Affair" which seems to me a nod to legendary standard favorite "Frankie and Johnny" (strictly my impression). The next song, "When Am I Going to Make A Living", seems weaker to me, but provides a little balance after the strong opening group. "Cherry Pie" and "Sally" bring us back up, maybe not to the peak of the opening four, but "Cherry Pie" especially is exciting, and "Sally" pretty well keeps us going. "I Will Be Your Friend" and "Why Can't We Live Together" round out the CD, and seem to me more run of the mill, but still suitable to relax, listen to, and enjoy.

My enjoyment of Sade comes from the fact that she actually sings without loud, overly dramatic emoting, and the softer moments of her songs have us listening attentively, in her spell. Those who prefer the loud and the brassy won't likely enjoy it, but if you appreciate melody, harmony, some good jazz, and a spicy African beat, I honestly think you will want this CD.

6 of 7 people found the following review helpful:

5.0 out of 5 stars A Diamond indeed!, April 14, 2008

By	Nse Ette (Lagos, Nigeria) - See all my reviews (TOP 500 REVIEWER)

This review is from: Diamond Life (Audio CD)

This is an old album (I never thought 1984 would become old, lol!) but I was reminded of it while preparing my first Listmania list, for my 40 favourite albums (yes, it definitely made the list). This album reminds me of UK music magazines Smash Hits, Record Mirror, and Blues & Soul (ah, the days when hardcopies of magazines and music ruled) as it came out while these were the magazines of the day, and Sade was a regular visitor to their pages.

"Diamond Life" is the debut release from Nigerian chanteuse Folasade Adu and her Band, simply known by the moniker Sade (an abbreviation of her first name). A sleek catchy hybrid of Pop, Soul and Jazz, the album was a multi-million seller and won Sade the Grammy for best newcomer. It showcased excellent musicianship and clever lyrics, rarely bettered even today.

Right from the group's image (her ponytails, large hoop earrings and backless dresses), and the fantastic blue-tinged black and white cover art (giving a retro look to match the sound), everything about this album reeked sheer class, which permeated right through the nine tracks on the album.

Opening cut (and a favourite of mine), the aptly titled dramatic "Smooth operator" with percolating percussion, spoken intro with dramatic flourishes, sprinkled with tenor sax, and that dusky Blues-y voice telling the tale of this western male who goes from "Coast to coast, LA to Chicago" is still a classic to this day, much like anything by Ella or Billie I daresay.

Other standouts are the swinging horn-peppered "Your love is king", the retro funk of "When am I going to make a living" (with semi-biographical lyrics about perseverance despite the hard times the band faced before hitting the limelight, this was well before American Idol remember), the tender and lovely "I will be your friend", and the reworking of Timmy Thomas' paean for racial harmony "Why can't we live together" (with an extremely long brilliant jazzy intro, and rich in congas). Another favourite of mine is the groovy "Cherry pie" with a killer bassline and dreamy echoing vocal effects.

This album stood out when it came out (and that was a time crowded with great music mind you; Prince, MJ, Madonna, Duran Duran, Bowie, Kool & the Gang) and it is easy to see why. Additionally, unlike most other winners of the Grammy newcomer award, every subsequent studio release by Sade has been brilliant and gone platinum, confirming that they (the Grammys that is) definitely got it right that time. The music scene (in the UK at least) has come full cycle with loads of young girls (Amy Winehouse, Adele, Duffy et all) hearkening back to a time when music was, well, music.