Emerald City

Teena Marie

Product Details

• Audio CD (October 25, 1990)
• Original Release Date: 1986
• Number of Discs: 1
• Label: Sony
• ASIN: B00000266P
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (20 customer reviews)
• Amazon.com Sales Rank: #145,752 in Music (See Bestsellers in Music)

Customer Reviews

Most Helpful Customer Reviews

26 of 26 people found the following review helpful:

5.0 out of 5 stars The "Ivory Queen of Soul" Rocks Out!, June 7, 2000

By	Sara Stromseth "midwesterngirl" (Cresco, IA USA) - See all my reviews (REAL NAME)

Teena Marie's 1986 album "Emerald City" caused critics and fans alike to scratch their heads in confusion. The Teena of yesteryear, the Rick James protoge, the soulful powerhouse behind heart-on-your-sleeve balladry like "Dear Lover" seemed to have taken a vacation with the release of "Emerald City." Here was a Teena Marie that whipped her voice around the driving funk of "Lips To Find U," who head-banged with the conviction of a hard rock singer on "You So Heavy," who evoked images of a torch singer of days gone by with "Sunny Skies." "Emerald City," featuring a poem chronicling the emotions of a character, "Pity," through the theros of being misunderstood, (not to mention the dark cover image of Teena and guitar surrounded by an eerie green backdrop), both hinted that this album was going to be something else. And that it was. While not as commercially successful as previous work, "Emerald City" featured "The Ivory Queen of Soul" making an album that, as she has said in interviews, was for herself. The music, a bit dependent on mid-80's synth production, does sound a little dated. Even so, what makes these cuts memorable is the way Teena sings them: with conviction, with sass, with style. As she wraps her vocals around the atmospheric, hypnotic "Shangri-La," or scats her way through the delicious lyricism of "Sunny Skies," Teena Marie deftly showcases her musical tastes and excelles in each genre she shares with the listener. "Batucada Suite," a breathless romp into Latin music and African percussion, features Teena evoking the musical heritages of many lands, at last proclaiming "Jesus music is Heaven-sent, to remind us of what has went." (This just goes to show that Teena's knack for wordplay coupled with intense musicality still remains her biggest strength). As Teena writes her own lyrics, she can get away with such word puzzles, not to mention that her writing far outshines the "baby I love you" same-ness of her contemporaries. As a whole, the album runs the gamut of Marie's musical influences, ranging from the psychadelic-stylings of the title track, to the familiar funk of "Once Is Not Enough" and "Lips To Find U," to the brooding surprise of "You So Heavy," to the Spanish-style of "Batucada Suite," to what is arguably Teena's biggest musical strength, the jazz ballad "Sunny Skies," which is lyrically brilliant and features saxaphone work by Bradford Marsalias. Though underrated, this is an album worth listening to, not once (you'll think it's wierd) but over and over (you'll find it to be a creative, inspired musical journey through one of soul music's most talented interpreters). Intense, surprising, soulful, and inspired: "Emerald City" showcases Teena Marie's far-reaching musical scope, illustrating that she was and remains an artist in the true sense of the word.

8 of 8 people found the following review helpful:

5.0 out of 5 stars "Listen to the rhythm of my soul", August 27, 2003

By	Thomas R. Carley Jr. (gresham, oregon United States) - See all my reviews (REAL NAME)

Without a doubt, Teena has always been an overlooked genius. She is the evidence of the trouble of trying to compete against your own hit single. When "Lovergirl" was being overkilled on the radio, people were overlooking other great songs of hers. "Emerald City" was the follow up album after "Starchild". And on this album, she threw out the disco, and turned to plain old Rock.
And on parts of this album she is almost metal sounding. And what is not known by most of the general public, is not only does Teena Marie write, produce, and sing all her own songs, but, most of the music is played by one person, Teena. She is for the most part a one woman band. Let me tell you my five favorites on "Emerald City", in order. 1)"Lips To Find You." The song to listen while you are in the backseat of your car with your lover. 2)"You So Heavy". Pure Teena Marie magic. One of the great guitar solos near the end of this song awaits you. 3)"Shangri-La". Blast this one and you will understand the power of "Shangri-La". This song builds to a great climax. 4)"Sunny Skies". At just over 7 minutes, this song is a jazzy song for romantics that brings out Teena's unique vocal style. 5)"Love Me Down Easy". If you are a drum lover, this is your song. One day, I hope she gets the respect she has sorely been denied by the music industry. Untill then, her hard core fans will still be there for her.

4 of 4 people found the following review helpful:

4.0 out of 5 stars a good solid effort, March 18, 2000

By	[e-mail] "mistermaxxx" (usa) - See all my reviews (TOP 50 REVIEWER)

Lady T has always been bad.This Disc reflects her many sides.Teena Marie is a strong writer,arranger,Producer,instrumentalist,&Damn she can Sing.she deserves more props.she has always come correct.Lips To Find you was tight.she is a musical Genius to me and very Prolific.