Most Helpful Customer Reviews
|
|
23 of 23 people found the following review helpful:
5.0 out of 5 stars
Excellent introduction/summary of Luther's '80's work, August 2, 2004
Although Luther was really more of an album artist in the eighties (and please note that each of his eighties are worth owning in their own right!), however, he did manage to rack up a very impressive amount of hits on Billboard's R&B chart during this time. Although THE BEST OF LOVE understandably doesn't have the cohesion of Luther's proper eighties discs, it is an excellent introduction/summary of the man at his creative peak.
The hits included are "Never Too Much" (#33 Pop, #1 R&B, #4 Dance), "Bad Boy/Having A Party" (#55 Pop, #3 R&B), "If This World Were Mine" (#4 R&B), "Since I Lost My Baby" (#17 R&B), "Superstar/Until You Come Back To Me" (#4 R&B), "Til My Baby Comes Home" (#29 Pop, #4 R&B), "Give Me The Reason" (#57 Pop, #3 R&B), "Stop To Love" (#15 Pop, #1 R&B, #7 Adult Contemporary), "There's Nothing Better Than Love" (#50 Pop, #1 R&B, #20 Adult Contemporary), "I Really Didn't Mean It" (#6 R&B), and "Any Love" (#44 Pop, #1 R&B, #12 Adult Contemporary).
There are a few great lower-charting singles included, "Promise Me" (#72 R&B), "If Only For One Night/Creepin'" (#59 R&B), and "So Amazing" (#94 R&B). Also of note is the inclusion of the two singles that Luther recorded with the group Change, the anthem "Searching" and the often-sampled "Glow of Love," which is what led to Luther landing his solo recording contract with Columbia. There are also two non-single covers, "A House Is Not A Home" and "Love Won't Let Me Wait," that nonetheless became classics in their own right.
It is worth noting that there are some singles that are missing from the set, and a few of them were actually significant hits. Charting singles that are absent include "Don't You Know That" (#10 R&B), "Sugar and Spice" (#72 R&B), "How Many Times Can We Say Goodbye" (#27 Pop, #7 R&B, #4 Adult Contemporary), "I Let You Slide" (#9 R&B), "It's Over Now" (#4 R&B), "Wait For Love" (#11 R&B), "She Won't Talk To Me" (#30 Pop, #3 R&B, #17 Adult Contemporary), and "For You To Love" (#3 R&B). While all of the missing songs are also very good, the rest of the material is so terrific that their absence will not be noticeable while listening to this album. Although I would like to see this set remastered with a few of the above tracks re-inserted as bonus tracks.
There are also two then-newly recorded tracks as well. As most people know, it was first of these, the gorgeous "Here and Now" (#6 Pop, #1 R&B, #3 Adult Contemporary), that proved to be Luther's first major introduction to mainstream audiences. The other song, "Treat You Right" (#5 R&B), isn't as well known, but is almost as good. The two new hits helped send THE BEST OF LOVE to #26 on the Hot 200, and it reached the impressive Triple-Platinum status in sales.
|
|
|
15 of 15 people found the following review helpful:
5.0 out of 5 stars
Luther. The Legend. The Music., July 3, 2005
Luther. He was known by one name. He was known for his voice. He was known as the master balladeer of love. Instantly recognized from the very first note. Silky. Smooth. Sensual. Soulful. Spiritual. Sophisticated. Surreal. Words simply cannot do justice to the voice and presence Luther Vandross possessed. So many people grew up on his music. Lived and loved to his music. First kisses. First slow dances. First heartbreaks. Weddings. Births. Other life transitions. Luther's music served as a constant soundtrack for so many special, life affecting events. It still does and always will.
The music of Luther Vandross has inspired so many. Lyrically, he could express emotions and give illustrations to feelings we've all shared but may not have known how to convey to another. Vocally, his delivery was nothing less than perfection. No one could sing a love song like Luther. He owned a passion and fire that could both scorch and soothe the very heart and soul. His voice, no, his instrument could be soft as a light spring rain or as strong and powerful as gusting winds whipping nature into frenzy. And he did it all seamlessly. Effortlessly. This man we all knew and loved like he was a part of our family. This man we would watch in awe as he glided across world stages impeccably dressed from head to toe, exuding complete class and style. This man who could turn a riff or ad lib into an emotional experience. This man who could bring tears to eyes and make heart's skip beats all from one note.
Live, Luther would send chill on top of chill through his female fans and have them screaming for more. And men weren't too far from doing the same. The things Luther Vandross could do with that instrument of his can never be duplicated. He was one of a kind. And that is an understatement. After all, it was Luther's music often played in house parties and romantic evenings between couples. It was Luther's music that is the reason many of us are on the planet now. Songs like "Since I Lost My Baby" encompassed the emotion felt over a lost love. "Superstar/ Until you Come Back to Me" or "A House Is Not a Home" were tour de forces that cut deep into the hearts of those longing for that true, lasting love. The catalogue of ballads and songs that made us feel everything from joy to pain and want to dance, sit in reflection, or simply in awe, is endless.
We are blessed to still have his music and it will indeed live on for love lives on. This collection is a MUST HAVE. Simply put.
The world lost a voice of gold but heaven truly has gained an angel. Luther, your presence in this world will be missed. You are a part of our hearts and you will always remain. It was "So Amazing" to experience the "Power of Love" through your God-given instrument and "Never too Much" for us. "Here and Now" we all know you are dancing with your father. Again. Rest in peace.
With Love,
C.L.B.
|
|
|
6 of 6 people found the following review helpful:
4.0 out of 5 stars
Luther Vandross' Best Years Covered On This 2CD Set, April 19, 2000
Hearing Luther Vandross' "Never Too Much" on this "Best of Love" collection recalls how fresh it sounded among 1981's funk/rap/R&B slammers ("Super Freak," "Bad Mamma Jamma," etc.) It had the best of two worlds; sparkling production and arrangement recalling what disco did best (courtesy of arranger Nat Adderly, Jr.); buttery, popping percussion by Marcus Miller, and a tour-de-force, tongue-twisting vocal by Vandross. It blueprinted a sound you hoped would last as long as the classic, finessed soul (think Dionne Warwick and Aretha Franklin, who wrote testimonials on the liner notes) that inspired it.It did. Luther and his collaborators crafted immaculately produced, gorgeously sung originals and covers throughout his first five albums, the best gathered here. He slowly, slyly extracts the pain and yearning from Leon Russell's "Superstar" that the Carpenters' version overlooked. His voice rises like smoke around the romantic, tricky wordplay of Bacharach-David's "A House Is Not A Home" and Smokey Robinson's "Since I Lost My Baby." His originals (sparkling mid-tempo tunes like "Stop To Love," and "Till My Baby Comes Home") display a rhythm and countermelody sense validating Vandross' songcraft experience. (Before achieving his solo success, Luther sang on everything from commercials to David Bowie's "Young Americans" album, which he co-wrote.) Much of Vandross' Top 40 success ("Endless Love," "Power of Love") followed this release, as would other greatest hits collections following his release from Epic Records. But "The Best of Love" is indeed Luther Vandross' best from the years he refreshed, then ruled, the R&B ballad. Highly recommended.
|
|
|
Most Recent Customer Reviews
|
Interact With Your Music: Discover, listen to, and buy new music, all from the pages of SPIN's digital edition, free to Amazon customers.
~ Michael Jackson
~ Luther Vandross
~ Luther Vandross
~ Michael Jackson
~ Luther Vandross
by Luther Vandross 
