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68 of 69 people found the following review helpful:
5.0 out of 5 stars
Epistle to the Flower Power Era, February 5, 2000
Donovan began his career as a folkie, but he will be remembered forever as the leading proponent of flower power hipness.Early folk-oriented tunes like "Catch the Wind," "Colours" and "Universal Soldier" all charted in the UK, but only "Catch the Wind" dented the US charts (No. 23). In late-65 Donovan splits from his manager and hooks up with new producer Mickie Most (Herman's Hermits, Animals, Lulu, etc.). In the process he switches direction from folk to pop. His first single for Most is "Sunshine Superman"--which was originally titled "For John and Paul." It goes to No. 2 in the UK and tops the US chart. What follows is a string of memorable hits, including "Mellow Yellow" with Paul McCartney on background "whispered" vocals. [Did anyone REALLY believe this was about smoking banana skins! ] There's the percussion-flute workout "There Is a Mountain," (which the Allman Brothers would convert to "Mountain Jam" on Eat a Peach.] Unlike many of his contemporaries, Donovan would maintain his popularity throughout the sixties. This also meant expanding his sound. "Hurdy Gurdy Man" starts out with Donovan's trademark vibrato vocal and cosmic lyrics, but with Jimmy Page on guitar and the future Led Zeppelin rhythm section on board it was one of the few Donovan tracks that rocked. Another hard-driving song (and Donovan's last US top 40 hit), "Barabajagal (Love Is Hot)," features the Jeff Beck Group. Donovan leaves Mickie Most and releases "Celia of the Seals" as a duet with longtime bassist Danny Thompson. It only reaches US No. 84. His next single "Riki Tiki Tavi" is what Donovan dubbed an experiment in "Celtic rock." it peaked at US No. 84. His final US single is "I Like You" from Cosmic Wheels. [I bought this album on vinyl when it was released in 1973. Thankfully this disc does not also include the embarrassingly insipid "Intergalactic Laxative."] The single only went to No. 66. It was becoming apparent that by the early seventies, there were very few listeners still paying attention. For this baby-boomer, this collection is everything I would expect in a box set: all the hits, a few unreleased songs, tracks from throughout the artist's career (the latest song is from 1976's Slow Down World), and an emphasis on the artist's commercial peak (1966-1969: 26 of the 44 songs). If all you want is the hits, the remastered Greatest Hits' 15 tracks will do the job cheaper, but for six dollars more you get nearly three times the songs and enough Donovan to put you into cosmic euphoria. Go for it. RECOMMENDED
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