Most Helpful Customer Reviews
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35 of 37 people found the following review helpful:
5.0 out of 5 stars
Dylan looks to the past to prepare for the future, March 3, 2003
One good thing about writing reviews is the fact that I am often compelled to pick up things I have ignored for a long time. When this album was released, I snatched it up, listened to it a few times, and proceeded to forget about it for some reason. Being less of a Dylan addict at the time, the fact that this album consisted basically of folk music accompanied by impeccable acoustic guitar did not strike me as very significant, and I was slightly disappointed that these songs were all covers. I was not used to this kind of Dylan music, and for that reason I believe this CD failed to captivate me at the time. Listening to it again now, I am amazed by this album's greatness. Acoustic guitar, harmonica, and Dylan's uniquely raspy vocal musings-that's really all Dylan ever needed, and Good As I Been To You is proof that what was true in the 1960s was just as true in the 1990s and will be true until Dylan's greatness is snatched away from this earth. These songs are all mesmerizing, but Hard Times deserves special attention, as Dylan pours his heart and soul into the song. Arthur McBride is another incredible story-telling saga. Tomorrow Night particularly shows off Dylan's harmonica-playing, and the song's familiarity provides an opening for those seeking to appreciate this impressive album and proves once again that Dylan can in fact sing a love song with great feeling. Don't think that these tracks are all slow and somber anthems, though; a quick listen at Step It Up and Go will show you that Dylan can infuse tons of energy into folk music. Good As I Been To You is Dylan at his most natural, and one can only sit back and revel in the story-telling prowess of one of music's most influential and legendary performers. Looking back on this album, I can't help but consider it the product of an exceedingly important phase in Dylan's evolution as an artist and musician, one in which he looked back to his roots and drew sustenance for the incredible comeback he would make in coming years. With the mixed success of albums such as Under the Red Sky, clearly it can be said that Dylan was floundering musically at the time this particular album was recorded. While some questioned his decision to record an album of covered folk and blues songs at this particular time, Dylan knew what he was doing, and what he was doing was reinventing himself yet again in preparation for hours and hours of incredible new music with which to delight fans and critics alike in coming years. I think many Dylan fans will now agree that this album keeps getting better as the years go by, but at the same time I can see where those unfamiliar with Dylan's musical progression might not warm up to it so easily for the simple fact that it will probably differ greatly from their expectations.
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16 of 19 people found the following review helpful:
5.0 out of 5 stars
The Key is Frank, October 17, 2000
Good As I Been To You brings classic songs of hope, dispair, and humor from a master of the art of telling stories through songs. This is the first of two self produced cover albums of songs that Dylan created, the second being World Gone Wrong. Good As I Been To You is nothing short of a masterpiece.I am too young to remember most of what Bob Dylan is famous for, but I do love his music and the things it stands for. I own only some of the "essential" Dylan, but I believe that in years to come, Good As I Been To You will become more essential at each turn. Go ahead, buy Highway 61 Revisited, Blood on the Tracks, Blonde on Blonde, but don't forget to listen when Mr. Dylan gives you another glimpse at the music that inspired him. Such is the music on Good As I Been To You.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
It takes a while..., December 22, 2005
I grew up on Dylan... in fact, Dylan is my middle name. I was very intimate with his songs from a very early age. When I bought this album in the early '90s, I was still in high school. At first, I remember thinking that his voice was gone. I didn't think I could listen to the entire album. I struggled through it and put it on a shelf.
From time to time, I forced myself to listen to it. I don't know exactly when the change took place... I suppose I grew up a bit, musically. Good As I Been To You started to take shape. The guitar... the harp... the voice. All of a sudden, it meant something entirely different. It made sense. It all came together.
Now, fourteen years later, I listen to this album at least once a week. I will not hesitate to say that this is a great album. But, for some reason, it needs to grow on you. It builds up to some subtle crescendo. Then, suddenly, it will hit you like a ton of bricks. Dylan knew exactly what he was doing. This is his re-entry into greatness after a few years astray.
The guitar picking is incredible. His voice couldn't be more appropriate for the content. If you need more proof, just look at what the (rare) vinyl form of this album can fetch. I recently acquired the LP, and it is the most expensive one in my collection! Those 'in the know' really know what this album is worth.
Give it a try... then try it again. Let the guitar flow through you for a while. Sing along. Go ahead and try. It's not that easy. You'll soom see why this IS one of Dylan's greatest albums. I say that as a hard-core Dylan fan, so don't take it lightly.
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Bob Dylan: "At last I was here, in New York City... I was there to find singers, the ones I'd heard on record--Dave Van Ronk, Peggy Seeger, Ed McCurdy, Brownie McGhee and Sonny Terry, Josh White, the New Lost City Ramblers, Reverend Gary Davis... most of all to find Woody Guthrie." Read more musical excerpts from Chronicles, Vol. 1 on our Music You Should Hear page.
is Bob Dylan's 
