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8 of 9 people found the following review helpful:
3.0 out of 5 stars
A solid rebound from "Draw The Line", April 24, 2000
Aerosmith self-destructed during the making of this album. One would like to think that because of that very fact the album wouldn't be very good. But "Night In The Ruts" is a solid album through and through.There are only two true weak spots on here: the Shangrla's "Remember (Walking In The Sand)" and "Mia". The latter is Steve Tyler's ode to his baby daughter, and is unspeakably wretched because Tyler's voice is thin and weak from Tyler's out-of-control drug abuse. Joe Perry isn't even on the song because he'd already quit the band by then. "Remember" gets the most airplay from all the songs on this album. But, again, Tyler's voice is shot and helps ruin the track. Notice I say "helps"; the song is already bad, and it was a poor choice for a cover. But, thankfully, the rest of the album rocks pretty hard. Perry actually remembers how to come up with a solid guitar riff: "Cheesecake" and "Bone To Bone (Coney Island Whitefish Boy)" are classic rockers with some stellar lead guitar from Perry. The Tom Hamilton-Joey Kramer rhythm section is particularly good on "Bone To Bone". "Chiquita" and "Three Mile Smile" are two other solid rockers with some inspired lead work. "No Surprize" is a Tyler narrative of how Aerosmith started. The irony is Perry didn't complete his work on this song (although his lead is still on the song). This song is particularly Stones-esque in its guitar work (shades of Mick Taylor). That leaves two cover songs: "Reefer Head Woman" and "Think About It". The former is a classic blues song from the 1940's and features some great harp from Tyler. The latter is a Jimmy Page-Yardbirds era B-side. It is perhaps better known for being converted into the turnaround in Zeppelin's "Dazed And Confused". No matter, this song cooks, although Tyler (again) sounds wasted. Considering the state of the band during this era, it is indeed remarkable that the album is this good. In general, the songs are far, far better than anything on "Draw The Line" (save "Kings and Queens", which is a classic). It is a good album that has never received the recognition it deserves.
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