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128 of 136 people found the following review helpful:
5.0 out of 5 stars
These rhymes will absolutely blow your mind..., December 19, 2001
I'll keep this as short as possible. True, Nas DID fall off a bit after releasing Illmatic, and his albums began to head towards a downward spiral of commercialized bling-bling rap (especially the dreadful Nastradamus), but come on. Give respect where it's due. This is one of the most outstanding rap albums ever made. Nine songs of pure New York hip-hop. No one, not even Nas, could have expected to surpass the greatness of this album with future releases. I mean, the production is great, but it's the rhyming skills Nas displays which will keep you focused. I don't mean to be judgemental, but if you feel compelled to skip a track, then just forget about liking the rest of the album. Each song is equally as great as the last one. This is hip-hop in it's finest form, and since it's being sold at an extremely reasonable price, plunk down the dough and just buy the friggin' thing. Trust me. Your rap collection isn't complete without it. If your favorite rappers are Nelly, the Cash Money Millionaires, Lil' Romeo and Master P, then you might want to look elsewhere.
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30 of 32 people found the following review helpful:
5.0 out of 5 stars
5 stars, March 18, 2006
Before I am, Before Nastradamus (Nastra-Garbage), Before It was Written, Before Stillmatic, Before God's Son, Before Nas "Big Chain" Escobar, Before Commercial Nas, there was Illmatic. Illmatic is considered by many to be one of the greatest hip hop albums of all time, and perhaps.... the GREATEST. When Illmatic was released, jaws dropped, and people went running for the hills. At this time, the lyricism and storytelling was unmatched by any emcee. This is the album that put Nas on the map. This is the album that labeled him the "New Rakim." This is the album that will put Nas in the book of the greatest rappers of all time. This is the album that put him at the top of the New York rap scene, next to KRS, Rakim, Biggie, and of course, his rival Jay-Z. Bottom Line, Nas will never make an album this good...
The first thing you notice about the overall sound of Illmatic, is that it has a very underground feel to it, and never ceases to leave you amazed at the wordplay that Nas delivers from his vocal cords. Like he said on "Got Yourself a Gun", Illmatic had no famous guest appearances here. Only his protege AZ appears on one track, which is good because it would introduce AZ to the world, which is a cool thing by Nas. Plus, AZ is skillfull, like Nas. However, other famous people do appear on this album, but dont fully rap. Illmatic uses several voice samples from such artists as Rakim, Biz-Markie, Q-Tip, and Pete Rock.
Honestly, there is nothing else left to say about this album that cannot be said in the body of the review. This is one of those kind of CDs that just never ever gets old, and is STILL in heavy rotation in my house, and i believe it will be for years to come. With that said, its time for me to try to capture the very brilliant essense found on Illmatic, so read on and feel baptized...
Track List & Rating
1. The Genesis f/ AZ (NOT RATED)
2. NY State of Mind (5 Stars)
3. Life's A B*tch f/ AZ (5 Stars)
4. The World is Yours (5 Stars)
5. Halftime (5 Stars)
6. Memory Lane (Sittin' in Da Park) (5 Stars)
7. One Love. (5 Stars)
8. One Time 4 Your Mind (4 1/2 Stars)
9. Represent. (5 Stars)
10. It Ain't Hard to Tell. (5 Stars)
Illmatic kicks off with "Genesis", the closest that we get to a "Skit" is this intro. But its good. It begins with an eerie subway train sound, and a faded sound sample of Nas rapping on "Live at the Barbeque" with Main Source, which is one of his very early joints. AZ and Nas begin to talk about all of these weak rappers, and Nas even claims that he is underground, and that he is ready to rap about the real sh*t. The background gives us some eerie subway sounds, probably taken from the Queensbridge Projects themselves. Afterwards we get a thumping, sort of purposely distorted drum loop to match Nas and AZ's vocals. This intro gives you a real feeling of the backpacker, sort of underground taste that Nas has to offer with Illmatic. Its a great intro, but skippable after a few listens. I like at the end when Nas intoduces the album... "I'm saying man, ya know what I'm saying? N*ggaz don't listen man, representing It's Illmatic."
This leads right into "NY State of Mind", the first instant classic from this album. Immediately the beat kicks with smashing saxophone sounds, thumping bassline, and some light piano tunes in the back, produced by the legendary DJ Premier. Then Nas' lyrics explode into the speakers and/or headphones. This is the first of many street narrative tracks on this album, as he speaks about how it is in New York, with the excessive violence and crime in his home town. He describes through ghetto storytelling what he's seen, and what he thinks. His delivery and lyrics are top notch, like in the whole album. He uses illuminary and skilled, well-written lyrics and a multi-syllable flow to get his thoughts out on wax. This is the perfect introductory track to showcase his skills as he spits about 60 bars, split in two verses. The chorus samples the voice of Rakim, which adds to it that much more because Rakim is a native New York citizen, and Nas is the so-called "New Rakim", so why not use him.
"Life's a B*tch" features Nas' protege AZ, in the only guest appearance on all of Illmatic. This is an instant rap classic. My only complaint, is i dont really like the chorus too much. This song is produced by Large Professor, a legendary producer in his own right. It uses soft clapping sounds, an old Eric B.-style Bassline, and has some jazz and soul sounds. Lyrically, there isnt much to say. The wordplay and poetry is at its highest level, as both emcees adopt a multi-syllable flow, excellent vocabulary, a great choice of words, and a very tight delivery make this track a classic. Both emcees complement each other perfectly, and many think AZ outshines Nas, but i however, dont believe so and i think they are pretty much equal. They both give us an incredible lyrical showing, which is still jaw-dropping by today's standards of hip-hop. Few emcees can give us this much pure skill within just one song, and this much of a perfectly orchestrated verse.
Its funny because to decide who has a better verse, would take quite some time. Its honestly a toss-up. As we already know, Nas is excellent on this song, but of course, AZ flourishes with his brilliance and intelligence as well: "Visualizin the realism of life and actuality, F*ck who's the baddest a person's status depends on salary, And my mentality is, money orientated, I'm destined to live the dream for all my peeps who never made it, cause yeah, we were beginners in the hood as five percenters, But somethin must of got in us cause all of us turned to sinners, Now some, restin in peace and some are sittin in San Quentin, Others such as myself are tryin to carry on tradition, Keepin the schwepervesence street ghetto essence inside us, Cause it provides us with the proper insight to guide us".
"The World is Yours" is one of the singles from Illmatic, and is yet another classic. Pete Rock appears here, but he is uncredited, strangely enough, but does the chorus and the beat. A lot of songs have tried to copy this song, but none have been able to attain its level. Nas raps about his own personal thoughts, instead of just street poetry, showcasing his prophetic view on life. This has a lot of originality, and parts from the rest of Illmatic, when it comes to that factor. He retrospects on his own life, and rap about some of the situations in his life. He uses an amazing vocabulary and rhymes them skillfully. Pete Rock supplies the memorable beat with a tight piano medley, bass, clap, snare, and drums. The scratching is excellent for the chorus.
Lyrically? This is pure Street Poetry and Introspection at its best: "I sip the Dom P, watchin Gandhi til I'm charged, Then writin in my book of rhymes, all the words pass the margin, To hold the mic I'm throbbin, mechanical movement, Understandable smooth sh*t that murderers move wit, The thief's theme, play me at night, they won't act right, The fiend of hip-hop has got me stuck like a crack pipe, The mind activation, react like I'm facin time like, 'Pappy' Mason with pens I'm embracin, Wipe the sweat off my dome, spit the phlegm on the streets, Suede Timb's on my feets, makes my cypher, complete, Whether crusin in a Sikh's cab, or Montero Jeep, I can't call it, the beats make me fallin asleep, I keep fallin, but never fallin six feet deep, I'm out for presidents to represent me (Say what?), I'm out for presidents to represent me (Say what?), I'm out for dead presidents to represent me".
The lead-single "Halftime" is the next track, and it is suitable to be placed here, as we are halfway through Illmatic. This is a pure head-bobbing, old school braggadiocio track. The feel of the track sounds a lot like an old Rakim track, which explains why Nas was dubbed the "New Rakim" after Illmatic hit shelves. Nas spits some tight-a** punchlines, with a multi-syllable flow, multi-bar rhyme scheme as every line is on point and spat perfectly. His rhymes are well-written, and carefully crafted to match with the instrumental, which is a perfectly organized track of horns, trumpets, mixed with hard and deep bassline, which i enjoyed, and some Christmas-like chimes in the background, which was a pretty cool idea. As usual, Often Imitated, but never duplicated: "Before a blunt, I take out my fronts, Then I start to front, matter of fact, I be on a manhunt. You couldn't catch me in the streets without a ton of reefer, That's like Malcolm X, catchin the Jungle Fever, King poetic, too much flavor, I'm major, Atlanta ain't Brave-r, I'll pull a number like a pager,Cause I'm an ace when I face the bass, 40-side is the place that is givin me grace, Now wait, another dose and you might be dead, And I'm a Nike head, I wear chains that excite the feds, And ain't a damn thing gonna change, I'ma performer strange, so the mic warmer was born to gain, Nas, why did you do it?, You know you got the mad fat fluid when you rhyme, it's halftime"
DJ Premier returns to supply the beat for "Memory Lane (Sittin in da Park)", which is another PURE CLASSIC. Lyrical Classic. Nas uses incredibly well-crafted, intelligent and complex lyrics which are as poetic as they are rugged, which makes a great balance in this song. Nas' vivid lyricism, excellent vocabulary, and hardcore, on-point delivery is nothing but pure magic on this track, as his vivid lyricism actually make you picture life on the porch, though the eyes of Nasir Jones. The lyrics are among the greatest ever written in Nas' entire career, which puzzles me that an individual can create a track this great, and then return years later to give us Nastradamus. As for the instrumental in this track, DJ Premier puts an incredibly...
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16 of 16 people found the following review helpful:
5.0 out of 5 stars
Nas deserves more than 5 stars!, March 16, 2000
When I first laid this incredible piece of vinyl on my turntable, I wasn't sure of what to expect. I saw the credits, the amazing producers recruited (Primo, Large Professor, Q-Tip, etc.), but I definitely wasn't ready for the lyrical masterpiece that painted pictures of the sorrowful ghetto life right in front of my eyes, with so much depth that even Mr. Suburbanite could understand the trials and tribulations of the streets. Nas stepped into the studio with his skills and a blunt (or two or three) and spit description-packed lyrics that tell stories in a way nobody else ever can. There are greats like Slick Rick and others, but Nas' smoke-filled voice graces the track and compliments the beat so perfectly that you'd almost think the pulse of the music ran through his veins. And maybe it does. Nas feels the rhythm and gives a new melody to the songs with his original style, a style that many have emulated, but no one can master. Nas was truly ahead of his time with this album. In a time when slow, easily understandable rhymes over mainstream bass beats were popular, Nas stayed true and kicked wisdom for those true rap heads in the streets, displaying a mastery of the language with abundant metaphors and intensely descriptive flows that draw you into the music. Nas' true heart-felt emotion is apparent on all of these tracks, and in songs such as 'One Love,' where Nas is writing a letter to a friend in prison, it's easy for the listener to get caught up and lament the losses of all those other 'not-so-fortunates.' In a time when knowledge-based, lyrically-focused, rhyme-oriented hip-hop is on the B Side, and even Nas himself has fallen off into the league of the Ruff Ryders, this is a record you should have on your top shelf as a constant reminder of times past and possibilities to come, because Nas truly dropped a classic gem.
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