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The Antiphonal Music of Gabrieli
 
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The Antiphonal Music of Gabrieli [ORIGINAL RECORDING REMASTERED]

Girolamo Frescobaldi (Composer), Giovanni Gabrieli (Composer), Richard Burgin (Conductor), Boston Brass Ensemble (Performer), Chicago Brass Ensemble (Performer), Cleveland Brass Ensemble (Performer), Philadelphia Brass Ensemble (Performer), Edward Power Biggs (Performer)
4.7 out of 5 stars See all reviews (28 customer reviews) More about this product

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Frequently Bought Together

Customers buy this album with Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott ~ Giovanni Gabrieli

The Antiphonal Music of Gabrieli + Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott
Price For Both: $15.95

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Product Details


Listen to Samples

To hear a song sample, click on "Listen" by that sample. Visit our audio help page for more information.
 
1. Canzon a 12
2. [Unspecified] Toccata in D minor
3. [Unspecified] Canzon prima in G major
4. [Unspecified] Canzon seconda in C major
5. [Unspecified] Canzon terza in A minor
6. [Unspecified] Canzon quarta in G minor
7. [Unspecified] Canzon quinta in G minor
8. [Unspecified] Toccata in G major

On this CD:
  1. Sacrae Symphoniae: No. 2: Canzon septimi toni, for 8 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Cleveland Brass Ensemble

  2. Sacrae Symphoniae: No. 8: Canzon duodecimi toni for 10 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Chicago Brass Ensemble

  3. Canzon in echo, for 12 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Cleveland Brass Ensemble, Chicago Brass Ensemble

  4. Sacrae Symphoniae: No. 15: Sonata octavi toni for 12 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Chicago Brass Ensemble

  5. Canzon No. 27 ("Fa sol la re"), for 8 parts (same as Canzon No.9 from 1615 collection)
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Cleveland Brass Ensemble

  6. Sacrae Symphoniae: No. 16: Canzon quarti toni for 15 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Cleveland Brass Ensemble, Chicago Brass Ensemble

  7. Work(s) Canzon a 12
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Cleveland Brass Ensemble, Chicago Brass Ensemble

  8. Canzon No. 28 ("Sol sol la sol fa mi"), for 8 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Cleveland Brass Ensemble

  9. Sacrae Symphoniae: No. 6: Sonata pian e forte for 8 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Chicago Brass Ensemble

  10. Sacrae Symphoniae: No. 1: Canzon primi toni, for 8 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Cleveland Brass Ensemble

  11. Sacrae Symphoniae: No. 13: Canzon septimi et octavi toni for 12 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Chicago Brass Ensemble

  12. Sacrae Symphoniae: No. 4: Canzon noni toni for 8 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Cleveland Brass Ensemble

  13. Canzon No. 2, for 4 parts
    Composed by Giovanni Gabrieli
    with Philadelphia Brass Ensemble, Cleveland Brass Ensemble, Chicago Brass Ensemble

  14. Intonazione del primo tono, for organ
    Composed by Giovanni Gabrieli
    with E. Power Biggs

  15. Intonazione del secondo tono, for organ
    Composed by Giovanni Gabrieli
    with E. Power Biggs

  16. Intonazione del terzo e quarto toni, for organ
    Composed by Giovanni Gabrieli
    with E. Power Biggs

  17. Canzon No. 1 ("La Spiritata"), for 4 parts
    Composed by Giovanni Gabrieli
    with Boston Brass Ensemble, E. Power Biggs
    Conducted by Richard Burgin

  18. Intonazione dell'ottavo tono, for organ
    Composed by Giovanni Gabrieli
    with E. Power Biggs

  19. Intonazione del nono tono, for organ, C. 247
    Composed by Giovanni Gabrieli
    with E. Power Biggs

  20. Intonazione del decimo tono, for organ
    Composed by Giovanni Gabrieli
    with E. Power Biggs

  21. Canzon No. 3, for 4 parts
    Composed by Giovanni Gabrieli
    with Boston Brass Ensemble, E. Power Biggs
    Conducted by Richard Burgin

  22. Intonazione dell'undecimo tono, for organ
    Composed by Giovanni Gabrieli
    with E. Power Biggs

  23. Intonazione del duodecimo tono, for organ, C. 250
    Composed by Giovanni Gabrieli
    with E. Power Biggs

  24. Canzon No. 4, for 4 parts
    Composed by Giovanni Gabrieli
    with Boston Brass Ensemble, E. Power Biggs
    Conducted by Richard Burgin

  25. Work(s) Fantasia sexti toni
    Composed by Giovanni Gabrieli
    with E. Power Biggs

  26. Work(s) [Unspecified] Toccata in D minor
    Composed by Girolamo Frescobaldi
    with E. Power Biggs

  27. Work(s) [Unspecified] Canzon prima in G major
    Composed by Girolamo Frescobaldi
    with Boston Brass Ensemble, E. Power Biggs
    Conducted by Richard Burgin

  28. Work(s) [Unspecified] Canzon seconda in C major
    Composed by Girolamo Frescobaldi
    with Boston Brass Ensemble, E. Power Biggs
    Conducted by Richard Burgin

  29. Work(s) [Unspecified] Canzon terza in A minor
    Composed by Girolamo Frescobaldi
    with Boston Brass Ensemble, E. Power Biggs
    Conducted by Richard Burgin

  30. Work(s) [Unspecified] Canzon quarta in G minor
    Composed by Girolamo Frescobaldi
    with Boston Brass Ensemble, E. Power Biggs
    Conducted by Richard Burgin

  31. Work(s) [Unspecified] Canzon quinta in G minor
    Composed by Girolamo Frescobaldi
    with Boston Brass Ensemble, E. Power Biggs
    Conducted by Richard Burgin

  32. Work(s) [Unspecified] Toccata in G major
    Composed by Girolamo Frescobaldi
    with E. Power Biggs


Editorial Reviews

Amazon.com
Venice was a good place to be in the 17th century if you liked to hang out in church--not that you had much choice in those days. Gabrieli's reputation rests on his "polychoral" compositions: works for several choirs, a choir being any size group of voices or instruments. For example, a sacred composition for three choirs might have two brass groups and one chorus, or two choruses and one brass ensemble. The idea was to keep things flexible to allow for changing local conditions. The result, in any case, was a magnificent "question and answer" style of writing, in which great blocks of harmony challenged each other from opposite sides of San Marco Cathedral. If this sort of thing intrigues you, then you owe it to yourself to hear this terrific collection. It's a cosmic experience. --David Hurwitz

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Customer Reviews

28 Reviews
5 star:
 (25)
4 star:    (0)
3 star:
 (1)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (28 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
18 of 18 people found the following review helpful:
5.0 out of 5 stars The Standard of Excellence, November 10, 2000
By 127 (Michigan) - See all my reviews
This is one of the top handful of brass albums available. It is a once-in-a-lifetime recording - many of America's top brass players reading through polyphonic music of Gabrielli. Playing, intonation, and ensemble are all exactly what you should expect: outstanding. Also, this album is not the result of hours upon hours in the studio - the rehearsal and recording took place in a total of nine hours (the Chicago/ Cleveland/ Philadelpia brass ensemble part). That aspect adds further to this CD's special place in the listening catalogue.

This CD falls basically into two parts: the Chicago/ Cleveland/ Philadelpia brass ensemble and E. Power Biggs/ Boston Brass Ensemble. I find the triple brass group to be more of the attraction than the organ and smaller brass group. E. Power Biggs has numerous other recordings, but this is the only one made by the combined forces of three of America's top brass sections. The 13 tracks of Gabrielli are more than worth the price. Still, with the inclusion of Armado Ghitalla from Boston, the performer list for this album reads like a "Who's Who" of American orchestral brass players.

Don't be thrown off by the thin neckties on the cover - fashion may have moved on, but the musical strength of this album has not wavered at all. Notes are detailed and excellent, and the price is lower than more recent but lesser quality CDs. If you buy one album of brass instruments, this should be it.

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12 of 12 people found the following review helpful:
5.0 out of 5 stars I got this off a horn players digest and ordered my copy..., September 15, 1998
Hello everyone, I have a reccomendation........... BUY "THE ANTIPHONAL MUSIC OF GABRIELI"...... Recorded in 1959 and 1968 with the Philadelphia Brass Ensemble, The Cleveland Brass Ensemble, and the Chicago Brass ensemble... all playing together, guess who the horn players are? Mason Jones, Dale Clevenger, and Myron Bloom. This recording is simply incredible... it is a MUST buy for everyone, I have never heard such fine brass playing, the unity and sense of ensemble is incredible, and the musicality is amazing. It is even incredible that somehow they got all of the legends from Chicago, Cleveland, and Philadelphia together to make this recording back then....anyways.. this is definetely a must hear, it's probably the best CD I have added to my collection. The CD is digitally remastered by Sony... providing a rather unique surround sound... the different ensembles come in through different sides of your headset or speakers as you would hear them if you were at the live performance... its truly amazing.... BUY IT!!
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10 of 10 people found the following review helpful:
5.0 out of 5 stars A VERY special album, August 2, 2005
If you've been into brass for 40 years, you probably already know that this is a very unusual gathering of the top of the top!
My only complaint is with the web site sound samples being MONO !
This album is in STEREO and really portrays the placement of the 3 major antiphonal quintets! You won't be disapointed.
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Most Recent Customer Reviews

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This recording unifies arguably the 3 best brass sections from American Brass orchestras in a performance of the antiphonal music of Giovanni Gabrieli. Read more
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3.0 out of 5 stars Instant playing
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5.0 out of 5 stars I think Gabrieli would like this album
The purists have a good point - this recording is not historically accurate. In Gabrieli's time most written music was for sacred events. Read more
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2.0 out of 5 stars Gabrielli Meets Wagner?
In order to counterbalance the overwhelmingly positive reviews of this recording, I felt it neccesary to add some much needed criticism. Read more
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1.0 out of 5 stars How not to play the sober and elegant music of Gabrieli!
This recording has one use - to entertain modern brass players.
The music on this disc has nothing to do with Giovanni Gabrieli - the music is just exploited by a bunch of... Read more
Published on September 26, 2004 by Steven Guy

5.0 out of 5 stars Absolute Must Buy
I had this on vinyl as a youngster. When I saw, had to buy to see if it was anywhere near as good as I remembered.

Wow. Read more

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