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24 of 26 people found the following review helpful:
5.0 out of 5 stars
My favorite Cohen album., March 31, 2004
The lyrics. That's what we're here for- I love L. Cohen songs. Not so much his albums in their entirety (with this being the one exception), but certain songs of his... Damn. He is a singer/songwriter like no other. This CD captures performances from the early 90's, and it showcases both Cohen and his band in top form. The female background singers sound sleek and seductive, the musicians know when to take the spot and when to let Leonard do his thing- everyone knows what to do. Usually I feel that Cohen is a superb, master songwriter, but other people cover his songs and better than he does. Concrete Blonde's cover of `Everybody Knows,' comes to mind, as does Tori Amos's spellbinding version of `Famous Blue Raincoat.' Again, this album is an exception. He shows that he can really work his material, milk it wonderfully for every ounce of lyricism. You know the songs are his. His plaintive, monochromatic voice has always been a cornerstone of his style and it has certainly aged well. The gravelly, stark delivery really fits the ambience. And the songs! This is a great selection of Cohen's work, hands down (I just wish there were more). And several cuts are simply the best versions (in my humble opinion) you can find of the songs in question- period. `Dance Me to the End of Love,' is much better fleshed out here than on "I'm Your Man," (much of the studio atmosphere, the sound of Cohen's 80's albums, I think, works against him- those albums just sound ineluctably dated to me) and `If it be your Will,' That song slays me. Always will. The live version here (track 11- and a reason in itself to buy this CD) is sooooooo much better than the one on `Various Positions' (another 80's album that just doesn't sound good to me). `Who by Fire,' is another standout track- with a violin that drones away in a middle-eastern, harmonic minor melody... The songs segue into each other nicely, even though they were culled from a variety of shows. I never cared for `I'm Your Man,' or `Bird on a Wire,' until I heard these versions. The only songs I don't really care for are `Everybody Knows,' (Mr. Cohen messes around with the vocal rhythm and it just sounds bad- in my opinion), and `Heart With No Companion,' (just don't like that song). I wish `Chelsea Hotel #2,' `The Stranger Song,' `Avalanche,' `Seems So Long Ago, Nancy,' `Leaving Green Sleeves,' `A Singer Must Die,' `Last Year's Man,' and `Love Calls You by Name,' had been performed as well. Highly, thoroughly, recommended.
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