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20 of 23 people found the following review helpful:
5.0 out of 5 stars
One sweet album, which I embrace with open arms, October 4, 2003
Daydream come true. I used to think Music Box was the best Mariah Carey album. However, I've been listening to this one more than ever, and realized that it's full of the songs I associate Mariah with, those sweet, caressing ballads that cover me like a warm blanket."Fantasy" after beginning with ethereal sounds, Mariah's haunting voice, and then that sweet piercing high note, then goes into a skippy thumping dance number overlaid with a sample of the Tom Tom Club's "Genius Of Love". It's an evolution from "Dreamlover", more upbeat, with better lyrics. This song is real, not just a sweet sweet fantasy. Interesting to see Mariah's co-musical collaborators--Tina Weymouth and Chris Franz of Talking Heads, and Adrian Belew. "Underneath The Stars" is a slow R&B dance number with strong bass defining the tempo of the rhythm and its sweet and languid qualities. OK, hands down, this is Mariah's best song ever, and I'm not saying this because it monopolized the Billboard charts for weeks. "One Sweet Day" is the zenith of the gospel-tinged Mariah ballad that set people tingling since "Vision Of Love" stormed on radio. This song makes "Vision" sound a raindrop, and like "Vision", is another religious song masquerading as a pop song, but the bittersweet thoughts of the chorus Then comes a familiar opening lyric, "Lying beside you, here in the dark..." with that piano. Yes, it's written by Steve Pery and Jonathan Cain. But when Mariah sings those opening words to "Open Arms", it's got that silky, sultry touch, as if she's brushing my ear with her lips. Her voice rises to its smooth soulfulness when she sings the chorus. I could listen to this over and over, and it'd be something I'd want a prospective missus to give me in a mix tape. What a daydream, eh? The swaying mid-tempo "Always Be My Baby" is another #1 song and another candidate for a possible love tape for me. It was produced by Jermaine Dupri, for which I give him credit. He also does "Long Ago". "I Am Free" is another gospelish ballad, and after wandering through misery, she is free...to do what? "Free to live/free to laugh/free to soar/free to shine/free to give/free to love/free enough to fly." I need to paste that on my binder. "When I Saw You" is another favourite here. rhythmically paced in 1,2,3,4 beat per syllable: "When I saw you (1234), When I Saw You (1234)/ I could not breathe (1234), I fell so deep (1234)" and Mariah's voice sounds so rich and potent here I find it irresisible "Melt Away" sizzles with another low sultry opening vocal. Given that it is co-written by Babyface, its smooth R&B overtones is not surprising. The next one is another stunning ballad. The piano, strings lullaby "Forever" has Mariah loving someone despite their parting and vowing to return should he need her. The R&B-techno of "Daydream Interlude" leads into the final ballad, which is more melancholy and might be a reflection of Mariah. "Looking In" basically says despite the world of fame and fantasy, "she smiles through a thousand tears" and "wades in insecurity." So, many wonderful ballads, three of which I cherish so much, three other songs I'd want some girl to tape for me, that my heart nearly melted to tears. That may also be the reason why she made a drastic shift to guest rappers in Glitter three albums later. Still, this album is Mariah's masterpiece, songs that are kisses, tears, and hugs all at once.
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