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28 of 33 people found the following review helpful:
5.0 out of 5 stars
Proof to the contrary, August 14, 2001
There's no passive in-between when it comes to Michael Bolton: people either love him or hate him. Like Celine Dion, he's an easy target for the latter: his lyrics are blindly lovestruck, his production slicker-than-slick, and he's got the nerve to cover songs that were considered definitive in their original form. And then there's those superemotional, bombastic vocals. But those who have an ear for a well-crafted pop tune with a passionate vocal no doubt have a soft spot for Bolton, and this generous, 17-track set argues their case considerably.Bolton's writing chops and vocal skills are in equally fine form on ballads like "That's What Love is All About," "Soul Provider," and "Missing You Now," and even adult rock is in safe hands on the likes of "How Can We Be Lovers," "Time, Love and Tenderness," and the Bob Dylan co-write "Steel Bars." As far as the remakes are concerned, Michael tears into "Georgia on My Mind," "When a Man Loves a Woman" and the chill-inducing "Sittin On the Dock of the Bay" with such authority and passion it's obvious he loves the songs deeply; comparisons are inevitable but completely unnecessary, as Michael clearly has no intention of creating new classics but rather paying tribute to old ones. And for a greatest hits package, Bolton serves up a healthy dose of new tunes: the country-tinged "I Promise You," the atmospheric "This River," and the aptly-titled "A Love So Beautiful" are lush ballads to treasure, and "I Found Someone" finds him cleverly remaking his own tune a la "How Am I Supposed to Live Without You" (the songs, both written by Bolton, were originally made hits by Cher and Laura Branigan, respectively). But a real surprise is found in the eyebrow-raiser "Can I Touch You...There?," as Michael lays down a sensual vocal over a sparse, hip-hop flavored track laced with pan flutes and ethereal keyboards. The dark, moody cut proves once and for all that even a middle-of-the-road pop artist can't be completely pigeonholed. In fact, the album as a whole proves that notion, as it becomes unavoidably obvious that even though Michael Bolton may have had the hair and vocal register to invite criticism, he also had the songwriting technique and pure, honest passion to silence it. Fans of mature pop music can't do much better.
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