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22 of 23 people found the following review helpful:
5.0 out of 5 stars
Albert King's Atlantic Records Version of his Stax Work, April 20, 2004
This was my very first Albert King LP. It was released as the height of the 1960s Blues Mania and so did very well with white listeners. However, the album is really a re-release of several singles and additonal session material that was done at Stax during 1966-1968. The real story is that Atlantic stole the whole Stax catalogue under a clever distribution agreement. This lead eventually to Stax's total demise in the Mid-1970s.
The album is a great overview of King's early period with Stax. Actually, it is a double album- the seminal album "Born Under A Bad Sign", with additonal cuts. All bonus tracks are originally from that Stax classic album-the most influential Black Blues LP of the late sixties.
The tunes include his classics such as "Laundromat Blues" Albert's first Stax release with his soulful double string bends, "Overall Junction" a mono instrumental masterpiece, that unlike Albert Collins or Freddie King tunes has no primary melody "or head". He offers "Born Under A Bad Sign" a tune he recorded in one take as an overdub to the MG's backing track, "I Love Lucy" is a great example of his talking blues abilities (he was one of the best) and the guitar is super raw with superb bends! "Cold Feet" a tune written with drummer Al Jackson, Jr (who also helped him on "Night Stomp" and produced his famous "Live Wire" set) it is a great talking blues with a catalogue of King licks-it was his second highest charting single. "You Sure Drive A Hard Bargain and You're Gonna Need Me" are later cuts that were added on the release of the original LP. "Bargain" was a cover a another R&B tune with a great Memphis Horns chart and "Need Me" is a self-penned Albert Classic that became the basis for Otis Rush's "Right Place, Wrong Time".
"Crosscut Saw" is my personal favourite with "Personal Manager" second. Crosscut Saw was an old 1940s tune which was given a rumba beat and still was originally released even though the first tape had been damaged! "Manager" is a great showcase for King's soloing technique. It may even be too much for some people! "The Very Thought of You" and "I Almost Lost My Mind" are great examples of Albert's Big Band Blues roots and his great tenor vocal ability. Many people are thrown by these tunes as not being really blues, but they demonstrate the versatility of this genre.
"The Hunter" is a famous tune that was never a hit for Albert, but was on his Bad Sign LP. Ike and Tina Tuner later recorded it with much success. "Oh Pretty, Woman" is a powerful tune that has been covered many times (Gary Moore, John Mayall) but was never actually a hit for Albert. It was wrtitten by WDIA's A.C. Williams and demonstrates the close link Stax had to Black radio play (Rufus Thomas was also a DJ there!). "As the Years Go Passing By" is one of Albert's best slow blues numbers. The best take of this tune is to be found on the "Hard Bargain" CD released after his death and has many outtakes from this period! No one really knows who wrote the song or where it originally came from. Dedric Malone, another DJ is credited with penning it.
Finally the thrilling instrumental, his first in stereo, "Funk-Shun" contains his famous stop break bending from his original tune "Won't Be Hanging 'Round" (Although this phrase is never actually sung in the tune, a charactersitic he must have learned when he played with Jimmy Reed!). It is great, but too short! This LP is a great overall introduction to the Albert King style of Blues. An essential part of any Blues collection!
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16 of 17 people found the following review helpful:
5.0 out of 5 stars
Great Composite LP!!, October 23, 1998
By A Customer
This disc is a composite of 2 of Albert King's late 1960s studio albums: "Born Under A Bad Sign" (on Stax), and the Atlantic "King Of The Blues Guitar" LP. So many good tunes here, like "The Hunter", "Born Under A Bad Sign", "Oh Pretty Woman", "Kansas City", etc. I wish Atlantic had reissued this with it's original Stax cover art, but that's a minor gripe. One of the best blues guitarists ever, this disc is his complete output for Stax/Atlantic. Don't miss it, it's a classic!!
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21 of 27 people found the following review helpful:
5.0 out of 5 stars
Blues with a big sound, August 7, 2000
A physically imposing man, Albert King produced blues of uncommon vitality and power. His sound is well represented in this strong sampling of his work on Stax.Every blues singer, male or female, living or dead, of any note developed a unique vocal style, and Albert is no exception. His drawl-like phrasings and frequent spoken asides (as on "Cold Feet") place a strong personal stamp on these tunes. My personal vocal favorites are "Landromat Blues," the aforementioned "Cold Feet," the often-recorded "Oh, Pretty Woman," and "You Sure Drive a Hard Bargain." Then there's "I Love Lucy," his ode to his guitar. While you might be tempted to dismiss it as a copy cat version of B.B. King's "Lucille," don't make that mistake. Naming guitars is a long-time tradition, and Albert's tune is as different from B.B.'s as the two great bluesmen's guitar and vocal styles are. Both men can make their guitars cry, but the sound of tears and laughter come from two different women. Oddly enough, I downgrade the CD version slightly from the original vinyl -- not enough to change my overall assessment of the release, but the added material could be stronger. Of the six bonus tracks, I consider only the mournful "As the Years Go Passing By" a significant addition to the package. Stax would have been very well advised, I think, to leave off, in particular, "The Very Thought of You," a great tune, obviously, but not one that is up Albert's alley. Nonetheless, you'll have a great time with "King of the Blues Guitar." Albert will get a lot of argument about that assessment, but there's no question that he's a member of blues royalty.
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