Most Helpful Customer Reviews
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Often ignored due to the strange production, February 12, 2006
Production isn't everything, and this album proves it, people seem to complain about the production alot...why. I've heard MUCH worse production than this, the production isn't THAT bad!, sometimes good production can ruin an album, if the production is overdone.
Anyways, onto the album, this is Overkills 3rd offering, after surprising everyone with their stellar debate "Feel The Fire", then the best CD they've ever done came second "Taking Over", could they top that? In my opinion, no, but is this and the following 2 albums great? Indeed!, the song writing is a bit different than the previous 2, but still Thrash.
Bobby Blitz must've smoked alot of cigarettes after "Taking Over", because this is where his rasp begins, still uses the melodic kind of vocals though, like on the previous 2, but in spots, he gets really raspy, and would continue this more on the next 2 releases, great vocalist!
Bobby Gustafson is truely a shredder, great riffs, heavy, fast most the time, and catchy as all hell, great solos, an underrated guitarist.
D.D Verni is a great bassist, great bass lines, just listen to the bass solo in "Never Say Never" excellent!
This is the first album containing Sid Flack, who replaces Rat Skates, and the change is obvious, Sid is great though, alot of nice fills and stuff, his work would show better on the next album "The Years of Decay" though.
"Shred" A very strong opener, great opening riff, great riffs all throughout, very catchy too, SHRED!
"Never Say Never" Starts out a bit slower, then moves into a nice mid paced riff, then another nice riff, then comes the great bass solo by D.D!
"Hello From The Gutter" Everyone knows this song, it's their most popular song, this is how I got into them, I saw the video for this back in the day on Headbangers Ball, great song.
"Mad Gone World" is kind of mid paced to begin, with a nice set of riffs, it gets quite a bit faster during the chorus though, just listen to that riff after the first chorus!
"Brainfade" Not quite as strong as the first 4, but still enjoyable, has a very catchy chorus.
"Drunken Wisdom" Starts out with a nice classical guitar, this is where the pace slows down alot, more groove in this one, but a great song.
"End of the Line" is mostly mid paced, with a killer solo.
"Head First", Starts out with another great bass solo by D.D, and works it's way into the first riff, then another Bass lead by D.D, and yet again, works it's way into the riff, He's heard really nice on this song, great song.
"Overkill lll (Under The Influence)" The last song of the Overkill trilogy, a killer track, not quite as good as part 2, but really good, a nice way to close the album, and end the trilogy.
This is an underrated album, other than "Hello From The Gutter", nothing else off this got really noticed. And the production isn't that bad people, the only thing that is kind of pushed back is the drums, but you can still hear them well. So if you've heard "Feel The Fire" and "Taking Over" and want to hear Overkill with a change on the skins, and the songwriting, check this one out. Also check out "The Years of Decay" and "Horrorscope" for more greatness!
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4 of 5 people found the following review helpful:
4.0 out of 5 stars
Hello from the gutter!, July 11, 2002
While Overkill were late starters on the thrash scene, they more than made up for it by being one of the most prolific bands of the late '80s. Under The Influence was their third album in two years when it was released in 1988, and the rapidity at which the albums had been released had no effect on the quality of the material whatsoever.So what were Overkill serving up for the Wrecking Crew? Well, it was a good dose of solid riffing, bass with attitude, some of the most imaginative drumming to be heard in the entire scene, and perhaps the second best thrash vocalist in Bobby "Blitz" Ellsworth, bettered only by Joey Belladonna. Bobby Gustafson proved himself one of the most versatile guitar players of the time, multitracking crushing rhythm and searing lead guitars on the same songs. To make up for the lack of a second guitar, DD Verni's bass is high in the mix, sacrificing a bit of bottom end to fill the mid range gaps. The two blended together incredibly well to produce a distinct sound which set Overkill apart from the crowd. The shout-along of "Hello From The Gutter", while a little cheesy now, was a typical Overkill thrasher- a catchy main riff, backed by the rock solid rhythm section, topped with Ellsworth's distinctive voice and some tasty leads. No one ever did this band any favours as they fought their way up from the gutters (Hello!), which is reflected in some of the dark lyrical themes running through their songs. Broken dreams, the depths of drunken despair, the end of the line, all may have seemed lost, but there was definitely hope there for Overkill. "Shred", "Never Say Never" and "Headfirst" had more positive themes coming through, like new beginnings and pride in being yourself. But at the end of the day, no one really cares what a band sings about as long as they have the songs to get the mosh pit going. Overkill more than deliver in that department on this album, or in fact on any album. And they have one of the coolest mascots ever in Chaly the skull bat thing!
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Their best album, December 11, 2006
This album is great and even when many people think the production of Under the Influence is not good i think they are wrong. In fact you can hear every instrument clearly especially the bassplaying from DD Verni which is great on this record.
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