American Dream

Crosby Stills Nash & Young

Product Details

• Audio CD (October 25, 1990)
• Original Release Date: November 15, 1988
• Number of Discs: 1
• Label: Atlantic / Wea
• ASIN: B000002IMV
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 3.4 out of 5 stars  See all reviews (34 customer reviews)
• Amazon.com Sales Rank: #46,081 in Music (See Bestsellers in Music)

Customer Reviews

Most Helpful Customer Reviews

30 of 35 people found the following review helpful:

4.0 out of 5 stars HONESTLY. THERE'S A DIAMOND IN THE ROUGH HERE., December 8, 2005

By	Crabby Apple Mick Lee (INDIANAPOLIS, IN USA) - See all my reviews

It is commonly said that CSNY came together for this CD for all the wrong reasons. Even the individual members of the band confess that AMERICAN DREAM was not the album they should have made. Young is quoted as saying that he promised to return to the band for an album if David Crosby kicked his crack habit. Well, as luck would have it, Crosby got himself arrested one time too many and into the Big Clink he went. Soon Crosby found himself in with a better class of people and walked out of the jail months later clean and sober. Much to Young's chagrin his pledge came back to haunt him and so rather than take back his promise into the studio he went. The resulting album then got some equivalent of a "Dog of the Year" award from Rolling Stone magazine-that being the kindest praise it received.

I take a different point of view. One of the virtue of CD-players is you can "program out" certain selections. It is surprising how "good" albums become "excellent" albums when particular debris is given a "rest".

I hate to say this because I like the guy. I've seen him in dozens of television interviews and listened to him many times in radio interviews speak extensively about music and many other subjects. He is very articulate and intelligent and I would love to drink a few beers with him and shoot the breeze. He probably knows more and remembers much more of the truth behind the great events in Rock history than most who were there or claimed to be there. Nevertheless, I find that there is nothing wrong with AMERICAN DREAM if you program out Graham Nash's songs.

Somewhere along the line, Nash became convinced that he had emerged as the creative force in CSN. His "Wasted on the Way" and "Just a Song before I Go" were among the brighter spots on CSN and DAYLIGHT AGAIN as well as becoming modest hits on the radio. However, the balance of his songwriting suffers from a wooden quality lyrically and is mediocre musically. Both of these deflects are magnified when Nash gets a little preachy. This has puzzled me for a long time since I liked Nash's first album, SONGS FOR BEGINNERS, as well as his collaborations with David Crosby in GRAHAM NASH/DAVID CROSBY and WIND ON THE WATER.

When Nash gets together with David Crosby, the blend of their voices is so graceful and pleasing that together they are major stars in their own right as well as "A-list" backup singers to other artists' projects. But on this album Nash's songs are just dead weight.

Putting Nash's contributions aside and considering the rest of the album, one gets the funny notion that this really started out as a Steven Still/Neil Young album and then Crosby and Nash were included when the album was over half done. It has been strongly rumored for years that the first Stills/Young album, LONG MAY YOU RUN, started out as a CSNY project and somewhere during the process Still and Young parted ways with the other pair and erased or removed their voices and contributions to the project. Needless to say, Crosby and Nash were none too pleased and may account for some of the snotty things Nash says about Stills and Young every now and then. Aside from the renewal of David Crosby's life, one has to wonder if this album was an attempt to make up for that past offense.

Whatever the truth may be the rest of the album sparkles. Stills' contributions do not match any thing like "Carry On" or "Suite: Judy Blue Eyes"; but his "Got It Made" is one of the most enjoyable songs on the album. Neil Young's songs are...well, Neil Young. I think they are fun and wonderful. Then again I think nearly everything Young has done is in a stellar class by itself. Others do not share my enthusiasm so you'll just have to make up your own mind. Crosby's two songs are a hit and miss. "Nighttime for Generals" is just his typical paranoid political views on parade-not even among the best of those at that. But his far more personal "Compass" is a tender and introspective song of wisdom bought with personal tragedy, youthful foolishness, and self-destructive mistakes. Well worth the price of the album by itself.

So take my advice. Listen to this album judiciously with artistic discrimination. It will reward you and you will enjoy it much more.

7 of 7 people found the following review helpful:

4.0 out of 5 stars It is better than people think it is!, September 8, 1999

By A Customer

I have read some bad comments about this album, but I like it. It does have some problems, especially Nash's songs except "Clear Blue Skies", and some of Still's stuff, like "That Girl" and "Nightsong." The best stuff though is by far Crosby and Young's songs. "American Dream" is a great tune as is "This Old House" and "Feel Your Love," the latter being one of my favorite Young songs with CS&N. Crosby with his only two songs has a great rocker with "Nighttime For the Generals" and "Compass," quite possibly his best song after his imprisonment. Anyway, it is a good album, not their best but still good, and I would buy it. Let us now look forward to their new album coming out later this year.

3 of 3 people found the following review helpful:

4.0 out of 5 stars Worth buying for the title track alone..., January 27, 2000

By	R. L. MILLER (FT LAUDERDALE FL USA) - See all my reviews (REAL NAME)

...especially given that it's prophetic. Back when this album was released, I didn't know who the hell Bill Clinton was. I thought the song to be loosedly aimed at Gary Hart. But what a difference a few years makes. Plus, the arrangement isn't exactly what we expect of CSN except for the vocal harmonies. Or of Neil Young, with his guitar-driven sound. Instead, what we get is a catchy flute or synth-flute riff over top of a bouncy Motown bass hook borrowed straight from "You Can't Hurry Love". After I bought the disc, I was going around whistling the flute part or scat-singing the bass part. And I'm a liberal, no less!