The Drifters - All-Time Greatest Hits & More: 1959-1965

Drifters

Product Details

• Audio CD (October 25, 1990)
• Original Release Date: November 30, 1988
• Number of Discs: 2
• Label: Atlantic / Wea
• ASIN: B000002INL
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 4.2 out of 5 stars See all reviews (12 customer reviews)
• Amazon.com Sales Rank: #36,699 in Music (See Bestsellers in Music)

Customer Reviews

Most Helpful Customer Reviews

21 of 21 people found the following review helpful:

5.0 out of 5 stars The Soul Era Is Born On This Outstanding 2CD Drifters Set, August 30, 2000

By	Anthony G Pizza "trivialtony" (FL) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Talk about playing up to the uniform...you have to wonder if manager George Treadwell knew more than 40 years ago that when he recrowned a struggling black group, the Crowns, with the even-then legendary monicker "The Drifters," that he would introduce a second half-decade of hits and jump-start the legendary soul era.

But the songs on "All-Time Greatest Hits And More," did just that, and are among early rock and roll's most elegant and enduring. Credit this to lyrically precise compositions by the best songwriters of the day (Cynthia Weil-Barry Mann, Gerry Goffin-Carole King, Doc Pomus-Mort Shuman) meeting dramatic, orchestral production (from legendary producers Jerry Wexler, Jerry Leiber-Mike Stoller, and Bert Berns) meeting distinctive vocals from Charlie Thomas, Ben E. King, Rudy Lewis, and Johnny Moore.

You hear little histrionics and vocal effects here that today date (but also charm) much 50s vocal group music. Instead, you feel the rhythmic Latin pulse of "Save The Last Dance For Me" and the gorgeous "Sweets For My Sweet" (featuring excellent King and Thomas leads, respectively), Phil Spector's famous guitar intro to "On Broadway," the swinging sway of the upbeat "What To Do," Johnny Moore's tribute to summer past and to co-member Rudy Lewis on "Under the Boardwalk," recorded the day Lewis died. This album captures what any city, particularly early 1960s New York City in summer, must have felt and sounded like at its most romantic. Colin Escott's thorough liner notes chart the history of the Drifters, their label, management, and production during this critical period.

This 2CD set was released concurrently in 1988 with "Let The Boogie Woogie Roll" which covered the early Drifters hits with Clyde McPhatter on lead. It's a different sounding Drifters, but equally compelling and worth seeking. For now, "All-Time Greatest Hits" is among the most complete Drifters collections short of Rhino's "Rockin' and Driftin'" box set; seek only Atlantic or Rhino Records' collections for this essential music at its original best.

16 of 16 people found the following review helpful:

4.0 out of 5 stars Good Original Material., July 14, 1999

By A Customer

There are so many bad remakes of Drifters classics that you will be pleased to know that this album contains all original material - including the distortion on "Under the Boardwalk". Better to have the original with the distortion than a poor remake eh?

Only disappointment is that the collection stops short of "I'll take you where the Music's Playing" and "Baby What I Mean".

12 of 12 people found the following review helpful:

5.0 out of 5 stars All the Drifters hits from 1959 to 1965 - and much more, October 6, 2002

By	Peter Durward Harris "Pete the music fan" (Leicester England) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

The Drifters were onne of those groups that went through a lot of line-up changes, so let's first clear up any confusion first. There was a group with that name before 1959 - it feautured Clyde McPhatter and recorded some wonderful R+B, some of which is available on other CD's. That group was disbanded, and a totally different group was given the Drifters name. It is that line-up, featuring Ben E King, that opens this collection (which is presented in chronological order). Ben left after Save the last dance for me to pursue a solo career. His solo hits are not included in this collection, which is why Spanish Harlem and Stand by me are missing. You can obtain these recordings on Ben's own albums, although I've also seen Drifters compilations which include Ben's solo hits.

So, what you get here are forty of the finest tracks from their best period, including Save the last dance for me, There goes my baby, Dance with me, On Broadway, Some kind of wonderful, One way love, Up on the roof, Under the boardwalk, Saturday night at the movies, When my little girl is smiling, Sweets for my sweet and others - all huge American hits. Only Save the last dance for me was a big hit in Britain for the Drifters, because record companies at that time often found local singers to cover the songs and they had the hits instead. This shameful practice died out by the end of the sixties.

Even with all their hits included, there is plenty of room to explore their B-sides and album tracks. All the ones included here are excellent, but my favorite is their cover of Stranger on the shore, an extremely sad song which which was a huge instrumental hit for clarinetist Acker Bilk. Many vocal versions of this song exist, but the Drifters sing it as well as anybody.

After 1965 (which marks the end of this compilation), the Drifters didn't have much success in America, but they enjoyed a new wave of popularity in the seventies in Britain, where they had several top ten hits. Even as a Brit, I prefer their sixties music, but anybody interested in their seventies music should seek out a British compilation.