Law and Order

Lindsey Buckingham

Product Details

• Audio CD (July 1, 1991)
• Original Release Date: October 1981
• Number of Discs: 1
• Label: Reprise / Wea
• ASIN: B000002K99
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 3.9 out of 5 stars See all reviews (22 customer reviews)
• Amazon.com Sales Rank: #5,988 in Music (See Bestsellers in Music)

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Customer Reviews

Most Helpful Customer Reviews

10 of 10 people found the following review helpful:

5.0 out of 5 stars off the wall minor masterpiece, September 22, 2001

By	G. Wallace (Hilliard, OH USA) - See all my reviews (REAL NAME)

I fished this out of the cutout rack because of the radio song ('Trouble'). I had to listen to it a few times before it made sense. But every year I like it better. Alternatively weepy and acerbic, just about every track packs some kind of punch. Wouldn't Paul McCartney have loved to have written 'Shadow of the West'? Buckingham played most of the parts and made ample but effective use of studio gimmickry. And he's a genuine wizard of six string instruments. Songs like 'Mary Lee Jones' and 'That's How We Do it in LA' are goofy and edgy at the same time. I listened to his later records but didn't encounter quite the same creativity that led to this gem.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Let The Games Begin, February 6, 2001

By A Customer

If you took all the Buckingham tracks off of the Fleetwood Mac masterpiece "Tusk" and assembled them onto one solo album, the resulting project would not be too far away from "Law and Order". This album is the first time we get to hear Buckingham outside the constraints of the Fleetwood Mac machine. Spare and simple, all the tracks explode with incredible energy and individuality. Except for a few, Lindsey plays all the instruments and is responsible for all the vocals with the exception of a few nice back up contributions from Christine McVie. "Law and Order" finally made fans realize just how responsible the Buckingham "sound" was for Fleetwood Mac's success. Much of what many thought was Stevie Nicks's harmonies was infact layers of Lindsey Buckingham's vocals. Highlights include "Bwana"( a tale of bandmate Mick Fleetwood's trip to Ghana to record with drum musicians) "Trouble" with gorgeous acoustic guitar solo, and Johnny Stew.

12 of 14 people found the following review helpful:

5.0 out of 5 stars Law and Order, November 8, 2002

By	J. McVie "shipreich" (Houston, TX United States) - See all my reviews

Law and Order is a very inappropriate title for this album. It is a mixed bag of experimental sounds that broke just about every musical "law" in its day and probably is still too "out there" for even today's average listener. Every song has some surprise or hook that grabs attention. Voices (Lindsey has many to choose from) range from soft and sweet to wacky and cartoonish. I first bought this album in 1987 (six years after release, but my first year as a Fleetwood Mac fan) and after 15 years of listening to it, I'm still not used to it.

That covers the oddness of this album. Now for the good part: the songs are great. Lindsey's guitar work is awesome, as always. There is an energetic, impish quality to the entire album, even the slow soft songs. "Trouble" is truly a classic track that could easily have been a huge hit if it were on a Fleetwood Mac album. The guitar solo at the end is a blistering, finger picking prelude to what he would eventually focus much of his work towards.

The one issue here for a music fan who is trying to decide whether or not they would like this album is this: How experimental can music go before it puts you off? How playful can a musician get before you are disturbed by his music? If you can put up with it just a little, there will be at least a few songs here that you will enjoy. If you don't think it would bother you at all, this album will spend a whole lot of time in your cd player.