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Francis A. Sinatra & Edward K. Ellington
 
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Francis A. Sinatra & Edward K. Ellington

Frank Sinatra, Frank Sinatra,duke Ellington, Duke Ellington
4.0 out of 5 stars See all reviews (13 customer reviews) More about this product


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Find all the music by Frank Sinatra, Frank Sinatra,duke Ellington, or Duke Ellington. The history. Photos. Discussions. Where a fan can be a fan.

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Product Details

  • Audio CD (October 25, 1990)
  • Original Release Date: December 12, 1967
  • Number of Discs: 1
  • Label: Warner Bros / Wea
  • ASIN: B000002K9R
  • Also Available in: Vinyl
  • Average Customer Review: 4.0 out of 5 stars See all reviews (13 customer reviews)
  • Amazon.com Sales Rank: #207,384 in Music (See Bestsellers in Music)

Listen to Samples

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1. Follow Me [From Camelot]
2. Sunny
3. All I Need Is the Girl [From Gypsy]
4. Indian Summer
5. I Like the Sunrise
6. Yellow Days
7. Poor Butterfly
8. Come Back to Me [From On a Clear Day You Can See Forever]

Editorial Reviews

Amazon.com essential recording
Recorded on Sinatra's birthday in 1967, this collaboration between America's most popular singing icon and preeminent jazz composer still endures as one of Sinatra's most enjoyable Reprise-era albums. The Ellington Orchestra stretches out in style, with the five-man horn section (including trumpeter Cootie Williams and saxophonist Johnny Hodges) expertly counterpointing the Chairman's assured vocalizations on "All I Need Is the Girl," "Follow Me" and Ellington's "I Like the Sunrise." Bobby Hebb's "Sunny" works surprisingly well (Sinatra sounds as if he's singing it to Frank Jr.), and "Indian Summer" is heart-stoppingly lovely. Francis A. & Edward K. offers ample proof that, provided with properly challenging material, Sinatra could still astound and amaze. Sadly, the record sold poorly, presaging a move towards poppier pastures. --Dan Epstein

Amazon.com
Recorded on Sinatra's birthday in 1967, this collaboration between America's most popular singing icon and pre-eminent jazz composer still endures as one of Sinatra's most enjoyable Reprise-era albums. The Ellington Orchestra stretches out in style, with the five-man horn section (including trumpeter Cootie Williams and saxophonist Johnny Hodges) expertly counterpointing the Chairman's assured vocalizations on "All I Need Is the Girl," "Follow Me" and Ellington's "I Like the Sunrise." Bobby Hebb's "Sunny" works surprisingly well (Sinatra sounds as if he's singing it to Frank Jr.), and "Indian Summer" is heart-stoppingly lovely. Francis A. & Edward K offers ample proof that, provided with properly challenging material, Sinatra could still astound and amaze. Sadly, the record sold poorly, presaging a move towards poppier pastures. --Dan Epstein

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Customer Reviews

13 Reviews
5 star:
 (5)
4 star:
 (4)
3 star:
 (3)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (13 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
4 of 4 people found the following review helpful:
3.0 out of 5 stars "What?--No Satin Doll?", February 10, 2002
By "franksoprano" (Tamarac, Fl USA) - See all my reviews
The Sinatra-Ellington album (coyly entitled "Francis A & Edward K," which might actually have hurt sales) was puzzling for two reasons: it contains only 8 songs and there's only one Ellington tune contained--the hymnal "I Like The Sunrise."

The album would have seemed a perfect opportunity for Sinatra to explore some Ellington classics which he had never recorded--"Sophisticated Lady" "Satin Doll" and "Solitude" come immediately to mind..Sinatra echews these and other titles in favor, for example, of Bobby Hebb's innocuous 60's hit "Sunny". I know that Sinatra was never a fan of the songbook concept, as Ella was, for example, but in this case he was working with the composer.

Word has it there were problems at the sessions...The Ellington band did not rehearse the charts ahead of time and the musicians could not sight read (as Basie's sidemen could)so arranger Billy May had to call in a few ringers to get the sessions completed--pianist Jimmy Jones actually fills in for the Duke a few times.

"Francis A & Edward K" has its moments, though-- Johnny Hodges' brilliant solo on "Indian Summer" and Sinatra's incredible performance of "Poor Butterly" which finds him singing the song in full three times and doing it differently each time out.

The most dissapointing thing about "Francis A and Edward K" is thinking about what it might have been.

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7 of 9 people found the following review helpful:
5.0 out of 5 stars Elegant and Timeless, March 2, 2002
By gary w jensen (Falls Church, Virginia United States) - See all my reviews
One of Sinatra's very best efforts. As great as some of the Capital swingers are, they are clearly dated to the time period in which they were recorded, whereas this album has a timeless quality. This is also true of his collaborations with Count Basie and Antonio Carlos Jobim, but as fine as those recordings are, they aren't as elegant sounding as this record.

The recordings are tasteful and restrained throughout, except for the overly frentic "Come back to me" that closes the record. The opening cut "Follow me", is majestic. "Sunny" is given a blues treatment, complete with a "growl" trumpet, and the arrangement elevates an otherwise mediocre composition to grandeur. "Indian Summer" is one of the most beautiful songs Sinatra ever recorded. The elegant simplicity of "I like the sunrise" is timeless. "Yellow days" and "Poor buterfly" are perfectly executed.

Sinatra was in fine voice and the orchestra, though restrained, played with sensitiviy and good taste - especially the soloists. There are only eight cuts, but the band stretches out, and the solos are stunning and fully realized, instead of the little snippets on the 2 to 3 minute cuts on his other albums that leave you begging for more. Only "Come back to me" misfires - The arrangement is too fast and doesn't fit in with the album's sound, although the lyrics are fantastic.

It's too bad this album so underrated and overlooked, because, frankly, it puts his other, more popular swingers like "Come Swing With Me", "Sinatra and Swinging Brass", and "Sinatra Swings", to shame.

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2 of 2 people found the following review helpful:
4.0 out of 5 stars Not Frank or Duke's Peak...Still some stellar performances!, December 6, 2001
By S. Henkels (Devon, Pa United States) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)      
This album almost seems like an orphan.Here we have a collaboration between the best singer,and top jazzman,and it seems (almost) no one wants it! I actually prefer this to the two studio records of Frank and Count Basie.All these tunes,with the exception, of "Come Back to Me" are middle tempos,and many have a touch of sad melancholy. Which may be my reason for liking some of these cuts so much. My two favorites are "I Like the Sunrise",a haunting bit of melancholy optimism. I think Frank's somewhat craggy vocal here,and on the rest of the album,is a fine fit.And there is poetry in these lyrics: "I like the sunrise 'cause it brings a new day. I like a new day.It brings new hope, they say" and "my brand new bright tomorrow isn't very far". The arrangement here is great,though it seems that on occasion one of the players is stretching a high note."Poor Butterfly" based on a Japanese classical melody (I think) has never been done better,and has a bouncier feel but more sad lyrics. "Yellows Days", the same."All I Need is the Girl" has a loopy feel which makes it all the better. And these songs are not overdone by every aspiring Sinatra or Ella. Even Frank has never done them before, except possibly during the very early years. All in all, a rough gem,but still a gem,offering still more to the Frank oeuvre.
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Most Recent Customer Reviews

4.0 out of 5 stars Good but flawed
I think the best thing about this album is the Billy May arrangements. Sinatra is not in great voice - listen to the flat clunker he hits at the end of "Come Back to... Read more
Published on September 18, 2001

3.0 out of 5 stars Might as well have been a session band
Sinatra fans will love it, Ellington fans will be disappointed. Obviously Sinatra took all the reigns on these studio dates. Read more
Published on July 27, 2000 by Michael R. Lachance

5.0 out of 5 stars The Essential Sinatra Jazz Album
If you are interested in acquiring just one jazz or swing album by Sinatra, this is the one to get. I may be in a minority among Sinatraphiles on this, but the fact is that the... Read more
Published on July 16, 2000

5.0 out of 5 stars Great!
This album of only eight cuts is the only collaboration of Ellington and Sinatra. I think that Ellington did not like Sinatra. Read more
Published on June 23, 2000 by James M. Cargal

4.0 out of 5 stars Unsatisfying Summit Meeting
Of all of Sinatra's albums this is the most disappointing, primarily because of the enormous expectations a listener might justifiably have when America's greatest singer teams up... Read more
Published on May 22, 2000 by Samuel Chell

5.0 out of 5 stars Music giants mesh!
Listening to this album, even with the Duke at an advanced age(68)I loved it right away. Great songs done by Great musical artists. Read more
Published on March 11, 2000 by R. A Massa

2.0 out of 5 stars Not a Swingin' Summit Meeting
Yes it's hard to believe that the swinging Ellington Band and the best vocalist around can't connect and make sparks happen in the studio. Read more
Published on October 1, 1999

4.0 out of 5 stars Not as good as you might expect...but it's still SINATRA
Sinatra's collaborations with Count Basie were monumentally successful, musically and publically. His stint with Ellington is less so. Read more
Published on September 6, 1999 by Anthony Paul

5.0 out of 5 stars Sinatra at His Best!!
If you've never heard this album, you're in for a real treat. It's a bit different from his usual "ring-a-ding" or "Wee Small Hours" albums, but if you dig... Read more
Published on November 17, 1998

3.0 out of 5 stars A missed opportunity
The best that can be said for this album is that the performances are up to snuff. As usual, Sinatra is in command of the material and the Ellingon band sounds great. Read more
Published on July 13, 1998

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