|
|
6 of 7 people found the following review helpful:
5.0 out of 5 stars
great 80's synth-pop album, April 28, 2004
It's really sad, the number of times I have seen The Circus in used CD bins over the years. In a lot of ways, this is one of Erasure's strongest albums. As most people know, Wonderland, their first album, was something of a dud. The follow-up, Circus, is the first album to establish the "Erasure" sound throughout. More importantly, it tackles a lot of social issues without being preachy or precious, an uncanny ability Erasure always had. During the course of Circus, we hear about racial injustice (It Doesn't Have to Be), homophobia (Hideaway), peace & harmony (If I Could), and the plight of the working class (The Circus). However, with their catchy hooks, lyrics, and Andy's fine singing, you have enough else to concentrate on without feeling "preached" to!The album opens with It Doesn't Have to Be, which didn't get any airplay in America (at least in my memory), but is one of their best songs, in my opinion. Apart from being just a great song overall, it draws upon African percussion rhythms, and even has Andy singing in Swahili(?). Everytime I hear it, I think of the video, where he is waving the sparklers around. Next comes Hideaway, which has a lot of personal meaning for me as a gay man, although fortunately I wasn't "rejected by the people that I cared for!" Aside from the subject matter, it's another good song. Don't Dance seems to be a favorite with other reviewers, and I have to agree. It's a testimony to Erasure's talent that even the "non-singles" can sound this good. If I Could, which comes after, is another one that affects me. The song seems to be about a broken relationship, but the refrain, "If I could make the world a little better, you know I would," suggests something else entirely- a heartfelt cry for world peace. Sexuality is a notch below the rest, only because sonically it's somewhat jumbled. On the other hand, it's one of their most provocative songs ever, with lyrics like, "let's not pretend you're shy about it" and "strip it, do it". Victim of Love, which actually was a radio hit, is one of their most soulful ever. They tap into R&B and Soul, with such lyrics as "I'm gonna find you out." Leave Me to Bleed is another non-single that tops them all, a great song to listen to if you've ever been jilted by somebody.
Sometimes was another radio hit- did any other synth-pop group use a saxophone melody like that? The Circus, while not an obvious choice for a single, is a stroke of genius, in how it mixes a "carnival" sound with such grave lyrics about the disenfranchisement of the working man. The album "proper" ends with Spiralling, which for my tastes could have been left off altogether, though it has its fans. The bonus tracks, sadly, are all duds. In the Hall of the Mountain King is just Vince Clarke's electro-reworking of a classical tune. And the remixes of Sometimes and It Doesn't Have to Be are nothing special, just your standard 80's "extended" mix, which doesn't reveal any new facet of the song, or make it danceable. It doesn't matter, though, because the album itself is so strong. If you think that Erasure's glory days begin with The Innocents, Wild!, or Chorus, think again.
|
Erasure share their favorite music with Amazon customers. See all artists' picks on our Music You Should Hear page.
is Erasure's 
