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28 of 29 people found the following review helpful:
5.0 out of 5 stars
lower case name, BOLD CAPITAL talent, January 29, 2002
The first time I saw k.d. lang (on "Hee Haw," no less), I thought I was seeing my boyhood friend Woody Meeks again. But when k.d. opened her mouth and that big, big voice washed over me like warm honey, I was 95% certain Woody never could have learned to sing like that. Needless to say, k.d. didn't exactly fit the mold of a "Hee Haw" honey. Visually and vocally, k.d. was a brash breath of fresh Canadian air, a big-boned gal on a mission to teach the big-haired country music queens of the day how to sing it right. On "Absolute," she does just that. This is a bold album, nearly perfect, that sounds as good today as it did in 1989. Better, even, if you put it up against the dross that passes for country music nowadays. k.d. holds her own, whether it's Western swing ("Three Days"), lush ballad ("Trail of Broken Hearts") or high octane hybrid ("Big Big Love"). On "Big Boned Gal" and "It's Me," she has great fun celebrating her, shall we say, differentness, with a hearty nudge-nudge, wink-wink. k.d.'s band, the Reclines, sound like the tightest, smartest, most versatile roadhouse band ever assembled. Enough said. My favorite track is "Pullin' Back the Reins," one of eight superb songs k.d. wrote for the album with longtime collaborator/co-producer Ben Mink. Silky smooth and absolutely, flat-out gorgeous, a single playing of "Reins" would gentle the wildest mustang.
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