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44 of 44 people found the following review helpful:
5.0 out of 5 stars
The Best is Yet to Come, November 19, 2001
If you're contemplating buying a Sinatra allbum, it would be difficult to go wrong with this one -- most of what is included here really is among the best of Sinatra's work at Reprise. To some extent, however, this represents the most commercial of his later recordings, which means that many artistic highlights are excluded.On the plus side, the 1963 re-recording of 'I've Got You Under My Skin' is sensational, even if the 1956 Capitol original is often mentioned as the best popular song of the century. 'Summer Wind', from the 'Strangers in the Night' album of 1966 is perfect, but the title track -- included here because it was a huge hit when released -- is schmaltz. Sinatra said he hated it when he recorded it and rarely if ever performed it. In contrast, 'Wave' (not included here) recorded with Antonio Carlos Jobim, rated as one of Sinatra's personal favorites and it is a piece of vocal nirvana -- but it was less successful than 'Strangers' and so is omitted. A magnficent 1967 collaboration with Jobim ('The Girl from Ipanema', 'Corcovado') is inexplicably not represented here. 'Luck Be A Lady,' a Billy May arrangement that originally appeared in the Reprise Repertory version of 'Guys and Dolls', is one of the most exhuberant Sinatra recordings ever. It swings, and the vocals are a tour de force -- when he sings that 'a lady doesn't wander all over the room', listen to the inflection and the long lines without obtrusive breathing. Astounding. 'Night and Day' and 'All or Nothing at All' are Sinatra standards that he recorded for Columbia, Capitol and here Reprise. While the Capitol version of 'Night and Day' is one of Sinatra's best recordings of all time, this version is especially stately and grand and worth hearing. 'The Theme from New York, New York' and 'It Was A Very Good Year' may be the best here, because they are not remakes, and the deepened baritone of 1965 FS ('Very Good Year') and the coarsened 1979 version ('NY NY') serve these tracks well. Overall, some great material. Any collection will overlook significant recordings, but even the listener who owns 50 or 60 Sinatra albums would find occasion to play this one. If this album is your introduction to Sinatra, consider Reprise's 'The Very Best of Frank Sinatra' instead -- mostly similar material, but with 'Wave', 'Witchcraft' and some great early Reprise material with Johnny Mandel ('A Foggy Day') and high octane Count Basie ('Nice Work if You Can Get It'). Also, I cannot recommend urgently enough that you consider a 'best of' set from Capitol and, once you are completely hooked, the 'best of' set from Columbia. There is probably no more perfect musical experience than listening to Sinatra singing Cole Porter in the evening, drink in hand, through your favorite speakers. If you have not yet experienced the original concept albums -- well, then the best is yet to come.
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