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9 of 9 people found the following review helpful:
4.0 out of 5 stars
Fascinating with spectacular moments, March 3, 2006
These two CDs document Herbie Hancock's music from 1969-1971 for the Warner Brothers label, released originally as three albums. It is a testament to how much jazz was changing at the time that the first album and the last are so drastically different, though the middle album helps to bridge the gap. The first album, "Fat Albert Rotunda," was music that Hancock wrote for "Fat Albert," the Bill Cosby cartoon. For the most part, the music is very funky, but more in the Lee Morgan boogaloo sense than in the Headhunters of the 70s sense. At this point, so much energy had been used trying to find the next hit boogaloo to succeed "The Sidewinder" that the subgenre had been exhausted. Thus, many of the tunes on this album sound very very similar (and one cut actually steals the Horace Silver groove from "The Jody Grind" three years earlier). That having been said, for what it is, the level of musicianship is very high, as Hancock was truly the inventor of this type of tune. The highlights of "Fat Albert Rotunda" are actually the non-funk tunes, few as they are. "Tell me a Bedtime Story" is absolutely beautiful, though it does sound dated mainly because of the groove (the drum pattern used sounds eerily like disco music even though this was almost a decade before the disco craze). "Jessica" is another really pretty ballad, though the orchestrations are a little thick at some times (the melody is beautiful enough to stand alone in my opinion).
The truly wonderful music on this CD comes from the second and third albums represented here, "Mwandishi" and "Crossings." The former features exploratory (though still listenable) extended pieces with an emphasis on odd rhythmic patterns and grooves (though not in the funk sense). "Ostinato" and "You'll Know When You Get There" are excellent, fascinating pieces, while "Wandering Spirit Song" wanders a bit too far to keep my attention.
If you have an adventurous ear, far and away the best music on here comes from "Crossings." With the inclusion of Patrick Gleeson on synthesizers (the first time they were used in jazz, Gleeson's idea), this is electronic music, and can be labeled "fusion" but it's early fusion, before it was commercialized and streamlined. The result is an amazing array of sounds and colors (though the music doesn't rely solely on technology; the writing here is especially strong) with sporadic but glorious moments of funk. Early fusion was often about building great amounts of tension and then releasing them in glorious fashion (though that could be said about a lot of jazz) and there is one moment about twenty minutes into "Sleeping Giant" where Bennie Maupin has been soloing, raising the intensity level gradually, leading the band into a frenzy on one chord to the bursting point, then pow, they hit the bridge and fall back into perfect time. Musicians live for moments like that.
Get this CD because it is fascinating to trace the development of fusion leading up to its breakout with "Headhunters" and "Heavy Weather." There is something for everyone; casual listeners will enjoy the grooving funk of "Fat Albert Rotunda" while serious jazz-heads will be enthralled by almost every moment of Hancock's electronic experiments.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Funky And A Bit Crazy, July 26, 2005
this double cd compiles the complete recordings from three of herbie hancock's sextet releases - fat albert rotunda, mwandishi and crossings. recorded between 1969 and 1972 the band(s) created a musical hybrid of jazz-fusion and rock. like miles davis' recordings released in the same time period, the mwandishi recordings were introspective, explorative, and focused on sounds that were more representative of rock than they were of jazz. the music from fat albert rotunda is the most structured of the three albums and tracks like "wiggle waggle" and "fat mama" are out-in-out hard jazz funk. although these tracks are a bit more focused than the others on the cds, they lack the structure that was more easily accessible with hancock's later band, the headhunters. the tracks included from mwandishi and crossings are spatial and free. the melodies are rarely coherent, and the solos have a tendency to be a bit loose. even still, there is an undeniable weird funkiness to many of these tracks. it's impossible not to be somewhat engrossed by the music on these cds, but it's tough to groove with the music all of the time (it's definitely not always an easy listen).
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Great Collection, March 28, 2000
First off, this is a great bargain, containing 3 previously-rare Hancock albums at one moderate price. My summary of each album hereon :Fat Albert Rotunda - an impressive progression from "Speak Like A Child" and "The Prisoner", with some great tracks and compositions on it. Mwandishi - starts with the brilliant, Miles-like "Ostinato" which anticipates the brilliant "Sextant" sound. The other tracks move towards a strange airy ambience not unlike the music later popularized as "ambient". It's interesting stuff and pretty moody. Crossings - The more difficult listening of the 3 records. Alternates between more airy, slightly haunting ambience and wilder fusion-styled playing. This one does grow on you at least a bit if you give it a chance. END
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