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9 of 9 people found the following review helpful:
4.0 out of 5 stars
Great symphonic tunes, and Huey Lewis & The News to boot!, February 11, 2001
All right, I admit it... my main interest in picking this up was not for the instrumentals. Like most folks, I wanted it for the two cuts by Huey Lewis and The News, 'The Power of Love' and 'Back In Time'. Yes, I really dug on those 80's bubble-gum/retro pop tracks back in my middle school days, and I needed to complete my HL&N collection, okay? And don't laugh, cuz you bought this OST back then for the exact same reason, and don't you deny it! Besides, with the boom of the 80's nostalgia market nowadays- with TransFormers, G.I. Joe, Masters of the Universe, Voltron and John Hughes-directed movies being just a few examples- this soundtrack will be stylin' once again in no time!But even though my reasons for owning this recording was to add to my library of Reagan-era pop, it did introduce me to the world of symphonic music. Up until that time, I never cared much for symphony, be it classical or modern. Alan Silvestri's efforts added just the right tone to the movies' many tense and exciting moments. His BTTF overture got me curious enough to check out the works of other great notable soundtrack composers, including Jerry Goldsmith (Star Trek I, V, VIII & IX, Total Recall), James Horner (Star Trek II, III), Basil Poledouris (RoboCop, Starship Troopers, Conan) and especially John Williams (The Star Wars & Indiana Jones Trilogies, Superman The Movie). Of course it also helps that I'm a big fan of the films that these composers wrote music for. Ironically, my interests in other Silvestri pieces is minimal. I don't even know any other movies he's scored tunes for aside from the BTTF trilogy! This soundtrack also introduced me to Eric Clapton. Sadly, I was less than impressed by his '(Heaven is) One Step Away'. Fortunately, I discovered other Clapton tunes that changed my preconceptions about his talent and abilities. Lindsay Buckinghams' 'Time Bomb Town' is pretty paranoid, and isn't exactly a cut that makes for a comfortable listen. But the many other tracks more than make up for these less-than-stellar performances. 'Late
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